℗ ℗ 2019 Naxos
 
 
Amleto (Hamlet)  
1
Act I: Viva il Re! (Live)
Franco Faccio; Pavel Černoch; Claudio Sgura; Eduard Tsanga; Paul Schweinester; Dshamilja Kaiser; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
7:47
2
Act I: Principe Amleto! (Live)
Franco Faccio; Pavel Černoch; Iulia Maria Dan; Wiener Symphoniker; Paolo Carignani
3:01
3
Act I: È pertinace invero un tal corruccio - Requie ai defunti (Live)
Franco Faccio; Pavel Černoch; Claudio Sgura; Paul Schweinester; Iulia Maria Dan; Dshamilja Kaiser; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
7:20
4
Act I: Prence, Signor, mio buon Marcello (Live)
Franco Faccio; Pavel Černoch; Eduard Tsanga; Sébastien Soulès; Bartosz Urbanowicz; Paul Schweinester; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
3:37
5
Act I: Signor, questa notte (Live)
Franco Faccio; Pavel Černoch; Claudio Sgura; Sébastien Soulès; Bartosz Urbanowicz; Paul Schweinester; Wiener Symphoniker; Paolo Carignani
1:05
6
Act I: Su la danza si scateni (Live)
Franco Faccio; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
1:46
7
Act I: Soffia la brezza acuta (Live)
Franco Faccio; Pavel Černoch; Sébastien Soulès; Bartosz Urbanowicz; Wiener Symphoniker; Paolo Carignani
6:00
8
Act I: Tu dêi saper (Live)
Franco Faccio; Pavel Černoch; Sébastien Soulès; Bartosz Urbanowicz; Gianluca Buratto; Wiener Symphoniker; Paolo Carignani
8:26
9
Act II: Egli ha mania di gironzar soventi (Live)
Franco Faccio; Claudio Sgura; Eduard Tsanga; Dshamilja Kaiser; Wiener Symphoniker; Paolo Carignani
2:01
10
Act II: Essere o non essere! (Live)
Franco Faccio; Pavel Černoch; Wiener Symphoniker; Paolo Carignani
5:00
11
Act II: Chi vien? La giovinetta Ofelia (Live)
Franco Faccio; Pavel Černoch; Eduard Tsanga; Iulia Maria Dan; Wiener Symphoniker; Paolo Carignani
9:03
12
Act II: Viva il Re! (Live)
Franco Faccio; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
2:07
13
Act II: E son presti i cantor? (Live)
Franco Faccio; Pavel Černoch; Eduard Tsanga; Sébastien Soulès; Iulia Maria Dan; Dshamilja Kaiser; Jonathan Winell; Sabine Winter; Wiener Symphoniker; Paolo Carignani
5:03
14
Act II: Regina nel core (Live)
Franco Faccio; Pavel Černoch; Claudio Sgura; Eduard Tsanga; Sébastien Soulès; Iulia Maria Dan; Dshamilja Kaiser; Yasushi Hirano; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
5:28
1
Act III: O nera colpa! - O Padre nostro (Live)
Franco Faccio; Pavel Černoch; Claudio Sgura; Wiener Symphoniker; Paolo Carignani
6:51
2
Act III: Qui l'attendete - Figliuol, dal cieco furiar rimanti (Live)
Franco Faccio; Pavel Černoch; Eduard Tsanga; Dshamilja Kaiser; Gianluca Buratto; Wiener Symphoniker; Paolo Carignani
11:18
3
Act III: Ah! Che alfine all'empio scherno - Io rea, che il padre (Live)
Franco Faccio; Dshamilja Kaiser; Wiener Symphoniker; Paolo Carignani
5:12
4
Act III: Morte al Re! - La bara involta (Live)
Franco Faccio; Claudio Sgura; Paul Schweinester; Iulia Maria Dan; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
14:15
5
Act IV: Oggi a me, domani a te - Marcia funebre (Live)
Franco Faccio; Pavel Černoch; Sébastien Soulès; Yasushi Hirano; Wiener Symphoniker; Paolo Carignani
12:09
6
Act IV: Serena, ridente, ripiena d'amore (Live)
Franco Faccio; Pavel Černoch; Claudio Sgura; Sébastien Soulès; Paul Schweinester; Dshamilja Kaiser; Gianluca Buratto; Yasushi Hirano; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
5:50
7
Act IV: Illustri cortigiani e cavalieri (Live)
Franco Faccio; Pavel Černoch; Claudio Sgura; Sébastien Soulès; Paul Schweinester; Jonathan Winell; Prague Philharmonic Choir; Wiener Symphoniker; Paolo Carignani
10:51
Digital Booklet
Total Playing Time    2:14:10
First performed in 1865, Amleto (‘Hamlet’) represented a radical new development in Italian opera, the nuovo melodrama. Composer Franco Faccio and his librettist Arrigo Boito sought a greater degree of musical unity in staged productions and a more equal relationship between text and music. In Hamlet, a play that many then considered un-operatic, they found the perfect medium through which to explore the work’s philosophical and dramatic power- not least the great set-piece scenes: Amleto’s soliloquy ‘Essere o non essere!” (To be or not to be), Ofelia’s Mad Scene and the fight scenes- in a way that strikingly prefigues the verismo operas yet to come. This production premiered at the Bregenz Festival in June 2016; a film of the production followed on C Major, which won numerous accolades. This audio recording was made during the same performances. The production features an excellent cast with the title role taken by Pavel Cernoch.
48 kHz / 24-bit PCM – Naxos Studio Masters

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