℗ 2019 Universal Music Operations Limited; A Fiction Records release
| Released | July 26, 2019 |
| Duration | 44m 53s |
| Record Label | Fiction |
| Genre | Alternative |
Guy Walks Into A Bar…
Mini Mansions
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Should Be Dancing
Mini Mansions |
4:29 | |||
|
1.2
|
Bad Things (That Make You Feel Good)
Mini Mansions |
3:01 | |||
|
1.3
|
Don't Even Know You
Mini Mansions |
3:36 | |||
|
1.4
|
Forgot Your Name
Mini Mansions |
3:02 | |||
|
1.5
|
I'm In Love
Mini Mansions |
3:27 | |||
|
1.6
|
Time Machine
Mini Mansions |
3:38 | |||
|
1.7
|
Works Every Time
Mini Mansions |
4:36 | |||
|
1.8
|
Living In The Future
Mini Mansions |
4:21 | |||
|
1.9
|
GummyBear
Mini Mansions |
4:02 | |||
|
1.10
|
Hey Lover (feat. Alison Mosshart)
Mini Mansions; Alison Mosshart |
5:45 | |||
|
1.11
|
Tears In Her Eyes
Mini Mansions |
4:56 |
"Guy Walks Into A Bar… is a record that examines the kind of hip-swaying rock’n’roll you’d find on a dive bar jukebox, it sounds happily disaffected by trend, time or place, like the titular joke itself. There are a hundred different kickers to that joke, but this time around the joke’s on them. A guy walks into a bar only to face reality. The album has been a labour of love individually and collectively. In terms of the former, the lyrics on the record penned by singer/guitarist Shuman are the most hard-hitting, self-reflective he’s ever shared, and all informed by a whirlwind relationship that’s since dissipated. His ex-fiancee came into his life after one such night out, and he wrote most of the songs here contained in real time while on the road. As they reveal each stage from beginning to end, the songs change in mood and even specific setting as the relationship itself deteriorated."
- Aesthetic Magazine
Following their EP Works Every Time, Mini Mansions have returned with a new studio full-length, Guy Walks Into A Bar....
96 kHz / 24-bit PCM – Fiction Studio Masters
Tracks 1-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.20 -0.20 to -0.20 | -10.41 -12.35 to -8.81 | -7.95 -9.80 to -6.70 | 5 4 to 6 | |
| 1 | Should Be Dancing | -0.20 | -10.48 | -7.5 | 5 |
| 2 | Bad Things (That Make You Feel Good) | -0.20 | -9.07 | -7.0 | 4 |
| 3 | Don't Even Know You | -0.20 | -11.56 | -9.3 | 6 |
| 4 | Forgot Your Name | -0.20 | -9.94 | -7.4 | 5 |
| 5 | I'm In Love | -0.20 | -8.81 | -6.8 | 4 |
| 6 | Time Machine | -0.20 | -9.04 | -6.7 | 4 |
| 7 | Works Every Time | -0.20 | -10.98 | -8.3 | 5 |
| 8 | Living In The Future | -0.20 | -10.61 | -7.9 | 5 |
| 9 | GummyBear | -0.20 | -11.34 | -9.0 | 6 |
| 10 | Hey Lover (feat. Alison Mosshart) | -0.20 | -12.35 | -9.8 | 6 |
| 11 | Tears In Her Eyes | -0.20 | -10.36 | -7.8 | 5 |