℗ 2016 RBP
| Released | April 1, 2016 |
| Duration | 2h 05m 32s |
| Record Label | AVIE Records |
| Catalogue No. | AV2360 |
| Genre | Classical (Baroque) |
Testament: Complete Sonatas and Partitas for Solo Violin by J. S. Bach
Rachel Barton Pine
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata No. 1 in G Minor, BWV 1001
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1.1
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I. Adagio
Johann Sebastian Bach; Rachel Barton Pine |
3:29 | |||
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1.2
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II. Fuga
Johann Sebastian Bach; Rachel Barton Pine |
4:50 | |||
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1.3
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III. Siciliana
Johann Sebastian Bach; Rachel Barton Pine |
2:33 | |||
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1.4
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IV. Presto
Johann Sebastian Bach; Rachel Barton Pine |
3:30 | |||
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Partita No. 1 in B Minor, BWV 1002
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1.5
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I. Allemanda
Johann Sebastian Bach; Rachel Barton Pine |
7:03 | |||
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1.6
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II. Corrente
Johann Sebastian Bach; Rachel Barton Pine |
6:38 | |||
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1.7
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III. Sarabande
Johann Sebastian Bach; Rachel Barton Pine |
5:36 | |||
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1.8
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IV. Tempo di Borea
Johann Sebastian Bach; Rachel Barton Pine |
6:17 | |||
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Sonata No. 2 in A Minor, BWV 1003
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1.9
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I. Grave
Johann Sebastian Bach; Rachel Barton Pine |
3:26 | |||
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1.10
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II. Fuga
Johann Sebastian Bach; Rachel Barton Pine |
6:44 | |||
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1.11
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III. Andante
Johann Sebastian Bach; Rachel Barton Pine |
5:22 | |||
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1.12
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IV. Allegro
Johann Sebastian Bach; Rachel Barton Pine |
5:23 | |||
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Partita No. 2 in D Minor, BWV 1004
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1.13
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I. Allemanda
Johann Sebastian Bach; Rachel Barton Pine |
4:01 | |||
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1.14
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II Corrente
Johann Sebastian Bach; Rachel Barton Pine |
2:43 | |||
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1.15
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III. Sarabanda
Johann Sebastian Bach; Rachel Barton Pine |
3:48 | |||
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1.16
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IV. Giga
Johann Sebastian Bach; Rachel Barton Pine |
3:55 | |||
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1.17
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V. Ciaccona
Johann Sebastian Bach; Rachel Barton Pine |
11:43 | |||
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Sonata No. 3 in C Major, BWV 1005
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1.18
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I Adagio
Johann Sebastian Bach; Rachel Barton Pine |
3:59 | |||
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1.19
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II. Fuga
Johann Sebastian Bach; Rachel Barton Pine |
9:04 | |||
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1.20
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III. Largo
Johann Sebastian Bach; Rachel Barton Pine |
2:53 | |||
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1.21
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IV. Allegro assai
Johann Sebastian Bach; Rachel Barton Pine |
4:58 | |||
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Partita No. 3 in E Major, BWV 1006
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1.22
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I. Preludio
Johann Sebastian Bach; Rachel Barton Pine |
3:33 | |||
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1.23
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II. Loure
Johann Sebastian Bach; Rachel Barton Pine |
3:51 | |||
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1.24
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III. Gavotte en rondeau
Johann Sebastian Bach; Rachel Barton Pine |
2:42 | |||
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1.25
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IV. Menuet I & II
Johann Sebastian Bach; Rachel Barton Pine |
4:02 | |||
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1.26
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V. Boureé
Johann Sebastian Bach; Rachel Barton Pine |
1:36 | |||
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1.27
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VI. Gigue
Johann Sebastian Bach; Rachel Barton Pine |
1:53 | |||
"Bravura technique and soulful musicianship."
– New York Times
Best-selling violinist Rachel Barton Pine’s relationship with the music of Bach runs deep. She first heard and fell in love with Bach’s music in her hometown St. Paul’s Church in Chicago, which had a stained glass window of the composer in the sanctuary. That church is where Rachel first played Bach’s music, at the age of four, and where she returned to record Bach’s Six Sonatas and Partitas in its beautiful yet clear acoustic.
"I’m so pleased to have recorded the Six Sonatas and Partitas in my favorite sound space for these works, the place that I consider to truly be my emotional home for playing them."
- Rachel Barton Pine
96 kHz / 24-bit PCM – AVIE Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.35 -5.86 to -0.18 | -23.38 -26.58 to -21.01 | -19.86 -22.70 to -17.60 | 14 12 to 16 | |
| 1 | I. Adagio | -4.75 | -25.31 | -21.6 | 13 |
| 2 | II. Fuga | -0.90 | -21.10 | -17.6 | 14 |
| 3 | III. Siciliana | -3.12 | -24.86 | -21.2 | 14 |
| 4 | IV. Presto | -0.18 | -23.29 | -20.0 | 14 |
| 5 | I. Allemanda | -1.36 | -23.21 | -19.6 | 15 |
| 6 | II. Corrente | -1.78 | -22.17 | -18.8 | 14 |
| 7 | III. Sarabande | -2.16 | -23.30 | -19.8 | 13 |
| 8 | IV. Tempo di Borea | -0.45 | -21.01 | -17.6 | 15 |
| 9 | I. Grave | -5.05 | -25.34 | -21.6 | 13 |
| 10 | II. Fuga | -0.20 | -21.01 | -17.8 | 15 |
| 11 | III. Andante | -2.03 | -24.22 | -20.4 | 14 |
| 12 | IV. Allegro | -2.00 | -21.68 | -18.5 | 14 |
| 13 | I. Allemanda | -0.31 | -21.96 | -18.5 | 13 |
| 14 | II Corrente | -0.46 | -22.85 | -19.3 | 14 |
| 15 | III. Sarabanda | -2.93 | -24.94 | -21.1 | 13 |
| 16 | IV. Giga | -1.46 | -22.51 | -19.3 | 14 |
| 17 | V. Ciaccona | -1.14 | -21.60 | -18.3 | 14 |
| 18 | I Adagio | -4.71 | -26.17 | -22.7 | 13 |
| 19 | II. Fuga | -0.20 | -21.16 | -18.0 | 14 |
| 20 | III. Largo | -4.49 | -26.58 | -22.5 | 14 |
| 21 | IV. Allegro assai | -3.99 | -23.77 | -20.7 | 14 |
| 22 | I. Preludio | -0.20 | -21.11 | -17.7 | 13 |
| 23 | II. Loure | -0.97 | -26.18 | -22.1 | 16 |
| 24 | III. Gavotte en rondeau | -2.81 | -22.74 | -19.2 | 13 |
| 25 | IV. Menuet I & II | -5.00 | -25.12 | -21.4 | 13 |
| 26 | V. Boureé | -5.86 | -24.30 | -20.6 | 12 |
| 27 | VI. Gigue | -4.86 | -23.80 | -20.3 | 12 |