℗ 2012 Groupe Analekta
Released | November 13, 2012 |
Duration | 50m 54s |
Record Label | ANALEKTA |
Catalogue No. | AN2 9982 |
Genre | Classical (Chamber) |
Around Christmas
Antoine Bareil, Valérie Milot
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Saint-Louis (O Little Town of Bethlehem)
Lewis H. Redner; Valérie Milot; Antoine Bareil |
4:39 | |||
1.2
|
A New Northern Dittye of the Lady Greene Sleeves
Traditional; Valérie Milot; Antoine Bareil |
6:00 | |||
1.3
|
Stille Nacht
Franz Gruber; Valérie Milot; Antoine Bareil |
4:19 | |||
1.4
|
Are You Going to Scarborough Fair?
Traditional; Valérie Milot; Antoine Bareil |
4:53 | |||
1.5
|
Trois jours avant Noël
Antoine Bareil; Valérie Milot; Antoine Bareil |
6:01 | |||
1.6
|
El Noi de la Mare
Traditional; Valérie Milot; Antoine Bareil |
3:45 | |||
1.7
|
Nuit de Noël (Esquisse pour violon et harpe)
Ferrucio Bisoni; Valérie Milot; Antoine Bareil |
4:38 | |||
1.8
|
Veni, Veni Emmanuel
Traditional; Valérie Milot; Antoine Bareil |
4:24 | |||
1.9
|
Variations sur "Mon Merle"
Traditional; Valérie Milot; Antoine Bareil |
1:42 | |||
1.10
|
Variations sur entre le bœuf et l’âne gris
Antoine Bareil; Valérie Milot; Antoine Bareil |
4:07 | |||
1.11
|
God Rest Ye Merry Gentlemen
Traditional; Valérie Milot; Antoine Bareil |
3:49 | |||
1.12
|
Ave Maria
Charles Gounod; Johann Sebastian Bach; Valérie Milot; Antoine Bareil |
2:37 |
Young Québec harpist Valérie Milot, described as “very refined” artist by La Presse, Montréal, has an impeccable technique and is such a colourful and powerful musician that she challenges all the clichés about her instrument. Here, she joins the violinist Antoine Bareil for a programme of sacred works for the holiday season. Antoine Bareil is known as a member of Quartango, the solo violin of the Laval Symphonic Orchestra, and his regular collaborations with the Violons du Roy.
88.2 kHz / 24-bit PCM – ANALEKTA Studio Masters
Tracks 2, 4, 8, 9 – 88.2 kHz / 16-bit PCM Tracks 2-4, 8, 9 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 2, 4, 8, 9 – 88.2 kHz / 16-bit PCM Tracks 2-4, 8, 9 – contains material which has been processed by a perceptual audio coding algorithm
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.59 -4.56 to 0.00 | -23.29 -28.98 to -20.73 | -19.80 -24.70 to -17.30 | 13 10 to 14 | |
1 | Saint-Louis (O Little Town of Bethlehem) | -1.04 | -22.30 | -18.1 | 12 |
2 | A New Northern Dittye of the Lady Greene Sleeves | -0.50 | -22.02 | -19.1 | 13 |
3 | Stille Nacht | -2.36 | -28.98 | -24.7 | 14 |
4 | Are You Going to Scarborough Fair? | -0.47 | -21.35 | -17.9 | 13 |
5 | Trois jours avant Noël | 0.00 | -20.73 | -17.3 | 14 |
6 | El Noi de la Mare | 0.00 | -23.63 | -20.0 | 12 |
7 | Nuit de Noël (Esquisse pour violon et harpe) | -1.31 | -25.74 | -22.4 | 14 |
8 | Veni, Veni Emmanuel | -1.20 | -21.57 | -17.9 | 13 |
9 | Variations sur "Mon Merle" | -4.56 | -22.53 | -19.5 | 12 |
10 | Variations sur entre le bœuf et l’âne gris | 0.00 | -23.60 | -20.4 | 14 |
11 | God Rest Ye Merry Gentlemen | -1.37 | -23.16 | -19.9 | 13 |
12 | Ave Maria | -3.15 | -23.83 | -20.4 | 10 |