℗ 2019 Avanticlassic
Released | September 13, 2019 |
Duration | 7h 48m 24s |
Record Label | 2019 Avanticlassic |
Catalogue No. | 541470610572 |
Genre | Classical |
Rendez-vous with Martha Argerich
Martha Argerich, Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Nocturnes
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1.1
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Fêtes (Arranged for 2 pianos by Maurice Ravel)
Claude Debussy; Martha Argerich; Anton Gerzenberg |
6:04 | |||
Sonata for Violin and Piano in G Minor
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1.2
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I. Allegro vivo
Claude Debussy; Geza Hosszu-Legocky; Evgeni Bozhanov |
4:32 | |||
1.3
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II. Intermède: fantasque et léger
Claude Debussy; Geza Hosszu-Legocky; Evgeni Bozhanov |
4:14 | |||
1.4
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III. Finale: très animé
Claude Debussy; Geza Hosszu-Legocky; Evgeni Bozhanov |
4:04 | |||
1.5
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Prélude à l'Après-Midi d'un Faune (Arranged for 2 pianos by Claude Debussy)
Claude Debussy; Martha Argerich; Stephen Kovacevich |
8:07 | |||
Sonata for Violoncello and Piano in D Minor
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1.6
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I. Prologue
Claude Debussy; Martha Argerich; Mischa Maisky |
4:28 | |||
1.7
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II. Sérénade
Claude Debussy; Martha Argerich; Mischa Maisky |
3:25 | |||
1.8
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III. Final
Claude Debussy; Martha Argerich; Mischa Maisky |
3:43 | |||
1.9
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La Valse (Arranged for 2 pianos by Maurice Ravel)
Claude Debussy; Martha Argerich; Nicholas Angelich |
12:05 | |||
Sonata for Violin & Cello
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1.10
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I. Allegro
Maurice Ravel; Alexandra Conunova; Edgar Moreau |
5:12 | |||
1.11
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II. Très Vif
Maurice Ravel; Alexandra Conunova; Edgar Moreau |
3:36 | |||
1.12
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III. Lent
Maurice Ravel; Alexandra Conunova; Edgar Moreau |
6:06 | |||
1.13
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IV. Vif
Maurice Ravel; Alexandra Conunova; Edgar Moreau |
6:28 | |||
Symphony No. 1 in D Major, Op. 25 "Classical Symphony"
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2.1
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I. Allegro (Arranged for 2 pianos by Riyuka Terashima)
Sergei Prokofiev; Akane Sakai; Evgeni Bozhanov |
3:54 | |||
2.2
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II. Larghetto (Arranged for 2 pianos by Riyuka Terashima)
Sergei Prokofiev; Akane Sakai; Evgeni Bozhanov |
3:35 | |||
2.3
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III. Gavotta (Arranged for 2 pianos by Riyuka Terashima)
Sergei Prokofiev; Akane Sakai; Evgeni Bozhanov |
1:26 | |||
2.4
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IV. Finale (Arranged for 2 pianos by Riyuka Terashima)
Sergei Prokofiev; Akane Sakai; Evgeni Bozhanov |
3:47 | |||
2.5
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Overture on Hebrew Themes for Piano, Clarinet and String Quartet, Op. 34
Sergei Prokofiev; Martha Argerich; Pablo Barragán; Akiko Suwanai; Alexandra Conunova; Lyda Chen; Edgar Moreau |
9:38 | |||
Cinderella, Op. 87 - Suite From The Ballet
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2.6
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Introduction. Andante dolce (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Akane Sakai; Alexander Mogilevsky |
2:37 | |||
2.7
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Quarrel. Allegretto (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Akane Sakai; Alexander Mogilevsky |
3:25 | |||
2.8
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Winter. Adagio (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Akane Sakai; Alexander Mogilevsky |
4:37 | |||
2.9
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Spring. Vivace con brio (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Akane Sakai; Alexander Mogilevsky |
2:07 | |||
2.10
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Cinderella's Valse. Andante - Allegretto (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Akane Sakai; Alexander Mogilevsky |
6:16 | |||
2.11
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Gavotte. Allegretto (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Evgeni Bozhanov; Kasparas Uinskas |
2:17 | |||
2.12
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Gallop. Presto (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Evgeni Bozhanov; Kasparas Uinskas |
3:59 | |||
2.13
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Valse lente. Adagio (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Evgeni Bozhanov; Kasparas Uinskas |
4:34 | |||
2.14
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Finale. Allegro moderato (Transcribed for 2 pianos by Mikhail Pletnev)
Sergei Prokofiev; Evgeni Bozhanov; Kasparas Uinskas |
6:10 | |||
Sonata for Two Violins in C, Op. 56
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2.15
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I. Andante Cantabile
Sergei Prokofiev; Akiko Suwanai; Tedi Papavrami |
8:56 | |||
2.16
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II. Allegro
Sergei Prokofiev; Akiko Suwanai; Tedi Papavrami |
2:56 | |||
2.17
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III. Commodo
Sergei Prokofiev; Akiko Suwanai; Tedi Papavrami |
3:38 | |||
2.18
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IV. Allegro con brio
Sergei Prokofiev; Akiko Suwanai; Tedi Papavrami |
5:25 | |||
Concerto No. 1 for Piano, Trumpet, and String Orchestra in C Minor, Op. 35
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3.1
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I. Allegro moderato
Dmitri Shostakovich; Symphoniker Hamburg; Martha Argerich; Sergei Nakariakov |
5:56 | |||
3.2
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II. Lento
Dmitri Shostakovich; Symphoniker Hamburg; Martha Argerich; Sergei Nakariakov |
7:49 | |||
3.3
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III. Moderato
Dmitri Shostakovich; Symphoniker Hamburg; Martha Argerich; Sergei Nakariakov |
1:43 | |||
3.4
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IV. Allegro con brio
Dmitri Shostakovich; Symphoniker Hamburg; Martha Argerich; Sergei Nakariakov |
6:31 | |||
Trio No. 2 for Violin, Cello and Piano in E Minor, Op. 67
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3.5
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I. Andante
Dmitri Shostakovich; Martha Argerich; Guy Braunstein; Alisa Weilerstein |
7:34 | |||
3.6
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II. Allegro con brio
Dmitri Shostakovich; Martha Argerich; Guy Braunstein; Alisa Weilerstein |
3:10 | |||
3.7
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III. Largo
Dmitri Shostakovich; Martha Argerich; Guy Braunstein; Alisa Weilerstein |
5:47 | |||
3.8
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IV. Allegretto
Dmitri Shostakovich; Martha Argerich; Guy Braunstein; Alisa Weilerstein |
11:13 | |||
Duo for Violin and Cello, Op. 7
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3.9
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I. Allegro serioso, non troppo
Zoltán Kodály; Guy Braunstein; Alisa Weilerstein |
8:56 | |||
3.10
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II. Adagio - Andante
Zoltán Kodály; Guy Braunstein; Alisa Weilerstein |
8:45 | |||
3.11
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III. Maestoso e largamente, ma non troppo lento - Presto
Zoltán Kodály; Guy Braunstein; Alisa Weilerstein |
9:18 | |||
Piano Trio No. 1 in D Minor, Op. 49
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4.1
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I. Molto allegro ed agitato (transcr. for flute, cello & piano)
Felix Mendelssohn; Martha Argerich; Susanne Barner; Gabriele Geminiani |
9:32 | |||
4.2
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II. Andante espressivo (transcr. for flute, cello & piano)
Felix Mendelssohn; Martha Argerich; Susanne Barner; Gabriele Geminiani |
7:13 | |||
4.3
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III. Scherzo (transcr. for flute, cello & piano)
Felix Mendelssohn; Martha Argerichi; Susanne Barner; Gabriele Geminiani |
3:40 | |||
4.4
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IV. Finale (transcr. for flute, cello & piano)
Felix Mendelssohn; Martha Argerich; Susanne Barner; Gabriele Geminiani |
8:37 | |||
Concerto for Violin, Cello, and Piano in C Major, Op. 56
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4.5
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I. Allegro
Ludwig van Beethoven; Ion Marin; Symphoniker Hamburg; Tedi Papavrami; Mischa Maisky; Martha Argerich |
17:16 | |||
4.6
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II. Largo
Ludwig van Beethoven; Ion Marin; Symphoniker Hamburg; Tedi Papavrami; Mischa Maisky; Martha Argerich |
5:51 | |||
4.7
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III. Rondo alla polacca
Ludwig van Beethoven; Ion Marin; Symphoniker Hamburg; Tedi Papavrami; Mischa Maisky; Martha Argerich |
13:22 | |||
Fantasiestücke, Op. 73
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5.1
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I. Zart und mit Ausdruck
Robert Schumann; Mischa Maisky; Martha Argerich |
2:53 | |||
5.2
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II. Lebhaft, leicht
Robert Schumann; Mischa Maisky; Martha Argerich |
3:16 | |||
5.3
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III. Rasch und mit Feuer
Robert Schumann; Mischa Maisky; Martha Argerich |
4:09 | |||
Dichterliebe, Op. 48
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5.4
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I. Im wunderschönen Monat Mai (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
1:31 | |||
5.5
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II. Aus meinen Tränen sprießen (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
0:52 | |||
5.6
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III. Die Rose, die Lilie, die Taube, die Sonne (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
0:36 | |||
5.7
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IV. Wenn ich in deine Augen seh (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
1:34 | |||
5.8
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V. Dein Angesicht so lieb und schön (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
2:03 | |||
5.9
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VI. Lehn' deine Wang' an meine Wang' (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
0:41 | |||
5.10
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VII. Ich will meine Seele tauchen (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
1:05 | |||
5.11
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VIII. Im Rhein, im heiligen Strome (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
2:17 | |||
5.12
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IX. Ich grolle nicht (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
1:48 | |||
5.13
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X. Und wüßten's die Blumen, die kleinen (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
1:11 | |||
5.14
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XI. Das ist ein Flöten und Geigen (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
1:36 | |||
5.15
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XII. Hör' ich das Liedchen klingen (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
2:09 | |||
5.16
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XIII. Ein Jüngling liebt ein Mädchen (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
0:59 | |||
5.17
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XIV. Am leuchtenden Sommermorgen (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
2:51 | |||
5.18
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XV. Es leuchtet meine Liebe in ihrer dunkeln Pracht (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
1:39 | |||
5.19
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XVI. Meine Wagen rollet langsam durch lustiges Waldesgrün (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
3:30 | |||
5.20
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XVII. Ich hab' im Traum geweinet (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
2:24 | |||
5.21
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XVIII. Allnächtlich im Traume (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
1:19 | |||
5.22
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XIX. Aus alten Märchen winkt es (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
2:30 | |||
5.23
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XX. Die alten, bösen Lieder (First Edition from 1840)
Robert Schumann; Thomas Hampson; Martha Argerich |
4:40 | |||
Sonata No. 2 for Violin and Piano in A Major, Op. 100
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6.1
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I. Allegro amabile
Johannes Brahms; Akiko Suwanai; Nicholas Angelich |
8:57 | |||
6.2
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II. Andante tranquillo
Johannes Brahms; Akiko Suwanai; Nicholas Angelich |
6:39 | |||
6.3
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III. Allegretto grazioso
Johannes Brahms; Akiko Suwanai; Nicholas Angelich |
5:46 | |||
Sonata for Cello and Piano in G Minor, Op.19
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6.4
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I. Lento – Allegro moderato
Sergei Rachmaninov; Jing Zhao; Lilya Zilberstein |
12:54 | |||
6.5
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II. Allegro scherzando
Sergei Rachmaninov; Jing Zhao; Lilya Zilberstein |
6:50 | |||
6.6
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III. Andante
Sergei Rachmaninov; Jing Zhao; Lilya Zilberstein |
5:34 | |||
6.7
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IV. Allegro mosso
Sergei Rachmaninov; Jing Zhao; Lilya Zilberstein |
11:00 | |||
Le Carnaval Des Animaux
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7.1
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Texte I
Camille Saint-Saens; Annie Dutoit |
0:52 | |||
7.2
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Introduction
Camile Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
0:28 | |||
7.3
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Texte II
Camille Saint-Saens; Annie Dutoit |
0:37 | |||
7.4
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I. Marche Royale Du Lion
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
1:35 | |||
7.5
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Texte III
Camille Saint-Saens; Annie Dutoit |
0:35 | |||
7.6
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II. Poules Et Coqs
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
0:47 | |||
7.7
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Texte IV
Camille Saint-Saens; Annie Dutoit |
0:36 | |||
7.8
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III. Hémiones (Ou Animaux Véloces)
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
0:34 | |||
7.9
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Texte V
Camille Saint-Saens; Annie Dutoit |
0:44 | |||
7.10
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IV. Tortues
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
2:35 | |||
7.11
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Texte VI
Camille Saint-Saens; Annie Dutoit |
0:35 | |||
7.12
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V. L'Éléphant
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
1:24 | |||
7.13
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Texte VII
Camille Saint-Saens; Annie Dutoit |
0:27 | |||
7.14
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VI. Kangourous
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
0:59 | |||
7.15
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Texte VIII
Camille Saint-Saens; Annie Dutoit |
0:34 | |||
7.16
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VII. Aquarium
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
2:39 | |||
7.17
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Texte IX
Camille Saint-Saens; Annie Dutoit |
0:15 | |||
7.18
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VIII. Personnages À Longues Oreilles
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
0:41 | |||
7.19
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Texte X
Camille Saint-Saens; Annie Dutoit |
0:31 | |||
7.20
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IX. Le Coucou Au Fond Des Bois
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
2:24 | |||
7.21
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Texte XI
Camille Saint-Saens; Annie Dutoit |
0:19 | |||
7.22
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X. Volière
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
1:15 | |||
7.23
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Texte XII
Camille Saint-Saens; Annie Dutoit |
1:01 | |||
7.24
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XI. Pianistes
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
1:53 | |||
7.25
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Texte XIII
Camille Saint-Saens; Annie Dutoit |
0:42 | |||
7.26
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XII. Fossiles
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
1:23 | |||
7.27
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Texte XIV
Camille Saint-Saens; Annie Dutoit |
1:01 | |||
7.28
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XIII. Le Cygne
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Jing Zhao; Martha Argerich; Lilya Zilberstein |
3:24 | |||
7.29
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Texte XV
Camille Saint-Saens; Annie Dutoit |
1:02 | |||
7.30
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XIV. Final
Camille Saint-Saens; Ion Marin; Symphoniker Hamburg; Martha Argerich; Lilya Zilberstein |
2:06 | |||
Four Cuban Dances
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7.31
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A la antigua
Ernesto Lecuona; Mauricio Vallina |
2:19 | |||
7.32
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Al fin te ví
Ernesto Lecuona; Mauricio Vallina |
1:17 | |||
7.33
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No hables más!
Ernesto Lecuona; Mauricio Vallina |
1:24 | |||
7.34
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En tres por cuatro
Ernesto Lecuona; Mauricio Vallina |
1:54 | |||
Three Afro-Cuban Dances
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7.35
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La Conga de Medianoche
Ernesto Lecuona; Mauricio Vallina |
2:58 | |||
7.36
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La Comparsa
Ernesto Lecuona; Mauricio Vallina |
1:53 | |||
7.37
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Danza de los Ñáñigos
Ernesto Lecuona; Mauricio Vallina |
2:27 | |||
7.38
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Tango
Isaac Albeniz; Mauricio Vallina |
2:31 | |||
7.39
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El Choclo
Ángel Villoldo; Mauricio Vallina |
2:20 | |||
7.40
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A Evaristo Carriego
Eduardo Rovira; Michael Guttman; Lysandre Donoso; Ariel Ebelstein; Chloe Pfeiffer; Michael Guttman Tango Quartet; Jing Zhao |
4:51 | |||
7.41
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Triunfal
Astor Piazzolla; Michael Guttman; Lysandre Donoso; Ariel Ebelstein; Chloe Pfeiffer; Michael Guttman Tango Quartet |
3:31 | |||
7.42
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Adios Noninos
Astor Piazzolla; Michael Guttman; Lysandre Donoso; Ariel Ebelstein; Chloe Pfeiffer; Michael Guttman Tango Quartet |
5:18 | |||
7.43
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Musiquita Nocturna
Wolfgang Amadeus Mozart; Michael Guttman; Lysandre Donoso; Ariel Ebelstein; Chloe Pfeiffer; Michael Guttman Tango Quartet |
2:56 |
Legendary pianist Martha Argerich initiated a new musical Rendez-vous at the end of June 2018 at the wonderful Laeiszhalle of Hamburg (DE). From Beethoven to Debussy, from Brahms to Prokofiev, Martha Argerich performed in duo, trio and in concerto with musical friends like Mischa Maisky, Nicholas Angelich and Stephen Kovacevich, and started new collaborations with artists such as Akiko Suwanai, Alisa Weilerstein, Guy Braunstein or Edgar Moreau. She also accompanied for the first-time world renowned baritone Thomas Hampson in Schumann’s Dichterliebe, a role she rarely endorsed during her career and a première in her discography.
A unique musical celebration in which the piano legend performs new repertoire like Prokofiev's Overture on Hebrew Themes.
A total of 7 well-filled discs appear in the collection that will also allow you to rediscover some of Martha Argerich’s battle horses such as Beethoven's triple or Shostakovich's first concerto in new state of the art recordings.
96 kHz / 24-bit PCM – 2019 Avanticlassic Studio Masters
Disc 2, Tracks 6-14; Disc 7, Tracks 1, 3, 5, 7, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27, 29, 31, 32-43 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Disc 5, Tracks 4-23; Disc 6, Tracks 1-3 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Disc 2, Tracks 6-14; Disc 7, Tracks 1, 3, 5, 7, 9, 11, 13, 15, 17, 19, 21, 23, 25, 27, 29, 31, 32-43 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Disc 5, Tracks 4-23; Disc 6, Tracks 1-3 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.18 -15.53 to -0.21 | -25.23 -39.82 to -15.61 | -21.26 -35.30 to -12.10 | 14 9 to 20 | |
1.1 | Fêtes (Arranged for 2 pianos by Maurice Ravel) | -0.21 | -21.64 | -17.3 | 14 |
1.2 | I. Allegro vivo | -0.21 | -24.25 | -18.9 | 15 |
1.3 | II. Intermède: fantasque et léger | -0.37 | -26.81 | -22.3 | 17 |
1.4 | III. Finale: très animé | -0.21 | -23.03 | -18.1 | 15 |
1.5 | Prélude à l'Après-Midi d'un Faune (Arranged for 2 pianos by Claude Debussy) | -0.21 | -24.35 | -20.3 | 14 |
1.6 | I. Prologue | -0.56 | -25.30 | -20.3 | 14 |
1.7 | II. Sérénade | -1.99 | -26.34 | -21.9 | 15 |
1.8 | III. Final | -0.21 | -21.28 | -16.8 | 14 |
1.9 | La Valse (Arranged for 2 pianos by Maurice Ravel) | -0.21 | -20.41 | -16.6 | 13 |
1.10 | I. Allegro | -2.16 | -23.66 | -20.2 | 13 |
1.11 | II. Très Vif | -0.21 | -22.28 | -18.7 | 13 |
1.12 | III. Lent | -0.74 | -25.55 | -21.7 | 15 |
1.13 | IV. Vif | -0.21 | -21.47 | -17.9 | 14 |
2.1 | I. Allegro (Arranged for 2 pianos by Riyuka Terashima) | -0.21 | -20.46 | -16.8 | 13 |
2.2 | II. Larghetto (Arranged for 2 pianos by Riyuka Terashima) | -0.21 | -26.25 | -22.1 | 16 |
2.3 | III. Gavotta (Arranged for 2 pianos by Riyuka Terashima) | -2.53 | -26.14 | -22.3 | 15 |
2.4 | IV. Finale (Arranged for 2 pianos by Riyuka Terashima) | -0.21 | -20.95 | -17.6 | 14 |
2.5 | Overture on Hebrew Themes for Piano, Clarinet and String Quartet, Op. 34 | -0.21 | -22.38 | -18.5 | 14 |
2.6 | Introduction. Andante dolce (Transcribed for 2 pianos by Mikhail Pletnev) | -7.89 | -29.93 | -26.3 | 13 |
2.7 | Quarrel. Allegretto (Transcribed for 2 pianos by Mikhail Pletnev) | -0.21 | -20.86 | -17.6 | 14 |
2.8 | Winter. Adagio (Transcribed for 2 pianos by Mikhail Pletnev) | -3.11 | -31.04 | -26.9 | 19 |
2.9 | Spring. Vivace con brio (Transcribed for 2 pianos by Mikhail Pletnev) | -0.65 | -25.32 | -20.7 | 16 |
2.10 | Cinderella's Valse. Andante - Allegretto (Transcribed for 2 pianos by Mikhail Pletnev) | -1.03 | -24.81 | -20.5 | 14 |
2.11 | Gavotte. Allegretto (Transcribed for 2 pianos by Mikhail Pletnev) | -0.27 | -26.34 | -22.7 | 13 |
2.12 | Gallop. Presto (Transcribed for 2 pianos by Mikhail Pletnev) | -0.22 | -21.91 | -18.4 | 14 |
2.13 | Valse lente. Adagio (Transcribed for 2 pianos by Mikhail Pletnev) | -2.05 | -27.86 | -23.3 | 16 |
2.14 | Finale. Allegro moderato (Transcribed for 2 pianos by Mikhail Pletnev) | -0.21 | -21.03 | -17.1 | 13 |
2.15 | I. Andante Cantabile | -0.67 | -24.65 | -20.7 | 13 |
2.16 | II. Allegro | -0.21 | -21.51 | -17.4 | 15 |
2.17 | III. Commodo | -9.95 | -30.55 | -26.6 | 13 |
2.18 | IV. Allegro con brio | -0.21 | -23.84 | -19.3 | 16 |
3.1 | I. Allegro moderato | -0.21 | -20.27 | -16.3 | 12 |
3.2 | II. Lento | -0.21 | -22.96 | -18.2 | 14 |
3.3 | III. Moderato | -0.22 | -20.05 | -16.9 | 11 |
3.4 | IV. Allegro con brio | -0.21 | -19.01 | -15.1 | 12 |
3.5 | I. Andante | -0.99 | -24.08 | -19.1 | 14 |
3.6 | II. Allegro con brio | -0.22 | -20.28 | -17.3 | 14 |
3.7 | III. Largo | -6.07 | -31.34 | -27.2 | 15 |
3.8 | IV. Allegretto | -0.21 | -21.46 | -16.8 | 13 |
3.9 | I. Allegro serioso, non troppo | -0.67 | -24.65 | -20.7 | 13 |
3.10 | II. Adagio - Andante | -1.86 | -26.60 | -21.1 | 14 |
3.11 | III. Maestoso e largamente, ma non troppo lento - Presto | -0.21 | -24.24 | -20.1 | 16 |
4.1 | I. Molto allegro ed agitato (transcr. for flute, cello & piano) | -0.21 | -20.20 | -16.6 | 13 |
4.2 | II. Andante espressivo (transcr. for flute, cello & piano) | -4.10 | -25.21 | -21.1 | 13 |
4.3 | III. Scherzo (transcr. for flute, cello & piano) | -0.21 | -21.06 | -17.6 | 13 |
4.4 | IV. Finale (transcr. for flute, cello & piano) | -0.21 | -20.23 | -16.7 | 13 |
4.5 | I. Allegro | -0.21 | -21.18 | -17.7 | 14 |
4.6 | II. Largo | -5.53 | -27.68 | -24.2 | 13 |
4.7 | III. Rondo alla polacca | -0.21 | -20.29 | -16.8 | 13 |
5.1 | I. Zart und mit Ausdruck | -0.21 | -21.81 | -18.6 | 12 |
5.2 | II. Lebhaft, leicht | -3.45 | -22.68 | -19.4 | 12 |
5.3 | III. Rasch und mit Feuer | -0.21 | -17.38 | -14.1 | 11 |
5.4 | I. Im wunderschönen Monat Mai (First Edition from 1840) | -3.21 | -25.91 | -21.0 | 13 |
5.5 | II. Aus meinen Tränen sprießen (First Edition from 1840) | -6.85 | -25.47 | -21.3 | 12 |
5.6 | III. Die Rose, die Lilie, die Taube, die Sonne (First Edition from 1840) | -0.22 | -22.08 | -18.4 | 11 |
5.7 | IV. Wenn ich in deine Augen seh (First Edition from 1840) | -2.89 | -25.25 | -20.4 | 13 |
5.8 | V. Dein Angesicht so lieb und schön (First Edition from 1840) | -1.79 | -23.64 | -19.8 | 13 |
5.9 | VI. Lehn' deine Wang' an meine Wang' (First Edition from 1840) | -0.21 | -15.61 | -12.1 | 10 |
5.10 | VII. Ich will meine Seele tauchen (First Edition from 1840) | -2.45 | -22.34 | -18.6 | 12 |
5.11 | VIII. Im Rhein, im heiligen Strome (First Edition from 1840) | -0.89 | -21.12 | -17.6 | 13 |
5.12 | IX. Ich grolle nicht (First Edition from 1840) | -0.21 | -17.23 | -13.9 | 11 |
5.13 | X. Und wüßten's die Blumen, die kleinen (First Edition from 1840) | -0.21 | -19.97 | -16.7 | 11 |
5.14 | XI. Das ist ein Flöten und Geigen (First Edition from 1840) | -0.22 | -17.89 | -14.1 | 11 |
5.15 | XII. Hör' ich das Liedchen klingen (First Edition from 1840) | -8.26 | -28.54 | -25.0 | 12 |
5.16 | XIII. Ein Jüngling liebt ein Mädchen (First Edition from 1840) | -0.21 | -19.40 | -15.9 | 11 |
5.17 | XIV. Am leuchtenden Sommermorgen (First Edition from 1840) | -6.26 | -30.63 | -27.5 | 14 |
5.18 | XV. Es leuchtet meine Liebe in ihrer dunkeln Pracht (First Edition from 1840) | -0.21 | -17.46 | -13.9 | 11 |
5.19 | XVI. Meine Wagen rollet langsam durch lustiges Waldesgrün (First Edition from 1840) | -5.72 | -28.01 | -24.7 | 13 |
5.20 | XVII. Ich hab' im Traum geweinet (First Edition from 1840) | -0.22 | -24.39 | -16.4 | 14 |
5.21 | XVIII. Allnächtlich im Traume (First Edition from 1840) | -0.70 | -23.21 | -19.3 | 13 |
5.22 | XIX. Aus alten Märchen winkt es (First Edition from 1840) | -0.21 | -19.53 | -15.3 | 12 |
5.23 | XX. Die alten, bösen Lieder (First Edition from 1840) | -0.22 | -21.07 | -15.8 | 13 |
6.1 | I. Allegro amabile | -0.21 | -21.64 | -17.8 | 14 |
6.2 | II. Andante tranquillo | -0.21 | -24.84 | -21.3 | 16 |
6.3 | III. Allegretto grazioso | -0.84 | -22.12 | -18.6 | 13 |
6.4 | I. Lento – Allegro moderato | -0.21 | -22.00 | -18.8 | 14 |
6.5 | II. Allegro scherzando | -0.21 | -21.35 | -18.5 | 13 |
6.6 | III. Andante | -1.38 | -23.79 | -20.5 | 14 |
6.7 | IV. Allegro mosso | -0.21 | -20.01 | -16.5 | 12 |
7.1 | Texte I | -8.49 | -34.32 | -29.6 | 18 |
7.2 | Introduction | -2.50 | -19.39 | -16.1 | 9 |
7.3 | Texte II | -7.23 | -32.95 | -28.0 | 16 |
7.4 | I. Marche Royale Du Lion | -0.59 | -19.63 | -16.7 | 12 |
7.5 | Texte III | -5.72 | -29.97 | -24.7 | 15 |
7.6 | II. Poules Et Coqs | -2.89 | -26.91 | -22.3 | 13 |
7.7 | Texte IV | -8.65 | -32.86 | -28.2 | 18 |
7.8 | III. Hémiones (Ou Animaux Véloces) | -0.93 | -23.27 | -20.4 | 10 |
7.9 | Texte V | -13.85 | -37.64 | -32.8 | 17 |
7.10 | IV. Tortues | -15.08 | -35.58 | -32.5 | 12 |
7.11 | Texte VI | -10.72 | -37.52 | -32.8 | 16 |
7.12 | V. L'Éléphant | -1.83 | -23.29 | -20.7 | 13 |
7.13 | Texte VII | -11.92 | -35.55 | -31.1 | 17 |
7.14 | VI. Kangourous | -9.77 | -35.96 | -30.5 | 15 |
7.15 | Texte VIII | -13.19 | -38.22 | -33.6 | 20 |
7.16 | VII. Aquarium | -12.86 | -33.16 | -29.8 | 12 |
7.17 | Texte IX | -12.36 | -35.29 | -30.2 | 17 |
7.18 | VIII. Personnages À Longues Oreilles | -12.51 | -33.05 | -28.1 | 12 |
7.19 | Texte X | -13.20 | -37.64 | -32.5 | 18 |
7.20 | IX. Le Coucou Au Fond Des Bois | -15.53 | -38.19 | -35.3 | 15 |
7.21 | Texte XI | -10.31 | -31.43 | -26.4 | 14 |
7.22 | X. Volière | -9.47 | -29.28 | -24.9 | 12 |
7.23 | Texte XII | -10.56 | -36.65 | -31.2 | 20 |
7.24 | XI. Pianistes | -0.29 | -23.60 | -20.3 | 14 |
7.25 | Texte XIII | -9.11 | -32.85 | -28.2 | 15 |
7.26 | XII. Fossiles | -0.22 | -20.73 | -17.4 | 13 |
7.27 | Texte XIV | -12.93 | -39.82 | -34.5 | 19 |
7.28 | XIII. Le Cygne | -8.69 | -33.26 | -29.8 | 13 |
7.29 | Texte XV | -9.21 | -34.09 | -29.1 | 16 |
7.30 | XIV. Final | -0.21 | -17.64 | -14.0 | 11 |
7.31 | A la antigua | -6.70 | -27.78 | -24.8 | 14 |
7.32 | Al fin te ví | -4.48 | -25.01 | -21.7 | 14 |
7.33 | No hables más! | -4.01 | -27.11 | -24.4 | 14 |
7.34 | En tres por cuatro | -1.37 | -20.95 | -18.1 | 13 |
7.35 | La Conga de Medianoche | -1.38 | -23.91 | -20.3 | 13 |
7.36 | La Comparsa | -3.10 | -24.25 | -20.7 | 13 |
7.37 | Danza de los Ñáñigos | -0.21 | -22.66 | -19.4 | 13 |
7.38 | Tango | -7.64 | -27.60 | -24.8 | 13 |
7.39 | El Choclo | -0.22 | -20.03 | -17.0 | 13 |
7.40 | A Evaristo Carriego | -0.21 | -24.17 | -19.8 | 15 |
7.41 | Triunfal | -0.21 | -22.82 | -19.4 | 15 |
7.42 | Adios Noninos | -0.43 | -22.17 | -18.2 | 13 |
7.43 | Musiquita Nocturna | -0.21 | -20.99 | -16.9 | 14 |