Holst: Orchestral Works
London Philharmonic Orchestra, Adrian Boult, London Symphony Orchestra
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
A Fugal Overture, Op. 40 No. 1, H. 151
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
5:12 | |||
1.2
|
A Somerset Rhapsody, Op. 21 No. 2, H. 87
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
9:01 | |||
Beni Mora, Op. 29 No. 1, H. 107
|
|||||
1.3
|
I. First Dance
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
6:28 | |||
1.4
|
II. Second Dance
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
3:55 | |||
1.5
|
III. Finale. In the Streets of the Ouled Nails
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
6:50 | |||
1.6
|
Hammersmith, Op. 52, H. 178 (Version for Orchestra)
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
13:40 | |||
1.7
|
Scherzo, H. 192
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
5:29 | |||
Japanese Suite, Op. 33, H. 126
|
|||||
1.8
|
I. Prelude. Song of the Fisherman
Gustav Holst; London Symphony Orchestra; Adrian Boult |
2:35 | |||
1.9
|
II. Ceremonial Dance
Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:52 | |||
1.10
|
III. Dance of the Marionette
Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:44 | |||
1.11
|
IV. Interlude. Song of the Fisherman
Gustav Holst; London Symphony Orchestra; Adrian Boult |
0:49 | |||
1.12
|
V. Dance Under the Cherry Tree
Gustav Holst; London Symphony Orchestra; Adrian Boult |
2:25 | |||
1.13
|
VI. Finale. Dance of the Wolves
Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:41 | |||
Digital Booklet
|
|||||
Total Playing Time 61:41
|
"This album very usefully contains all the Holst recordings made for Lyrita by Sir Adrian. Boult was a close friend of Holst, and his performances have unmistakable authority. Each item is brought to life in a clear-sighted, objective yet expressive fashion. There are no interpretative frills, but there is much insight and a quiet, confident mastery." Gramophone "Boult's knowledge of this repertoire - after all he directed the premiè of The Planets - allied to his technical mastery conspires to produce quite superb performances."
- The Penguin Guide to Recorded Classical Music
- The Penguin Guide to Recorded Classical Music
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Lyrita Studio Masters
Track 1 – 96 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track 1 – 96 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit