℗ 2019 Azica Records
| Released | July 19, 2019 |
| Duration | 57m 01s |
| Record Label | Azica Records |
| Catalogue No. | Azica71328 |
| Genre | Classical (Chamber) |
Dance
Jason Vieaux, Escher String Quartet
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Guitar Quintet, Op. 143
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1.1
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I. Allegro, vivo e schietto
Mario Castelnuovo-Tedesco; Jason Vieaux; Escher String Quartet |
5:55 | |||
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1.2
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II. Andante mesto
Mario Castelnuovo-Tedesco; Jason Vieaux; Escher String Quartet |
6:03 | |||
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1.3
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III. Scherzo. Allegro con spirit, alla marcia
Mario Castelnuovo-Tedesco; Jason Vieaux; Escher String Quartet |
4:33 | |||
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1.4
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IV. Finale. Allegro con fuoco
Mario Castelnuovo-Tedesco; Jason Vieaux; Escher String Quartet |
6:05 | |||
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100 Greatest Dance Hits
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1.5
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No. 1, Introduction to the Dance Party
Aaron Jay Kernis; Jason Vieaux; Escher String Quartet |
1:52 | |||
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1.6
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No. 2, Salsa Pasada
Aaron Jay Kernis; Jason Vieaux; Escher String Quartet |
3:23 | |||
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1.7
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No. 3, MOR Easy Listening Slow Dance Ballad
Aaron Jay Kernis; Jason Vieaux; Escher String Quartet |
6:46 | |||
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1.8
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No. 4, Dance Party on the Disco Motorboat
Aaron Jay Kernis; Jason Vieaux; Escher String Quartet |
3:29 | |||
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Guitar Quintet No. 4 in D Major, G. 448 "Fandango"
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1.9
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I. Pastoral (After G. 270)
Luigi Boccherini; Jason Vieaux; Escher String Quartet |
4:52 | |||
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1.10
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II. Allegro maestoso (After G. 270)
Luigi Boccherini; Jason Vieaux; Escher String Quartet |
6:51 | |||
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1.11
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III. Grave assai (After G. 341)
Luigi Boccherini; Jason Vieaux; Escher String Quartet |
1:33 | |||
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1.12
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IV. Fandango (After G. 341)
Luigi Boccherini; Jason Vieaux; Escher String Quartet |
5:39 | |||
Grammy Award winner Jason Vieaux joins forces with the esteemed Escher Quartet to produce a recording with some new and old works with dance themes in common. These three works may share elements of dance-inspired music, and contain actual allusions to specific dances in the titles (or expressive markings) of certain movements, but that is where the similarities end. These guitar quintets, all from very different periods, couldn’t be any more different from each other in style, timbre, texture and dynamics. They show the musical range and flexibility of the guitar within a more traditional chamber music group setting.
96 kHz / 24-bit PCM – Azica Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.84 -6.47 to -0.26 | -25.52 -28.78 to -20.96 | -22.21 -24.90 to -17.70 | 16 13 to 19 | |
| 1 | I. Allegro, vivo e schietto | -0.26 | -24.42 | -21.5 | 15 |
| 2 | II. Andante mesto | -4.57 | -26.08 | -23.4 | 13 |
| 3 | III. Scherzo. Allegro con spirit, alla marcia | -0.35 | -26.17 | -23.1 | 15 |
| 4 | IV. Finale. Allegro con fuoco | -0.26 | -22.40 | -19.2 | 15 |
| 5 | No. 1, Introduction to the Dance Party | -0.27 | -28.38 | -24.6 | 19 |
| 6 | No. 2, Salsa Pasada | -2.22 | -26.85 | -23.3 | 17 |
| 7 | No. 3, MOR Easy Listening Slow Dance Ballad | -4.20 | -28.78 | -24.4 | 16 |
| 8 | No. 4, Dance Party on the Disco Motorboat | -0.26 | -24.80 | -21.0 | 18 |
| 9 | I. Pastoral (After G. 270) | -2.67 | -26.63 | -24.0 | 15 |
| 10 | II. Allegro maestoso (After G. 270) | -0.26 | -22.73 | -19.4 | 15 |
| 11 | III. Grave assai (After G. 341) | -6.47 | -28.01 | -24.9 | 14 |
| 12 | IV. Fandango (After G. 341) | -0.26 | -20.96 | -17.7 | 14 |