℗ 2003 Analekta
Released | March 4, 2003 |
Duration | 50m 43s |
Record Label | Groupe Analekta |
Catalogue No. | AN 2 8104 |
Genre | Classical |
Cantus Angelicus
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
a Woman surrounded by Angels
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1.1
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I. Alleluia: Assumpta est V
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
3:22 | |||
1.2
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II. Antiphon: Ave Regina cælorum (solem tone)
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:32 | |||
1.3
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III. Antiphon: Ave Regina cælorum (simple tone)
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
0:53 | |||
1.4
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IV. Concordi laetitia VI
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:49 | |||
The Angels of Christmas
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1.5
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Responsory: Quem vidistis IV
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
2:45 | |||
The Angels of Easter
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1.6
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I. Alleluia: Angelus Domini VIII
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
2:04 | |||
1.7
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II. Sequence: Victimae paschali I
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:45 | |||
1.8
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III. Three antiphons: Alleluia V
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:15 | |||
1.9
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IV. Rhythm: Exsultemus et laetemur III
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
3:25 | |||
The Bread of Angels
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1.10
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Sequence: Ecce Panis VII
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:37 | |||
1.11
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Hymn: Panis Angelicus I
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:42 | |||
The Lord of the Angels - Kyriale VIII (De Angelis)
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1.12
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I. Kyrie V
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:45 | |||
1.13
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II. Gloria V
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
2:52 | |||
1.14
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III. Sanctus VI
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:42 | |||
1.15
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IV. Agnus Dei VI
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
1:27 | |||
The Lord of the Angels
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1.16
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Introit: In excelso throno VIII
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
3:09 | |||
1.17
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Introit: Adorate Deum VII
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
2:17 | |||
Our Guardian Angels
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1.18
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Graduale: Angelis suis II
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
3:52 | |||
1.19
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Hymn: Tibi Christe II
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
2:35 | |||
The Angels and the faithful Departed
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1.20
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Antiphon: In paradisum VII
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
2:12 | |||
The Dance of the Angels and Saints
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1.21
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Offeratory: Stetit angelus I
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
2:45 | |||
1.22
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Hymn: Urbs Ierusalem IV
The Choir Of Benedictine Moniales From The Abbey Of Sainte-Marie Des Deux-Montagnes |
3:58 |
On the hill of Saint Mary’s Abbey, overlooking the Lake of Two Mountains, Quebec, the Benedictine moniales pray with Gregorian chant seven times a day and once a night. Like the monks’ Abbey of Saint-Benoît-du-Lac, Saint Mary’s belongs to the congregation of Solesmes, which counts 31 monasteries on 3 continents. Founded in 1936 by four moniales from Notre-Dame de Wisques in the Pas-de-Calais, France, along with a group of Canadian Sisters, the community is proud to uphold the Solesmes legacy to this day, a continuing challenge admittedly requiring much creativity.
Monk, monastery, and monastic: three words that immediately evoke God, from Monos, a Greek word at the root of the notion of solitude and separation. Solitary, simple, united… for God alone! The Benedictine monks and moniales are children of St. Benedict (480-557), Benedictus, the Blessed One. Benedict is recognized as the father of Western monks through the Rule of monastic life he bequeathed, the Regula monachorum: “Listen O my son… Prefer nothing to the love of Christ, apply yourself frequently to prayer.” After flourishing during the Middle Ages, the Monastic Order was restored in 1833 in Solesmes by Dom Prosper Guéranger, who sought to rekindle a spirit inspired by Antiquity. Hence, Benedictine life has revolved around the contemplation of the Mystery of Christ experienced through a solemn liturgy and an ongoing, living tradition, all the while in tune with the contemporary Church.
In the footsteps of Dom Joseph Gajard (1885-1972), choirmaster at Solesmes and first to make recordings of Gregorian chant, the moniales of Saint Mary’s offer a selection of pieces dedicated to angels. The secret of this recording doesn’t lie in the pursuit of musical exploits, but in the sharing of a prayer among family members. Almost all of the 37 moniales—of various backgrounds and ages—participated in the recording, which was produced in an atmosphere of joy, love, and even friendly humour. The listeners, too, are invited to become brothers and sisters of the Benedictine moniales by delving into their prayer, since “singing is like praying twice.”
88.2 kHz / 24-bit PCM – Groupe Analekta Studio Masters
Tracks 1-22 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 1-22 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.45 -5.42 to -2.17 | -22.50 -24.05 to -20.22 | -19.02 -20.50 to -17.20 | 11 10 to 13 | |
1 | I. Alleluia: Assumpta est V | -3.14 | -23.45 | -18.7 | 11 |
2 | II. Antiphon: Ave Regina cælorum (solem tone) | -3.48 | -21.17 | -17.8 | 11 |
3 | III. Antiphon: Ave Regina cælorum (simple tone) | -4.87 | -22.99 | -19.2 | 10 |
4 | IV. Concordi laetitia VI | -4.26 | -23.98 | -20.5 | 12 |
5 | Responsory: Quem vidistis IV | -4.04 | -22.34 | -19.3 | 10 |
6 | I. Alleluia: Angelus Domini VIII | -2.80 | -22.68 | -19.2 | 11 |
7 | II. Sequence: Victimae paschali I | -2.68 | -23.44 | -19.9 | 13 |
8 | III. Three antiphons: Alleluia V | -3.68 | -22.97 | -19.2 | 11 |
9 | IV. Rhythm: Exsultemus et laetemur III | -2.61 | -22.15 | -18.9 | 12 |
10 | Sequence: Ecce Panis VII | -5.06 | -23.35 | -20.1 | 11 |
11 | Hymn: Panis Angelicus I | -2.47 | -22.87 | -19.4 | 12 |
12 | I. Kyrie V | -4.42 | -21.21 | -17.6 | 10 |
13 | II. Gloria V | -2.86 | -22.74 | -19.3 | 13 |
14 | III. Sanctus VI | -3.08 | -21.88 | -18.5 | 11 |
15 | IV. Agnus Dei VI | -3.61 | -22.84 | -19.4 | 10 |
16 | Introit: In excelso throno VIII | -2.17 | -21.72 | -18.6 | 12 |
17 | Introit: Adorate Deum VII | -2.64 | -20.90 | -17.5 | 11 |
18 | Graduale: Angelis suis II | -2.29 | -20.22 | -17.2 | 10 |
19 | Hymn: Tibi Christe II | -5.42 | -23.20 | -20.0 | 11 |
20 | Antiphon: In paradisum VII | -3.19 | -23.71 | -20.4 | 12 |
21 | Offeratory: Stetit angelus I | -3.14 | -21.24 | -17.9 | 11 |
22 | Hymn: Urbs Ierusalem IV | -3.90 | -24.05 | -19.8 | 12 |