℗ ℗ 2006 Analekta
 

Lieder - Kutan & Baril

Aline Kutan, Louise-Andrée Baril

Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats

  • Select Format
    • AIFF 88.2 kHz | 24-bit
    • FLAC 88.2 kHz | 24-bit
Add to cart
discounted price
 
1.1
Rote Rosen Woo.76 (Strauss)
Aline Kutan; Louise-Andrée Baril
2:17
1.2
Barkarole, Op.17 No.6 (Strauss)
Aline Kutan; Louise-Andrée Baril
3:02
1.3
Der Stern, Op.69 No.1 (Strauss)
Aline Kutan; Louise-Andrée Baril
1:30
1.4
Die Nacht, Op.10 No.3 (Strauss)
Aline Kutan; Louise-Andrée Baril
2:36
1.5
Ständchen, Op. 17 No.2 (Strauss)
Aline Kutan; Louise-Andrée Baril
2:29
1.6
Nichts ,Op.10 No.2 (Strauss)
Aline Kutan; Louise-Andrée Baril
1:22
1.7
Schlagende Herzen, Op.29 No.2 (Strauss)
Aline Kutan; Louise-Andrée Baril
2:29
1.8
Wie Sollten Wir Geheim Sie Halten, Op.19 No.4 (Strauss)
Aline Kutan; Louise-Andrée Baril
1:50
1.9
Fur Fünfzehn Pfennige, Op.36 No.2 (Strauss)
Aline Kutan; Louise-Andrée Baril
2:11
1.10
Hat Gesagt - Bleibt's Nicht Dabei, Op.36 No.2 (Strauss)
Aline Kutan; Louise-Andrée Baril
1:47
1.11
Das Rosenband, Op.36 No.1 (Strauss)
Aline Kutan; Louise-Andrée Baril
3:01
1.12
Ich Schwebe, Op.48 No.2 (Strauss)
Aline Kutan; Louise-Andrée Baril
2:05
1.13
Wiegenlied, Op.41. No.1 (Strauss)
Aline Kutan; Louise-Andrée Baril
4:26
1.14
Muttertändelei, Op.43 No.2 (Strauss)
Aline Kutan; Louise-Andrée Baril
2:24
1.15
Herr Lenz, Op.37 No.5 (Strauss)
Aline Kutan; Louise-Andrée Baril
1:17
Mädchenblumen, Op.22 No.1  
1.16
Kornblumen (Strauss)
Aline Kutan; Louise-Andrée Baril
1:54
Mädchenblumen, Op.22 No.2  
1.17
Mohnblumen (Strauss)
Aline Kutan; Louise-Andrée Baril
1:21
Mädchenblumen, Op.22 No.3  
1.18
Epheu (Strauss)
Aline Kutan; Louise-Andrée Baril
2:56
Mädchenblumen, Op.22 No.4  
1.19
Wasserrose (Strauss)
Aline Kutan; Louise-Andrée Baril
3:30
Drei Lieder Der Ophelia, Op.67 No.1  
1.20
Wie Erkenn Ich Mein Treulieb (Strauss)
Aline Kutan; Louise-Andrée Baril
2:40
Drei Lieder Der Ophelia, Op.67 No.2  
1.21
Guten Morgen, 'S Ist Sankt Valentinstag (Strauss)
Aline Kutan; Louise-Andrée Baril
1:10
Drei Lieder Der Ophelia, Op.67 No.3  
1.22
Sie Trugen Ihn Auf Der Bahre Bloß (Strauss)
Aline Kutan; Louise-Andrée Baril
3:20
1.23
Mein Herz Ist Stumm, Op.19 No.6 (Strauss)
Aline Kutan; Louise-Andrée Baril
3:03
1.24
Einerlei, Op.69 No.3 (Strauss)
Aline Kutan; Louise-Andrée Baril
2:31
Brentano Lieder, Op.68 No.2  
1.25
Ich Wollt Ein Strausslein Binden (Strauss)
Aline Kutan; Louise-Andrée Baril
2:56
Brentano Lieder, Op.68 No.4  
1.26
Als Mir Dein Lied Erklang (Strauss)
Aline Kutan; Louise-Andrée Baril
3:55
Brentano Lieder, Op.68 No.5  
1.27
Amor (Strauss)
Aline Kutan; Louise-Andrée Baril
3:05
Total Playing Time    67:07
Richard Strauss was born in 1864, the year before Richard Wagner composed Tristan and Isolde, and was active until his death at the age of 85 in 1949, the year after Pierre Boulez composed Soleil des eaux. Strauss thus lived though a long period of both social and artistic upheaval. He witnessed both world wars and, in music, the radical challenge of the entire tonal tradition by the triumvirate of Schoenberg, Berg and Webern. But Strauss did not succumb to such disillusionment, developing instead in his symphonic poems and monumental operas a lyric sensuousness and lush orchestration that made him the last of the great romantics.

Throughout his life, however, Richard Strauss cultivated the lied in addition to his large-scale works. His very first piece, “Weihnachtslied,” composed at the age of 6, and his very last, “Malvern,” written nearly 80 years later, are both lieder for voice and piano. Between them lie a substantial corpus of songs—some two-hundred in all—that can be split into periods.

By the time he returned to the lied in 1918, his approach to text had been transformed by his experience with opera and his association with men of letters like librettist Hugo von Hoffmansthal, who led him to deeply examine the motivations, either explicit or secret, of the characters whose words and actions he set to music. In the three decades preceding his death, Strauss contributed another 50 gems to the lieder genre, works set to texts of more important poets, including Goethe, but also von Arnim (Op. 69) and Brentano (Op. 68). He even dared to set Shakespeare, composing music for the famous ballads sung by Ophelia when she falls into madness after her harsh treatment by Hamlet and after learning that he killed her father (Op. 67, nos. 1, 2 & 3).

In addition to some 200 lieder for voice and piano, Strauss set sixty or so with rich orchestral accompaniment, some being original works and others arrangements of his songs with piano accompaniment. Thus did the genre popularized by Schubert enjoy a magnificent finale that lasted until the middle of the 20th century.
88.2 kHz / 24-bit PCM – Groupe Analekta Studio Masters

Tracks 1-27 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit

For Your Consideration | More ▸

Poulenc: Piano Concerto, Organ Concerto & Stabat Mater (Live) Alexandre Tharaud; James O'Donnell; London Philharmonic Orchestra; Yannick Nézet-Séguin; Kate Royal; London Philharmonic Choir
96
Concerto De Québec (Mathieu) / Warsaw Concerto (Addinsel) / Concerto In F (Gershwin) Alain Lefèvre; l'Orchestre Symphonique De Québec
44.1
Parthenia Alina Rotaru
96192352.8dsd 2.8dsd 5.6
Mozart: Oboe Concerto - Oboe Quartet - Sonata Alexei Ogrintchouk
96
South America Alberto Lysy; Antonio Lysy
88.2
Revenge of the Folksingers Alasdair Roberts; Olivia Chaney; Mairi Campbell; Jim Moray; Concerto Caledonia; David McGuinness
44.1
Camillo Togni: Complete Piano Music, Vol. 3 - Serenatas Nos. 3, 6 and 7 - Sonatina, Op. 26 - Omaggio a Bach - Tre Fantasie Scherzose Aldo Orvieto; Fausto Bongelli
96
Fasten Seat Belts: Virtuoso Pieces for Solo Violin Aleksey Igudesman
44.1
Jubilo - Fasch, Corelli, Torelli & Bach (feat. Stephen Cleobury) Alison Balsom; Stephen Cleobury; Academy Of Ancient Music; Choir of Kings College Cambridge; Pavlo Beznosiuk
96MQA
Rediscovering Spain: Fantasías, diferencias & glosas Accademia del Piacere; Raquel Andueza; Fahmi Alqhai
96
Russian Piano Music Series, Vol. 13: Sergei Rachmaninoff Alfonso Soldano
96
Soleils couchants Adrien La Marca; Etienne Bazola; Louis-Noël Bestion de Camboulas; Eugénie Lefebvre; Lucie Berthomier
88.2
Antonio Caldara: Trio Sonatas Amandine Beyer; Leila Schayegh; Jonathan Pesek; Jörg-Andreas Bötticher; Matthias Spaeter
96
Friedrich der Grosse (1712-2012): Music for the Berlin Court Akademie für Alte Musik Berlin
96
Verdi: Otello Aleksandrs Antonenko; Krassimira Stoyanova; Carlo Guelfi; Barbara di Castri; Juan Francisco Gatell; Michael Spyres; Paolo Battaglia; Eric Owens; David Govertsen; Chicago Symphony Chorus; Chicago Children's Choir; Chicago Symphony Orchestra; Riccardo Muti
88.2

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions