℗ ℗ 1998 MPL Communications Inc/Ltd, under exclusive license to UMG Recordings; A Capitol Records release
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Wide Prairie

Linda McCartney

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1
Wide Prairie
Linda McCartney
4:33
2
New Orleans
Linda McCartney
3:13
3
The White Coated Man
Linda McCartney
2:13
4
Love's Full Glory
Linda McCartney
3:46
5
I Got Up
Linda McCartney
3:20
6
EXPLICITThe Light Comes From Within
Linda McCartney
2:57
7
Mister Sandman
Linda McCartney
2:50
8
Seaside Woman
Linda McCartney
3:54
9
Oriental Nightfish
Linda McCartney
2:49
10
Endless Days
Linda McCartney
3:12
11
Poison Ivy
Linda McCartney
2:55
12
Cow
Linda McCartney
4:25
13
B-Side To Seaside
Linda McCartney
2:38
14
Sugartime
Linda McCartney
2:07
15
Cook Of The House
Linda McCartney
2:37
16
Appaloosa
Linda McCartney
4:44
Total Playing Time    52:13
Wide Prairie, a posthumous 1998 compilation of Linda McCartney recordings spanning the early 1970s through the late 1990s – having been remastered at Abbey Road Studios under Paul's supervision.

The only album to be released solely under Linda’s name, Wide Prairie features Linda on vocals and various instruments on songs she wrote or co-composed and recorded with Wings between 1972 and 1980, the single-only ‘Seaside Woman’/‘B-Side to Seaside’ released under the pseudonym of Suzy and the Red Stripes, cover versions of classics by the McGuire Sisters, The Coasters and more, and solo work from the ‘80s and ‘90s including her final recording, ‘The Light Comes from Within’ (co-authored by and featuring Paul McCartney, as well as their son James on electric and acoustic guitar).

The album was recorded in various locations including Jamaica, Paris, Nashville and Sussex with contributors including husband Paul; son James; Wings members Denny Laine, Denny Seiwell, Henry McCullough, Jimmy McCulloch, Joe English and Laurence Juber; writer Carla Lane who also co-wrote ’The White Coated Man’ and ‘Cow’; Lee “Scratch” Perry and members of the Black Ark studio band Boris Gardiner, Winston Writer and Mikey Boo.
96 kHz / 24-bit PCM – Paul McCartney Catalog Studio Masters

Tracks 1, 4, 10-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-16 – contains high-resolution digital transfers of material originating from an analogue master source

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