℗ ℗ 2019 BR-Klassik
 

Rossini: Sigismondo (Live)

Munich Radio Orchestra, Keri-Lynn Wilson, Rachel Kelly, Gavan Ring, Kenneth Tarver, Chor des Bayerischen Rundfunks, Marianna Pizzolato, Hera Hyesang Park, Guido Loconsolo, Il Hong

Available in 48 kHz / 24-bit AIFF, FLAC audio formats

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Sigismondo - Act 1  
1
Sinfonia (Live)
Gioachino Rossini; Munich Radio Orchestra; Keri-Lynn Wilson
7:46
2
O prence misero (Live)
Gioachino Rossini; Rachel Kelly; Gavan Ring; Kenneth Tarver; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
8:13
3
Né fia, german, che rieda (Live)
Gioachino Rossini; Rachel Kelly; Kenneth Tarver; Gavan Ring; Munich Radio Orchestra; Keri-Lynn Wilson
1:10
4
Non seguirmi... Omai t’invola (Live)
Gioachino Rossini; Marianna Pizzolato; Rachel Kelly; Kenneth Tarver; Gavan Ring; Munich Radio Orchestra; Keri-Lynn Wilson
7:26
5
Signor, mentre t’adora – O dubbi miei! (Live)
Gioachino Rossini; Kenneth Tarver; Marianna Pizzolato; Munich Radio Orchestra; Keri-Lynn Wilson
1:55
6
O tranquillo soggiorno! – Oggetto amabile (Live)
Gioachino Rossini; Hera Hyesang Park; Munich Radio Orchestra; Keri-Lynn Wilson
8:07
7
Signora... Ah taci (Live)
Gioachino Rossini; Guido Loconsolo; Hera Hyesang Park; Munich Radio Orchestra; Keri-Lynn Wilson
0:50
8
Di caccia il suono – Al bosco! Alla caccia! (Live)
Gioachino Rossini; Guido Loconsolo; Hera Hyesang Park; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
3:13
9
Lo sposo!... Il re!... (Live)
Gioachino Rossini; Hera Hyesang Park; Guido Loconsolo; Marianna Pizzolato; Rachel Kelly; Kenneth Tarver; Munich Radio Orchestra; Keri-Lynn Wilson
1:36
10
Che avvenne? (Live)
Gioachino Rossini; Marianna Pizzolato; Kenneth Tarver; Munich Radio Orchestra; Keri-Lynn Wilson
5:21
11
Giusto cielo m’aita! (Live)
Gioachino Rossini; Hera Hyesang Park; Marianna Pizzolato; Munich Radio Orchestra; Keri-Lynn Wilson
0:30
12
Se un tradimento reo... – Un segreto è il mio tormento (Live)
Gioachino Rossini; Marianna Pizzolato; Hera Hyesang Park; Munich Radio Orchestra; Keri-Lynn Wilson
6:52
13
Il re dov’è? (Live)
Gioachino Rossini; Kenneth Tarver; Guido Loconsolo; Munich Radio Orchestra; Keri-Lynn Wilson
1:58
14
Tu l’opra tua seconda (Live)
Gioachino Rossini; Guido Loconsolo; Munich Radio Orchestra; Keri-Lynn Wilson
4:01
15
Io dispor che costei (Live)
Gioachino Rossini; Kenneth Tarver; Guido Loconsolo; Munich Radio Orchestra; Keri-Lynn Wilson
1:06
16
Perché obbedir disdegni? (Live)
Gioachino Rossini; Kenneth Tarver; Hera Hyesang Park; Munich Radio Orchestra; Keri-Lynn Wilson
7:08
17
Quale, o ciel, d’idee funeste (Live)
Gioachino Rossini; Hera Hyesang Park; Rachel Kelly; Marianna Pizzolato; Kenneth Tarver; Gavan Ring; Guido Loconsolo; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
14:05
Sigismondo - Act 2  
1
In segreto a che ci chiama? (Live)
Gioachino Rossini; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
2:17
2
Ah! Superato il bosco, o sorte avversa! (Live)
Gioachino Rossini; Marianna Pizzolato; Kenneth Tarver; Rachel Kelly; Gavan Ring; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
0:45
3
Viva Aldimira (Live)
Gioachino Rossini; Rachel Kelly; Gavan Ring; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
1:47
4
Come attento Radoski (Live)
Gioachino Rossini; Hera Hyesang Park; Marianna Pizzolato; Gavan Ring; Rachel Kelly; Munich Radio Orchestra; Keri-Lynn Wilson
1:36
5
Come! – Tomba di morte e orrore (Live)
Gioachino Rossini; Hera Hyesang Park; Marianna Pizzolato; Munich Radio Orchestra; Keri-Lynn Wilson
11:43
6
M’ingannaste, occhi miei? (Live)
Gioachino Rossini; Gavan Ring; Rachel Kelly; Munich Radio Orchestra; Keri-Lynn Wilson
1:24
7
Sognava contenti (Live)
Gioachino Rossini; Rachel Kelly; Munich Radio Orchestra; Keri-Lynn Wilson
4:04
8
Misero me! – Giusto ciel che i mali miei (Live)
Gioachino Rossini; Kenneth Tarver; Munich Radio Orchestra; Keri-Lynn Wilson
6:50
9
Non tradirmi! (Live)
Gioachino Rossini; Gavan Ring; Hera Hyesang Park; Marianna Pizzolato; Munich Radio Orchestra; Keri-Lynn Wilson
0:29
10
Alla partenza (Live)
Gioachino Rossini; Gavan Ring; Marianna Pizzolato; Hera Hyesang Park; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
7:34
11
Io rivedrò Aldimira? (Live)
Gioachino Rossini; Il Hong; Kenneth Tarver; Munich Radio Orchestra; Keri-Lynn Wilson
1:20
12
Ecco, ecco, l’indegno! (Live)
Gioachino Rossini; Il Hong; Kenneth Tarver; Munich Radio Orchestra; Keri-Lynn Wilson
0:25
13
Genitor... Deh vien! (Live)
Gioachino Rossini; Hera Hyesang Park; Marianna Pizzolato; Kenneth Tarver; Il Hong; Munich Radio Orchestra; Keri-Lynn Wilson
9:15
14
Alma rea (Live)
Gioachino Rossini; Marianna Pizzolato; Il Hong; Kenneth Tarver; Hera Hyesang Park; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
10:11
15
E tu che per salvarlo (Live)
Gioachino Rossini; Il Hong; Hera Hyesang Park; Kenneth Tarver; Marianna Pizzolato; Munich Radio Orchestra; Keri-Lynn Wilson
1:50
16
Qual felice amico giorno (Live)
Gioachino Rossini; Hera Hyesang Park; Marianna Pizzolato; Kenneth Tarver; Il Hong; Chor des Bayerischen Rundfunks; Munich Radio Orchestra; Keri-Lynn Wilson
3:44
Digital Booklet
Total Playing Time    2:26:31
The Italian composer Gioachino Rossini is best known for his operas. Many of their overtures and arias were catchy tunes at the time and have remained so to this day. Although it is Rossini’s comic operas that are primarily performed today, more than half of his stage works are in fact based on serious themes.

One veritable rarity is the stage work Sigismondo, which premiered in 1814 at the famous Teatro La Fenice in Venice but was only ever rarely performed afterwards. Presumably, the story on which it was based had no appeal for the audience at that time, because musically, the work is hardly less impressive than the "Italian Girl in Algiers", written during the previous year, or the "Barber of Seville", which followed two years later. The subject of the opera is, however, based on a long tradition. Rossini shows his protagonist, the fictional King Sigismondo, in extreme states of mental distress. Confusion and insanity reveal inner feelings, and it is only delirium that finally brings the truth to light. This "madness opera" is highly topical, both in its subject matter and its musical language – after all, Rossini is among the top ten most-performed composers of our time.

A concert performance of this little-known and unjustly neglected masterpiece was given at Munich’s Prinzregententheater on October 14, 2018 - in the original language, and by performers highly familiar with Rossini’s music, which seems so easy but is in fact extremely difficult to sing. This extraordinary opera event – a festival of singing that received tumultuous applause as well as great critical acclaim – is now being released on BR-KLASSIK as a live recording.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters

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