℗ 1978 JAPO / ECM Records
Released 1978
Duration 41m 51s
Record Label ECM Records
Genre Jazz
 

With Dom Um Romao

OM

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
Chipero
OM
10:50
1.2
Back To Front
OM
7:42
1.3
Dumini
OM
6:20
1.4
De Funk
OM
16:59
Is there a high road? This is the question asked by OM’s third of four albums for JAPO. For its junior effort, the renegade quartet of Urs Leimgruber (reeds), Christy Doran (guitar), Bobby Burri (bass), and Fredy Studer (drums) would seem to hold to a relatively accessible doctrine. But while it is the most groove-oriented in their potent discography—not surprising, given the driving center found in guest artist Dom Um Romão (1925-2005)—the core provided by the legendary Brazilian jazz drummer and percussionist, known for his work with Weather Report, allows a melodic brand of expressive freedom to take shape. The showdown is just as dreamy and feverish as anything OM had ever produced. This atmosphere comes about through the hypnotic effect of a steady pulse, the essence of all ritual. Burri’s “Chipero” opens the doors to a realm of bird and goddess, a forest where waters run shallow but sure. Romão provides the welcoming call, the rest evoking fauna and wounds of expectation. These energies sustain themselves throughout, especially in the two Doran-penned tunes. “Back To Front” swings us farther out into the cosmic stretch by way of some especially colorful picking from the composer, unwrapping a package of candy and strewing its contents over Saturn’s rings. The flow is not without its detours, as evidenced by the stark change of scenery as bass and guitar mellow for a concluding night flight. Doran’s other half is “De Funk,” which churns the butter to even smoother consistency. Romão’s Nana Vasconcelos vibe adds just the right touch of salt to Studer’s metronome. Doran, ebullient as over, can only defer to Burri, who works overtime to keep us in the here and now. Leimgruber’s bass clarinet turns like a jigsaw piece crying for fit and sets up a round of witty exchanges. Nestled among these propulsive journeys, the artful dodge of Leimgruber’s “Dumini” awakens the behemoth of memory in a lanky, sweltering pitch. Because it is the only track to have made the cut for OM’s retrospective album, this collaborative joint is worth checking out for the surrounding paths it lays. OM remains attentive to ebb and flow, an oarless boat reaching shore. What does oxygen breathe?
96 kHz / 24-bit PCM – ECM Records Studio Masters

Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.39
-2.15 to -0.73
-21.51
-22.10 to -20.26
-18.65
-19.40 to -17.70
13
11 to 14
1
Chipero
-0.73-21.78-18.714
2
Back To Front
-1.27-20.26-17.713
3
Dumini
-1.43-21.91-18.811
4
De Funk
-2.15-22.10-19.413

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions