℗ 2014 Nonesuch Records Inc.
Released | April 22, 2014 |
Duration | 1h 03m 04s |
Record Label | Nonesuch |
Genre | Classical |
City Noir
John Adams, St. Louis Symphony, David Robertson
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
City Noir
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1.1
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I. The City and its Double
John Adams; John Adams; Saint Louis Symphony Orchestra; David Robertson |
13:47 | |||
1.2
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II. The Song is for You
John Adams; John Adams; Saint Louis Symphony Orchestra; David Robertson |
9:22 | |||
1.3
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III. Boulevard Night
John Adams; John Adams; Saint Louis Symphony Orchestra; David Robertson |
12:14 | |||
Saxophone Concerto
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1.4
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I. Animato - Moderato - Tranquillo, suave
John Adams; John Adams; Saint Louis Symphony Orchestra; David Robertson |
12:28 | |||
1.5
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I. (cont'd.) Moderato - Tranquillo, suave
John Adams; John Adams; Saint Louis Symphony Orchestra; David Robertson |
9:20 | |||
1.6
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II. Molto vivo (a hard driving pulse)
John Adams; John Adams; Saint Louis Symphony Orchestra; David Robertson |
5:53 | |||
Digital Booklet
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- Grammy Award Winner - Best Orchestral Performance
Nonesuch Records has released City Noir—comprising the title piece by composer John Adams and the debut recording of his Saxophone Concerto. Both pieces are performed by the St. Louis Symphony led by Music Director David Robertson. Saxophonist Timothy McAllister is featured on both pieces.
City Noir “is a symphony inspired by the peculiar ambience and mood of Los Angeles ‘noir’ films, especially those produced in the late ’40s and early ’50,” says Adams in his notes on the piece. “My music is an homage not necessarily to the film music of that period but rather to the overall aesthetic of the era.” Following The Dharma at Big Sur and El Dorado, City Noir “becomes the third in a triptych of orchestral works that have as their theme the California experience, its landscape and its culture,” explains the composer. In its review of the piece, the New York Times said that Adams “has become a master at piling up materials in thick yet lucid layers. Moment to moment the music is riveting.”
Adams’ Saxophone Concerto was composed for McAllister, whom the composer described as “a fearless musician and risk taker” after the musician’s performance of what Adams calls a “fiendishly difficult” alto sax solo part in City Noir. The composer explains, also in his notes, that he grew up “hearing the sound of the saxophone virtually every day—my father had played alto in swing bands during the 1930s and our family record collection was well stocked with albums by the great jazz masters—I never considered the saxophone an alien instrument.”
96 kHz / 24-bit PCM – Nonesuch Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.04 -4.33 to -0.35 | -23.69 -28.22 to -19.49 | -19.95 -24.50 to -15.50 | 13 11 to 15 | |
1 | I. The City and its Double | -0.35 | -20.89 | -17.4 | 12 |
2 | II. The Song is for You | -0.35 | -23.80 | -18.9 | 14 |
3 | III. Boulevard Night | -0.35 | -19.49 | -15.5 | 11 |
4 | I. Animato - Moderato - Tranquillo, suave | -3.42 | -26.20 | -23.0 | 15 |
5 | I. (cont'd.) Moderato - Tranquillo, suave | -4.33 | -28.22 | -24.5 | 14 |
6 | II. Molto vivo (a hard driving pulse) | -3.41 | -23.54 | -20.4 | 14 |