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℗ 2006 Lyrita
Released | October 1, 2006 |
Duration | 1h 01m 41s |
Record Label | Lyrita |
Catalogue No. | SRCD222 |
Genre | Classical (Orchestral) |
Holst: Orchestral Works
London Philharmonic Orchestra, Adrian Boult, London Symphony Orchestra
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
A Fugal Overture, Op. 40 No. 1, H. 151
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
5:12 | |||
1.2
|
A Somerset Rhapsody, Op. 21 No. 2, H. 87
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
9:01 | |||
Beni Mora, Op. 29 No. 1, H. 107
|
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1.3
|
I. First Dance
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
6:28 | |||
1.4
|
II. Second Dance
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
3:55 | |||
1.5
|
III. Finale. In the Streets of the Ouled Nails
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
6:50 | |||
1.6
|
Hammersmith, Op. 52, H. 178 (Version for Orchestra)
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
13:40 | |||
1.7
|
Scherzo, H. 192
Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
5:29 | |||
Japanese Suite, Op. 33, H. 126
|
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1.8
|
I. Prelude. Song of the Fisherman
Gustav Holst; London Symphony Orchestra; Adrian Boult |
2:35 | |||
1.9
|
II. Ceremonial Dance
Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:52 | |||
1.10
|
III. Dance of the Marionette
Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:44 | |||
1.11
|
IV. Interlude. Song of the Fisherman
Gustav Holst; London Symphony Orchestra; Adrian Boult |
0:49 | |||
1.12
|
V. Dance Under the Cherry Tree
Gustav Holst; London Symphony Orchestra; Adrian Boult |
2:25 | |||
1.13
|
VI. Finale. Dance of the Wolves
Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:41 | |||
Digital Booklet
|
"This album very usefully contains all the Holst recordings made for Lyrita by Sir Adrian. Boult was a close friend of Holst, and his performances have unmistakable authority. Each item is brought to life in a clear-sighted, objective yet expressive fashion. There are no interpretative frills, but there is much insight and a quiet, confident mastery." Gramophone "Boult's knowledge of this repertoire - after all he directed the premiè of The Planets - allied to his technical mastery conspires to produce quite superb performances."
- The Penguin Guide to Recorded Classical Music
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Lyrita Studio Masters
Track 1 – 96 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track 1 – 96 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.89 -7.36 to -0.92 | -23.70 -27.09 to -20.08 | -18.66 -23.80 to -16.00 | 12 8 to 15 | |
1 | A Fugal Overture, Op. 40 No. 1, H. 151 | -1.84 | -21.25 | -16.0 | 11 |
2 | A Somerset Rhapsody, Op. 21 No. 2, H. 87 | -1.25 | -25.94 | -19.2 | 13 |
3 | I. First Dance | -1.19 | -24.54 | -18.4 | 13 |
4 | II. Second Dance | -1.59 | -27.09 | -23.8 | 15 |
5 | III. Finale. In the Streets of the Ouled Nails | -1.58 | -22.67 | -16.2 | 11 |
6 | Hammersmith, Op. 52, H. 178 (Version for Orchestra) | -1.40 | -26.96 | -19.0 | 15 |
7 | Scherzo, H. 192 | -0.93 | -24.72 | -19.0 | 14 |
8 | I. Prelude. Song of the Fisherman | -1.26 | -23.36 | -19.3 | 12 |
9 | II. Ceremonial Dance | -1.31 | -21.19 | -16.7 | 11 |
10 | III. Dance of the Marionette | -1.33 | -23.43 | -19.3 | 13 |
11 | IV. Interlude. Song of the Fisherman | -2.58 | -20.08 | -16.2 | 8 |
12 | V. Dance Under the Cherry Tree | -7.36 | -25.93 | -22.8 | 11 |
13 | VI. Finale. Dance of the Wolves | -0.92 | -20.87 | -16.7 | 12 |