℗ 2019 Jazz at Lincoln Center
Released | August 2, 2019 |
Duration | 55m 44s |
Record Label | Blue Engine Records |
Catalogue No. | BE0018 |
Genre | Jazz (Big Band) |
Jazz and Art
Jazz at Lincoln Center Orchestra, Wynton Marsalis
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Stuart Davis for the Masses
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1.1
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The Mellow Pad
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
3:33 | |||
1.2
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Garage Lights
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
2:39 | |||
1.3
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New York
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
3:06 | |||
1.4
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Blue Twirl
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
9:17 | |||
1.5
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Bearden (The Block)
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
7:16 | |||
1.6
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Air, Earth, Fire, Water (Orisha Medley)
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
8:26 | |||
Winslow Homer
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1.7
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Homer's Waltz
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
4:05 | |||
1.8
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Homer's Blues
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
3:57 | |||
1.9
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The Repose in All Things
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
5:45 | |||
1.10
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Twilight Sounds
Jazz at Lincoln Center Orchestra; Wynton Marsalis |
7:40 |
In past concerts that have been described by the New York Times as being “soulful,” “evocative,” and “playing directly to the band’s strengths,” the Jazz at Lincoln Center Orchestra with Wynton Marsalis performed original compositions inspired by masters of modern art including Romare Bearden, Stuart Davis, Sam Gilliam, Winslow Homer, Wifredo Lam, Norman Lewis and Piet Mondrian. Blue Engine Records is now releasinh the studio recordings of these charts on a new album entitled Jazz and Art.
GRAMMY Award-winner and Jazz at Lincoln Center Orchestra member Ted Nash says, “Music and paintings share so many characteristics; textures, colors, layers, line, form, shape. No wonder they are such agreeable collaborators. When these two art forms come together, they create a new medium. In February 2010, the audience in Jazz at Lincoln Center’s Rose Theater got to experience that transcendent combination when seven imaginative composers presented new works accompanied by projections of the paintings that inspired their creations.”
96 kHz / 24-bit PCM – Blue Engine Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.32 -0.32 to -0.31 | -17.72 -19.58 to -14.41 | -13.70 -15.50 to -11.90 | 11 8 to 13 | |
1 | The Mellow Pad | -0.32 | -18.90 | -15.5 | 13 |
2 | Garage Lights | -0.31 | -16.90 | -12.5 | 11 |
3 | New York | -0.32 | -17.80 | -14.0 | 11 |
4 | Blue Twirl | -0.32 | -19.58 | -15.2 | 13 |
5 | Bearden (The Block) | -0.32 | -19.21 | -15.1 | 12 |
6 | Air, Earth, Fire, Water (Orisha Medley) | -0.32 | -14.41 | -11.9 | 8 |
7 | Homer's Waltz | -0.32 | -18.64 | -13.8 | 11 |
8 | Homer's Blues | -0.32 | -16.97 | -12.9 | 11 |
9 | The Repose in All Things | -0.32 | -16.50 | -12.3 | 11 |
10 | Twilight Sounds | -0.31 | -18.25 | -13.8 | 11 |