℗ 2014 Groupe Analekta
Released | January 27, 2015 |
Duration | 43m 58s |
Record Label | Groupe Analekta, Inc |
Catalogue No. | AN 2 9847 |
Genre | Classical (Concerto) |
French Trumpet Concertos: Tomasi - Désenclos - Jolivet
Paul Merkelo, Orchestre Symphonique de Montréal, Kent Nagano
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Concerto pour trompette et orchestre
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1.1
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Allegro - Cadenza
Henri Tomasi; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
7:52 | |||
1.2
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Nocturne
Henri Tomasi; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
4:18 | |||
1.3
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Finale
Henri Tomasi; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
3:23 | |||
Incantation, thrène et danse pour trompette et orchestre
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1.4
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Incantation
Alfred Désenclos; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
2:44 | |||
1.5
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Thrène
Alfred Désenclos; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
4:16 | |||
1.6
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Danse
Alfred Désenclos; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
8:38 | |||
Concerto pour trompette No. 2
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1.7
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Mesto – Concitato
André Jolivet; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
4:35 | |||
1.8
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Grave
André Jolivet; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
4:00 | |||
1.9
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Giocoso
André Jolivet; Orchestre Symphonique de Montréal; Kent Nagano; Paul Merkelo |
4:12 |
Three works for trumpet and orchestra, each one written in France by a composer whose life did not exceed the span of the 20th century, and each heavily influenced by the idiom of jazz. The apparent similarities are many, but philosophically these works come from very different places. Alfred Desenclos’ rigorous compositional style made him a favourite of the academy, frequently composing competition pieces for the Paris Conservatoire. Henri Tomasi by contrast, was ever the pragmatist, eschewing systems and methods in favour of a popular aesthetic. Meanwhile André Jolivet belonged to a movement that valued the spiritual aspect of music, and sought to express something of the universally primal through his work. Through three unique lenses, the works presented here offer a nuanced perspective on French musical thought and the growing importance of the solo trumpet in 20th century music.
96 kHz / 24-bit PCM – Groupe Analekta, Inc Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.31 -8.21 to -0.21 | -23.43 -28.68 to -19.33 | -19.42 -25.50 to -15.10 | 13 12 to 15 | |
1 | Allegro - Cadenza | -2.97 | -25.74 | -21.2 | 15 |
2 | Nocturne | -0.42 | -24.00 | -19.7 | 13 |
3 | Finale | -0.21 | -20.74 | -17.0 | 13 |
4 | Incantation | -0.21 | -19.33 | -15.1 | 12 |
5 | Thrène | -8.18 | -28.27 | -25.0 | 12 |
6 | Danse | -0.21 | -21.98 | -17.9 | 13 |
7 | Mesto – Concitato | -0.21 | -22.70 | -17.7 | 15 |
8 | Grave | -8.21 | -28.68 | -25.5 | 12 |
9 | Giocoso | -0.21 | -19.48 | -15.7 | 13 |