℗ 2019 Navona
Duration 1h 13m 36s
Record Label Navona
Catalogue No. NV6242
Release Date July 26, 2019
Genre Classical

Resonating Colours 5

Various Artists

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Night Poem
Wong Hok-yeung Alfred; Wolfgang Nüßlein; Mary Wu
Chan Chin-ting; Chen Yu-fang
Chan Chin-ting; Chen Yu-fang
Pyrus Flower in Rain
Lee Kar-tai Phoebus; Lee Kar-tai Phoebus
Stretch of Light
Chen Yeung-ping; UCSD Bass Ensemble; Chen Yeung-ping; Mark Dresser; Matthew Kline; Kyle Motl; Thomas Babin; Timothy McNally
Prelude II
Ng Chun-hoi Daniel; Clarence Mak; Ng Chun-hoi Daniel
Au Tin-yung Alex; Judith Ring; Paul Roe; Martin Johnson
November Winds
Ng Chun-hoi Daniel; Cheung Chung-wang; Ray Tsoi; Kan Pak-kin; Betty Tang
Clouds in Twilight
Wong Chun-wai; Hong Kong Philharmonic Orchestra; Bright Sheng
Digital Booklet
Duration    1h 13m 36s
Wong Hok-yeung opens the Hong Kong Composers’ Guild’s Resonating Colours 5 with Night Poem, a composition for cello and piano. Rhapsodic and ambling, the piece conjures nightly thoughts, welling up and vanishing with lifelike authenticity. Chan Chin-ting features with two pieces for solo violin: Cross-Currents, an exploration of the violin's full tonal range, and Postcards, an assortment of, in the composer's words, "six miniatures/musical gifts," which, quite like the name suggests, can be played as standalone pieces, but also feature a common theme that unites them. Lee Kar-tai's Pyrus Flower in the Rain is a minimalist evocation of temporality. Written for solo piano, its structure and execution reveal a great deliberation and decisiveness behind every single note and effect, quite like a traditional ink-and-washing painting. Stretch of Light, a contrabass quintet by Chen Yeung-ping, starts out with drawn-out notes more reminiscent of fragmented Indian raga music than of Chinese composition. But the surprise is unwarranted: After all, Stretch of Light is supposed to be an examination of the nature of space, and the long, layered lines evoke this quite naturally. Dyeing, a trio for violin, clarinet, and cello by Au Tin-yung was inspired by an anecdote experienced by the ancient Chinese philosopher Mozi, who was mesmerized by the process of coloring fabric. Au Tin-yung aims to explore this fascinating yet utilitarian process in his composition, in which he handles the instruments' different timbres in quite the same manner in which a craftsman would handle differently-textured fabrics. Seasonal changes are at the heart of November Winds by Ng Chun-hoi, a string quartet as ephemeral as the annual variances in weather and nature. This impression is counterbalanced by another work by the composer, Prelude II, a tonal composition for two guitars which employs the instruments in both a melodic and percussive fashion. Finally, Wong Chun-wai's Clouds in Twilight rounds off the album with an atmospheric meditation on a sunset. In its dramatic ebb and tide, culminating in a rich, full orchestration, lends the perfect and indeed, the most fitting, ending to Resonating Colours 5.
44.1 kHz / 24-bit PCM – Navona Studio Masters

Tracks 5, 8 – contains material which has been processed by a perceptual audio coding algorithm

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