℗ 2014 Erato/Warner Classics, Warner Music UK
| Released | October 27, 2014 |
| Duration | 1h 18m 02s |
| Record Label | Erato/Warner Classics |
| Genre | Classical |
Pietà - Sacred works
Philippe Jaroussky, Ensemble Artaserse
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Clara stella e scintillate, RV 625
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1.1
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I. "Clarae stellae, scintillate"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
5:24 | |||
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1.2
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II. "Coeli repleti iam novo splendore"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
0:48 | |||
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1.3
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III. "Nunc iubilare"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
2:08 | |||
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1.4
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IV. "Alleluia"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
2:23 | |||
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Stabat Mater, RV 621
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1.5
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I. "Stabat Mater dolorosa"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
3:06 | |||
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1.6
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II. "Cuius animam gementem"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:45 | |||
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1.7
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III. "O quam tristis"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:45 | |||
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1.8
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IV. "Quis est homo"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
3:22 | |||
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1.9
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V. "Quis non posset "
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:55 | |||
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1.10
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VI. "Pro peccatis"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:42 | |||
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1.11
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VII. "Eia Mater"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
3:28 | |||
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1.12
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VIII. "Fac ut ardeat"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:45 | |||
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1.13
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IX. "Amen"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
0:52 | |||
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Filiae maestae Jerusalem, RV 638
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1.14
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I. "Filiae maestae Jerusalem"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:57 | |||
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1.15
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II. "Sileant Zephyri"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
6:26 | |||
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1.16
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III. "Sed tenebris diffusis"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:01 | |||
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Concerto in C Minor, RV 120
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1.17
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I. Allegro non molto
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:39 | |||
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1.18
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II. Largo
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:37 | |||
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1.19
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III. Allegro
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
2:01 | |||
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Gloria in D Major, RV 589
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1.20
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VI. Domine Deus
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
3:49 | |||
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Longe mala, umbrae, terrores, RV 629
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1.21
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I. "Longe mala, umbrae, terrores"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
5:02 | |||
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1.22
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II. "Recedite, nubes et fulgura"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
0:33 | |||
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Longe mla, umbrae, terrores, RV 629
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1.23
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III. "Descende, o coeli vox"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
7:23 | |||
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Longe mala, umbrae, terrores, RV 629
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1.24
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IV. "Alleluia"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
2:22 | |||
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Salve Regina in G Minor, RV 618
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1.25
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I. "Salve Regina"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
3:53 | |||
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1.26
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II. "Ad te clamamus"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:34 | |||
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1.27
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III. "Ad te suspiramus"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
2:57 | |||
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1.28
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IV. "Eia ergo, advocata nostra"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:26 | |||
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1.29
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V. "Et Jesum benedictum fructum"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
1:36 | |||
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1.30
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VI. "O clemens"
Antonio Vivaldi; Philippe Jaroussky; Ensemble Artaserse |
2:23 | |||
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Digital Booklet
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Philippe Jaroussky turns once again to the poignant meditation on grief that is the Stabat Mater — this time in Vivaldi’s searingly beautiful 1712 setting — along with a selection of the Red Priest’s solo motets and sacred works. But it’s not all solemn fare: Clarae stellae scintillate is an uplifting, light-filled motet in praise of Mary, and the sweet-toned ‘Domine Deus’ from the Gloria RV589 has an almost pastoral lilt. There are, of course, the vocal pyrotechnics characteristic in which Jaroussky excels, as in the blazing Alleluia of Longe mala, umbrae, terrores RV629. “After several recordings dedicated to lesser-known repertoire from composers such as J.C. Bach, Caldara and Porpora, I felt not only a musical need but also a physical yearning to return to Vivaldi,” says Jaroussky. “His famous Stabat Mater is one of the great masterpieces of the Baroque, but I also wanted to record the motet Longe mala, umbrae, terrores, a work I find utterly fascinating.” For Pietà Jaroussky reunites with Ensemble Artaserse, the chamber orchestra he founded in 2005, and almost a decade later he has come full circle, completing an important triptych of Vivaldi recital albums.
96 kHz / 24-bit PCM – Erato/Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.25 -14.20 to -0.37 | -27.86 -37.41 to -24.40 | -24.34 -32.90 to -20.70 | 13 11 to 16 | |
| 1 | I. "Clarae stellae, scintillate" | -5.14 | -25.68 | -22.2 | 14 |
| 2 | II. "Coeli repleti iam novo splendore" | -5.99 | -28.23 | -24.5 | 13 |
| 3 | III. "Nunc iubilare" | -4.62 | -26.32 | -22.5 | 15 |
| 4 | IV. "Alleluia" | -3.90 | -25.95 | -22.7 | 13 |
| 5 | I. "Stabat Mater dolorosa" | -9.58 | -27.56 | -24.5 | 12 |
| 6 | II. "Cuius animam gementem" | -5.89 | -26.45 | -22.6 | 12 |
| 7 | III. "O quam tristis" | -5.63 | -26.30 | -23.1 | 12 |
| 8 | IV. "Quis est homo" | -9.79 | -28.53 | -25.6 | 12 |
| 9 | V. "Quis non posset " | -7.11 | -31.56 | -26.9 | 14 |
| 10 | VI. "Pro peccatis" | -7.49 | -26.90 | -23.8 | 12 |
| 11 | VII. "Eia Mater" | -14.20 | -37.41 | -32.9 | 15 |
| 12 | VIII. "Fac ut ardeat" | -7.07 | -29.36 | -25.6 | 14 |
| 13 | IX. "Amen" | -4.85 | -24.91 | -21.0 | 12 |
| 14 | I. "Filiae maestae Jerusalem" | -5.57 | -26.93 | -24.0 | 13 |
| 15 | II. "Sileant Zephyri" | -6.26 | -32.72 | -29.4 | 15 |
| 16 | III. "Sed tenebris diffusis" | -5.33 | -28.38 | -24.2 | 14 |
| 17 | I. Allegro non molto | -5.99 | -25.13 | -21.8 | 12 |
| 18 | II. Largo | -7.65 | -27.09 | -23.8 | 11 |
| 19 | III. Allegro | -3.05 | -25.55 | -22.2 | 12 |
| 20 | VI. Domine Deus | -7.83 | -29.94 | -26.3 | 14 |
| 21 | I. "Longe mala, umbrae, terrores" | -0.37 | -24.40 | -20.7 | 16 |
| 22 | II. "Recedite, nubes et fulgura" | -5.53 | -26.53 | -22.7 | 13 |
| 23 | III. "Descende, o coeli vox" | -5.57 | -29.46 | -25.9 | 14 |
| 24 | IV. "Alleluia" | -5.35 | -24.79 | -21.5 | 13 |
| 25 | I. "Salve Regina" | -8.38 | -29.75 | -26.3 | 13 |
| 26 | II. "Ad te clamamus" | -4.68 | -24.90 | -21.5 | 13 |
| 27 | III. "Ad te suspiramus" | -6.22 | -30.75 | -27.2 | 16 |
| 28 | IV. "Eia ergo, advocata nostra" | -3.56 | -24.74 | -21.4 | 13 |
| 29 | V. "Et Jesum benedictum fructum" | -8.98 | -27.99 | -25.2 | 13 |
| 30 | VI. "O clemens" | -5.98 | -31.65 | -28.1 | 15 |