℗ 2017 Parlophone Records Limited, a Warner Music Group Company
Released | February 24, 2017 |
Duration | 1h 21m 51s |
Record Label | Erato/Warner Classics |
Genre | Classical |
Dynastie - Bach Family Concertos
Jean Rondeau
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Harpsichord Concerto No. 1 in D Minor, BWV 1052
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1.1
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I. Allegro
Johann Sebastian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
7:09 | |||
1.2
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II. Adagio
Johann Sebastian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
7:01 | |||
1.3
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III. Allegro
Johann Sebastian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
7:24 | |||
Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach)
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1.4
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I. Allegro di molto
Johann Christian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
6:18 | |||
1.5
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II. Andante
Johann Christian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
8:05 | |||
1.6
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III. Prestissimo
Johann Christian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
4:00 | |||
Keyboard Sonata in G Major, F. 7
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1.7
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II. Lamento
Wilhelm Friedemann Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
2:58 | |||
Harpsichord Concerto No. 5 in F Minor, BWV 1056
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1.8
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I. Allegro
Johann Sebastian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
3:20 | |||
1.9
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II. Largo
Johann Sebastian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
2:48 | |||
1.10
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III. Presto
Johann Sebastian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
3:43 | |||
Harpsichord Concerto in D Minor, H. 427
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1.11
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I. Allegro
Carl Philipp Emanuel Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
8:12 | |||
1.12
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II. Poco andante
Carl Philipp Emanuel Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
8:01 | |||
1.13
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III. Allegro assai
Carl Philipp Emanuel Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
7:16 | |||
Harpsichord Concerto No. 4 in A Major, BWV 1055
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1.14
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II. Larghetto
Johann Sebastian Bach; Jean Rondeau; Sophie Gent; Louis Creac'h; Fanny Paccoud; Antoine Touche; Thomas de Pierrefeu; Evolène Kiener |
5:36 | |||
Digital Booklet
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"While Rondeau does indeed take a very relaxed approach to pulse and metre at points, the effect comes over more as charming and human, along with carrying a sense of absolute connection and improvisatory ease with his harpsichord akin to that of a jazz pianist (and incidentally jazz piano formed part of his training). Furthermore, moments of metronomic freedom are matched by equal amounts of firm exactitude where the music demands."
- Gramophone
Jean Rondeau, the imaginative young French harpsichordist, describes the Bach family as “one of the great dynasties of western music”. Having devoted his first Erato disc, Imagine, to works by the towering Johann Sebastian, he now returns to Bach’s world for his third release, Dynastie, which complements concertos by Johann Sebastian with concertos by his three most famous sons, Wilhelm Friedemann, Carl Philipp Emmanuel and Johann Christian.
Rondeau has described JS Bach, who has been part of his life since his childhood, as “daunting like a mighty mountain”, but at the same time feels that “his music is so full of humility, so generous, that we have the right and the duty to play it, to share it, and to take the hand that he extends to us.”
96 kHz / 24-bit PCM – Erato/Warner Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.59 -11.89 to -0.58 | -25.53 -31.68 to -23.05 | -22.59 -29.60 to -20.00 | 13 12 to 14 | |
1 | I. Allegro | -3.60 | -23.66 | -21.0 | 14 |
2 | II. Adagio | -8.82 | -27.38 | -24.7 | 12 |
3 | III. Allegro | -5.67 | -24.38 | -21.6 | 13 |
4 | I. Allegro di molto | -2.75 | -23.76 | -21.1 | 13 |
5 | II. Andante | -3.70 | -24.44 | -21.5 | 12 |
6 | III. Prestissimo | -5.33 | -25.83 | -22.5 | 13 |
7 | II. Lamento | -5.21 | -26.20 | -22.1 | 12 |
8 | I. Allegro | -3.50 | -24.92 | -22.2 | 12 |
9 | II. Largo | -11.89 | -31.68 | -29.6 | 12 |
10 | III. Presto | -3.66 | -24.57 | -21.6 | 13 |
11 | I. Allegro | -0.58 | -23.05 | -20.0 | 14 |
12 | II. Poco andante | -3.39 | -26.67 | -23.3 | 14 |
13 | III. Allegro assai | -1.65 | -23.10 | -20.2 | 13 |
14 | II. Larghetto | -4.49 | -27.82 | -24.9 | 13 |