℗ ℗ 2006 Lyrita
Holst: Orchestral Works
London Philharmonic Orchestra, Adrian Boult, London Symphony Orchestra
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1 |
A Fugal Overture, Op. 40 No. 1, H. 151 Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
5:12 | |||
2 |
A Somerset Rhapsody, Op. 21 No. 2, H. 87 Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
9:01 | |||
Beni Mora, Op. 29 No. 1, H. 107 |
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3 |
I. First Dance Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
6:28 | |||
4 |
II. Second Dance Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
3:55 | |||
5 |
III. Finale. In the Streets of the Ouled Nails Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
6:50 | |||
6 |
Hammersmith, Op. 52, H. 178 (Version for Orchestra) Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
13:40 | |||
7 |
Scherzo, H. 192 Gustav Holst; London Philharmonic Orchestra; Adrian Boult |
5:29 | |||
Japanese Suite, Op. 33, H. 126 |
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8 |
I. Prelude. Song of the Fisherman Gustav Holst; London Symphony Orchestra; Adrian Boult |
2:35 | |||
9 |
II. Ceremonial Dance Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:52 | |||
10 |
III. Dance of the Marionette Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:44 | |||
11 |
IV. Interlude. Song of the Fisherman Gustav Holst; London Symphony Orchestra; Adrian Boult |
0:49 | |||
12 |
V. Dance Under the Cherry Tree Gustav Holst; London Symphony Orchestra; Adrian Boult |
2:25 | |||
13 |
VI. Finale. Dance of the Wolves Gustav Holst; London Symphony Orchestra; Adrian Boult |
1:41 | |||
Digital Booklet |
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Total Playing Time 61:41
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"This album very usefully contains all the Holst recordings made for Lyrita by Sir Adrian. Boult was a close friend of Holst, and his performances have unmistakable authority. Each item is brought to life in a clear-sighted, objective yet expressive fashion. There are no interpretative frills, but there is much insight and a quiet, confident mastery." Gramophone "Boult's knowledge of this repertoire - after all he directed the premiè of The Planets - allied to his technical mastery conspires to produce quite superb performances."
- The Penguin Guide to Recorded Classical Music
- The Penguin Guide to Recorded Classical Music
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Lyrita Studio Masters
Track 1 – 96 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit
Track 1 – 96 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; 96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit