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R. Schumann: Intermezzi Op. 4 & Piano Sonata in F-Sharp Minor, Op. 11

Tullia Melandri

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Intermezzi, Op. 4  
1.1
No. 1, Allegro quasi maestoso
Robert Schumann; Tullia Melandri
3:35
1.2
No. 2, Presto a capriccio
Robert Schumann; Tullia Melandri
4:23
1.3
No. 3, Allegro marcato
Robert Schumann; Tullia Melandri
4:04
1.4
No. 4, Allegro semplice
Robert Schumann; Tullia Melandri
1:33
1.5
No. 5, Allegro moderato
Robert Schumann; Tullia Melandri
5:06
1.6
No. 6, Allegro
Robert Schumann; Tullia Melandri
2:51
Piano Sonata in F-Sharp Minor, Op. 11  
1.7
I. Introduzione. Un poco adagio - Allegro vivace
Robert Schumann; Tullia Melandri
13:29
1.8
II. Aria
Robert Schumann; Tullia Melandri
3:26
1.9
III. Scherzo. Allegrissimo - Intermezzo. Lento
Robert Schumann; Tullia Melandri
5:29
1.10
IV. Finale. Allegro un poco maestoso
Robert Schumann; Tullia Melandri
11:20
Digital Booklet
Total Playing Time    55:16
Schumann composed the Intermezzi Op. 4 in Spring 1832 and declared that they were special works, conceived as “longer Papillons” where “every note ought to be weighed and balanced”. The Intermezzi employ the same techniques used in Op. 2: quotations, fragments, and metamorphoses of poetry into music. The Piano Sonata in F sharp minor Op. 11 was written between 1833-35 and dedicated to his beloved Clara Wieck, to whom Schumann addresses with the two alter-egos of his split personality, Florestan and Eusebius, the former enthusiastic and passionate, the latter introvert and reflective. This recording was made on a Simon fortepiano dating from the 1830s, which possesses the same characteristics of the instrument used by Robert Schumann himself. Italian-born Tullia Melandri is specialized in Music philology and has got a diploma in piano and fortepiano. An award winner at numerous piano and chamber music competitions, Melandri has performed at festivals and in concert seasons all over Europe.
96 kHz / 24-bit PCM – Dynamic Studio Masters

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