℗ 2019 IBS Classical
| Released | July 5, 2019 |
| Duration | 1h 09m 22s |
| Record Label | IBS Classical |
| Catalogue No. | IBS-82019 |
| Genre | Classical (Chamber) |
Brahms: Cello Sonatas Nos. 1-2 & Lieder (Arr. for Cello & Piano)
Asier Polo, Eldar Nebolsin
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Sonata No. 1 in E Minor, Op. 38
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1.1
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I. Allegro non troppo
Johannes Brahms; Asier Polo; Eldar Nebolsin |
15:14 | |||
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1.2
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II. Allegro quasi menuetto
Johannes Brahms; Asier Polo; Eldar Nebolsin |
6:07 | |||
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1.3
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III. Allegro
Johannes Brahms; Asier Polo; Eldar Nebolsin |
6:22 | |||
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1.4
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Von ewiger Liebe, Op. 43 No. 1 (Arr. for Cello & Piano)
Johannes Brahms; Asier Polo; Eldar Nebolsin |
5:08 | |||
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1.5
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Die Mainacht, Op. 43 No. 2 (Arr. for Cello & Piano)
Johannes Brahms; Asier Polo; Eldar Nebolsin |
3:39 | |||
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Cello Sonata No. 2 in F Major, Op. 99
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1.6
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I. Allegro vivace
Johannes Brahms; Asier Polo; Eldar Nebolsin |
9:12 | |||
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1.7
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II. Adagio affettuoso
Johannes Brahms; Asier Polo; Eldar Nebolsin |
7:25 | |||
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1.8
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III. Allegro passionato
Johannes Brahms; Asier Polo; Eldar Nebolsin |
7:21 | |||
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1.9
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IV. Allegro molto
Johannes Brahms; Asier Polo; Eldar Nebolsin |
4:34 | |||
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1.10
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Wie Melodien zieht es mir, Op. 105 No. 1 (Arr. for Cello & Piano)
Johannes Brahms; Asier Polo; Eldar Nebolsin |
2:34 | |||
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1.11
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Ständchen, Op. 106 No. 1 (Arr. for Cello & Piano)
Johannes Brahms; Asier Polo; Eldar Nebolsin |
1:46 | |||
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Digital Booklet
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Thus, the music of Brahms, regardless of tastes, trends or aesthetic currents, is already part of the whisper of history. It does not need defenders, it does not concern detractors. It just stays. This recording that is presented here breathes nobility. Nobility in the message of Brahms’s work and nobility in an interpretation that also starts from an absolute devotion to the music of two performers in a moment of full artistic maturity. There are no hesitations here either, the ideas are clearly and emphatically exposed, everything emerges and develops as if there were no other possibility of interpretation. Pure music that demands a total surrender and that parts from the deep knowledge of the Brahmsian language that the interpreters display at all times.
352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM – IBS Classical Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.02 -8.00 to 0.00 | -22.29 -28.23 to -18.63 | -18.80 -24.90 to -15.60 | 13 12 to 15 | |
| 1 | I. Allegro non troppo | 0.00 | -21.42 | -17.9 | 14 |
| 2 | II. Allegro quasi menuetto | -0.45 | -21.97 | -18.7 | 13 |
| 3 | III. Allegro | 0.00 | -18.63 | -15.6 | 12 |
| 4 | Von ewiger Liebe, Op. 43 No. 1 (Arr. for Cello & Piano) | -0.51 | -22.26 | -18.8 | 13 |
| 5 | Die Mainacht, Op. 43 No. 2 (Arr. for Cello & Piano) | -2.55 | -26.05 | -22.1 | 14 |
| 6 | I. Allegro vivace | 0.00 | -19.28 | -15.9 | 13 |
| 7 | II. Adagio affettuoso | 0.00 | -23.57 | -19.6 | 15 |
| 8 | III. Allegro passionato | 0.00 | -19.65 | -16.3 | 12 |
| 9 | IV. Allegro molto | 0.00 | -19.90 | -16.6 | 13 |
| 10 | Wie Melodien zieht es mir, Op. 105 No. 1 (Arr. for Cello & Piano) | -8.00 | -28.23 | -24.9 | 12 |
| 11 | Ständchen, Op. 106 No. 1 (Arr. for Cello & Piano) | -2.62 | -24.23 | -20.4 | 13 |