℗ 2007 Analekta
| Released | 2007 |
| Duration | 1h 00m 52s |
| Record Label | Analekta |
| Catalogue No. | AN 2 9922 |
| Genre | Classical (Vocal) |
Verlaine - Symbolist Poets And The French Melodie
Jean-François Lapointe, Louise-Andree Baril
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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D'une Prison (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
2:52 | |||
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1.2
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Offrande (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
2:35 | |||
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1.3
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Fêtes Galantes (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
1:58 | |||
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1.4
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L'incrédule (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
1:51 | |||
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Chanson Grises
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1.5
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I. Chanson D'Automne (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
1:40 | |||
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1.6
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II. Tous Deux (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
1:39 | |||
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1.7
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III. L'allée Est Sans Fin (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
1:51 | |||
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1.8
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IV. En Sourdine (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
3:02 | |||
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1.9
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V. L'heure Exquise (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
2:39 | |||
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1.10
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VI. Paysage Triste (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
2:22 | |||
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1.11
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VII. La Bonne Chanson (Reynaldo Han)
Jean-François Lapointe, Louise-Andree Baril |
1:38 | |||
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1.12
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Prison, Op. 83, No. 1 (Gabriel Faure)
Jean-François Lapointe, Louise-Andree Baril |
2:02 | |||
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1.13
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Spleen, Op. 51, No. 3 (Gabriel Faure)
Jean-François Lapointe, Louise-Andree Baril |
2:08 | |||
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1.14
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Claire De Lune, Op./ 46, No. 2 (Gabriel Faure)
Jean-François Lapointe, Louise-Andree Baril |
2:40 | |||
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Chansons De Venise, Op. 58
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1.15
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I. Mandoline (Gabriel Faure)
Jean-François Lapointe, Louise-Andree Baril |
1:52 | |||
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1.16
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II. En Sourdine (Gabriel Faure)
Jean-François Lapointe, Louise-Andree Baril |
3:03 | |||
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1.17
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III. Green (Gabriel Faure)
Jean-François Lapointe, Louise-Andree Baril |
1:49 | |||
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1.18
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IV. A Clymene (Gabriel Faure)
Jean-François Lapointe, Louise-Andree Baril |
2:26 | |||
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1.19
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V. C'est L'extase (Gabriel Faure)
Jean-François Lapointe, Louise-Andree Baril |
2:54 | |||
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1.20
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Mandoline (Claude Debussy)
Jean-François Lapointe, Louise-Andree Baril |
1:41 | |||
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1.21
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La Mer Est Plus Belle (Claude Debussy)
Jean-François Lapointe, Louise-Andree Baril |
2:11 | |||
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1.22
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Le Son Du Cor S'afflige (Claude Debussy)
Jean-François Lapointe, Louise-Andree Baril |
2:46 | |||
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1.23
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L'échelonnement Des Haies (Claude Debussy)
Jean-François Lapointe, Louise-Andree Baril |
1:28 | |||
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1.24
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Les Chères Mains (André Mathieu)
Jean-François Lapointe, Louise-Andree Baril |
2:38 | |||
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1.25
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Il Pleure Dans Mon Coeur (André Mathieu)
Jean-François Lapointe, Louise-Andree Baril |
2:48 | |||
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1.26
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Colloque Sentimental (André Mathieu)
Jean-François Lapointe, Louise-Andree Baril |
2:25 | |||
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1.27
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Le Ciel Est Si Bleu (André Mathieu)
Jean-François Lapointe, Louise-Andree Baril |
1:54 | |||
Les poètes maudits—”The Accursed Poets”—was the title of an 1884 essay by Paul Verlaine dedicated to several fellow poets whose style he admired. The expression would forever brand the French Symbolists of the late 19th century, the works of whom quickly became an important source of inspiration for composers who would bring the French mélodie genre to its apogee. Whence the inspired idea of baritone Jean-François Lapointe for a series of recordings to individually feature these poètes maudits.
It is only fitting that the first disc in this collection focus on the poet who both captured the spirit of his generation with a dramatic catchphrase and also served as its emblematic incarnation through his life and work.
88.2 kHz / 24-bit PCM – Analekta Studio Masters
Tracks 1-27 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 1-27 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.61 -17.68 to -0.01 | -27.63 -36.23 to -20.50 | -23.35 -33.20 to -16.60 | 14 11 to 16 | |
| 1 | D'une Prison (Reynaldo Han) | -0.50 | -27.35 | -19.9 | 16 |
| 2 | Offrande (Reynaldo Han) | -10.23 | -35.27 | -32.1 | 14 |
| 3 | Fêtes Galantes (Reynaldo Han) | -4.58 | -27.04 | -23.1 | 15 |
| 4 | L'incrédule (Reynaldo Han) | -0.43 | -25.42 | -20.5 | 15 |
| 5 | I. Chanson D'Automne (Reynaldo Han) | -15.20 | -35.59 | -32.5 | 12 |
| 6 | II. Tous Deux (Reynaldo Han) | -0.01 | -25.81 | -21.9 | 13 |
| 7 | III. L'allée Est Sans Fin (Reynaldo Han) | -9.86 | -33.25 | -30.1 | 14 |
| 8 | IV. En Sourdine (Reynaldo Han) | -5.75 | -31.78 | -28.3 | 15 |
| 9 | V. L'heure Exquise (Reynaldo Han) | -17.68 | -36.23 | -33.2 | 11 |
| 10 | VI. Paysage Triste (Reynaldo Han) | -2.43 | -29.36 | -23.3 | 15 |
| 11 | VII. La Bonne Chanson (Reynaldo Han) | -0.01 | -20.50 | -16.6 | 12 |
| 12 | Prison, Op. 83, No. 1 (Gabriel Faure) | -0.21 | -23.77 | -16.6 | 13 |
| 13 | Spleen, Op. 51, No. 3 (Gabriel Faure) | -0.13 | -25.52 | -21.2 | 13 |
| 14 | Claire De Lune, Op./ 46, No. 2 (Gabriel Faure) | -1.87 | -26.78 | -23.4 | 16 |
| 15 | I. Mandoline (Gabriel Faure) | -0.91 | -25.36 | -21.6 | 14 |
| 16 | II. En Sourdine (Gabriel Faure) | -4.49 | -27.17 | -23.9 | 14 |
| 17 | III. Green (Gabriel Faure) | -0.53 | -23.77 | -19.5 | 14 |
| 18 | IV. A Clymene (Gabriel Faure) | -1.31 | -24.33 | -20.4 | 14 |
| 19 | V. C'est L'extase (Gabriel Faure) | -2.66 | -26.05 | -22.1 | 14 |
| 20 | Mandoline (Claude Debussy) | -1.63 | -26.02 | -22.2 | 13 |
| 21 | La Mer Est Plus Belle (Claude Debussy) | -0.82 | -24.65 | -20.5 | 14 |
| 22 | Le Son Du Cor S'afflige (Claude Debussy) | -3.63 | -30.11 | -25.1 | 15 |
| 23 | L'échelonnement Des Haies (Claude Debussy) | -3.58 | -28.98 | -25.2 | 13 |
| 24 | Les Chères Mains (André Mathieu) | -2.41 | -27.03 | -23.0 | 14 |
| 25 | Il Pleure Dans Mon Coeur (André Mathieu) | -4.48 | -28.27 | -24.3 | 15 |
| 26 | Colloque Sentimental (André Mathieu) | -1.72 | -26.71 | -22.5 | 13 |
| 27 | Le Ciel Est Si Bleu (André Mathieu) | -0.38 | -23.80 | -17.4 | 12 |