℗ 2007 Lyrita
Released April 1, 2007
Duration 1h 39m 45s
Record Label Lyrita
Catalogue No. SRCD221
Genre Classical (Orchestral)
 

Elgar: Symphony No. 1 in A-Flat Major, Op. 55 & Symphony No. 2 in E-Flat Major, Op. 63

London Philharmonic Orchestra, Adrian Boult

Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
Add to cart
discounted price

 
Symphony No. 1 in A-Flat Major, Op. 55  
1.1
I. Andante. Nobilmente e semplice
Edward Elgar; London Philharmonic Orchestra; Adrian Boult
18:28
1.2
II. Allegro molto
Edward Elgar; London Philharmonic Orchestra; Adrian Boult
7:14
1.3
III. Adagio
Edward Elgar; London Philharmonic Orchestra; Adrian Boult
10:27
1.4
IV. Lento - Allegro
Edward Elgar; London Philharmonic Orchestra; Adrian Boult
12:24
Symphony No. 2 in E-Flat Major, Op. 63  
2.1
I. Allegro vivace e nobilmente
Edward Elgar; London Philharmonic Orchestra; Adrian Boult
16:31
2.2
II. Larghetto
Edward Elgar; London Philharmonic Orchestra; Adrian Boult
13:17
2.3
III. Rondo
Edward Elgar; London Philharmonic Orchestra; Adrian Boult
8:26
2.4
IV. Moderato e maestoso
Edward Elgar; London Philharmonic Orchestra; Adrian Boult
12:58
Digital Booklet
"In 1968, when Sir Adrian Boult recorded the two Elgar Symphonies for Lyrita, he wrote an open letter to Gramophone, couched diplomatically but reflecting his fury that at the sessions his recording manager had forced him on technical grounds to have all the violins on the left instead of his usual habit of dividing them between the two sections. That said, and 40 years on, the comparisons with Boult's other recordings of the Elgar symphonies demonstrate very clearly how fine they are, arguably the finest versions he ever recorded. Compared with the EMI versions recorded less than five years later, they are tauter, the ensemble noticeably crisper. The recording is brighter and clearer in this transfer. The difference is particularly marked in No 2 which, as Elgar said, was a work which Boult was the first conductor to make a success after the disappointing reception given at its premiere. The comparison is closer with the mono recording of No 2, which Boult recorded with the BBC SO in 1945, a superb performance but which is still marginally outshone by the Lyrita version." - The Gramophone Classical Music Guide "…40 years on the comparisons with Boult's other recordings of the Elgar symphonies demonstrate very clearly how fine they are, arguably the finest versions he ever recorded." - Gramophone
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Lyrita Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.42
-6.96 to -0.50
-24.67
-30.08 to -20.97
-20.35
-25.90 to -16.80
13
12 to 15
1.1
I. Andante. Nobilmente e semplice
-1.38-23.13-18.413
1.2
II. Allegro molto
-2.28-26.16-21.415
1.3
III. Adagio
-6.96-30.08-25.913
1.4
IV. Lento - Allegro
-0.50-20.97-16.812
2.1
I. Allegro vivace e nobilmente
-1.49-24.01-19.714
2.2
II. Larghetto
-3.49-24.52-20.312
2.3
III. Rondo
-1.80-26.24-21.614
2.4
IV. Moderato e maestoso
-1.45-22.22-18.713

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions