℗ ℗ 2019 Craft Recordings, a division of Concord Music Group
 

Live At Woodstock

Creedence Clearwater Revival

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1
Born On The Bayou (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
5:33
2
Green River (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
3:17
3
Ninety-Nine And A Half (Won’t Do / Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
4:46
4
Bootleg (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
3:38
5
Commotion (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
2:47
6
Bad Moon Rising (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
2:13
7
Proud Mary (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
3:50
8
I Put A Spell On You (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
4:27
9
The Night Time Is The Right Time (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
3:39
10
Keep On Chooglin’ (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
10:28
11
Suzie Q (Live At The Woodstock Music & Art Fair / 1969)
Creedence Clearwater Revival
10:52
Total Playing Time    55:30
Craft Recordings is pleased to announce the release of Live At Woodstock, capturing Creedence Clearwater Revival’s full, hour-long performance from the historic festival.

In August of 1969, as they took the stage at Woodstock, Creedence Clearwater Revival were at the peak of an incomparably prolific year, and on the verge of becoming one of the biggest bands in the world. Their Southern-steeped sound (which brazenly stood out from the reigning psychedelia of the day) was a mainstay on the airwaves, thanks to hit singles “Proud Mary,” “Bad Moon Rising,” and “Green River,” while the band was playing shows to packed crowds across North America. Just eight months earlier, John Fogerty, Tom Fogerty, Doug Clifford, and Stu Cook released their second LP, Bayou Country, following the modest success of their 1968 self-titled debut. By late spring, the album had broken into the Billboard Top Ten. Astonishingly, the band would release two more Top Ten albums before the end of 1969: Green River, which hit stores just a few weeks before Woodstock (and became their first Number One record), followed by Willy and the Poor Boys, in November.

Creedence were slotted for a prime Saturday night spot at Woodstock, following the Grateful Dead. Highly in demand, the band had headlined many of the larger festivals that summer, including the Atlantic City Pop Festival, the Newport Pop Festival in Northridge, CA, as well as main stages in Atlanta and Denver. To many artists, the three-day concert in Upstate New York was seemingly just another stop on the tour; little did they know that Woodstock would become a defining moment in pop-culture history. Creedence took the stage later than planned, in the wake of an extra-long set by the Dead. It was after midnight on Sunday, August 17th, and many of the attendees had retired to their tents.

CCR declined to be included in the 1970 documentary Woodstock and the film’s soundtrack album, despite a searing performance on stage. Unfortunately, because of their absence from the film and soundtrack, it is easy to forget that CCR was a top-billed act at Woodstock—let alone even at the festival. Now, 50 years later, Live at Woodstock offers fans a front-row seat to relive Creedence Clearwater Revival’s stirring, hour-long set as it was performed that night.
96 kHz / 24-bit PCM – Craft Recordings Studio Masters

Tracks 1-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; contains high-resolution digital transfers of material originating from an analogue master source

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