℗ 2011 Groupe Analekta
Released | February 22, 2011 |
Duration | 1h 00m 28s |
Record Label | Analekta |
Catalogue No. | AN2 8732 |
Genre | Classical (Chamber) |
John Adams - Portrait
Angele Dubeau, La Pieta
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
Road Movies, for Violin and Piano
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1.1
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I. Relaxed Groove
John Adams; Angèle Dubeau; La Pietà |
5:07 | |||
1.2
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II. Meditative
John Adams; Angèle Dubeau; La Pietà |
5:59 | |||
1.3
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III. 40% Swing
John Adams; Angèle Dubeau; La Pietà |
5:16 | |||
John’s Book of Alleged Dances, for String Quartet
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1.4
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Hammer & Chisel
John Adams; Angèle Dubeau; La Pietà |
1:15 | |||
1.5
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Habanera
John Adams; Angèle Dubeau; La Pietà |
4:47 | |||
Ständchen
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1.6
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The Little Serenade
John Adams; Angèle Dubeau; La Pietà |
5:01 | |||
John’s Book of Alleged Dances, for String Quartet
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1.7
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Judah to Ocean
John Adams; Angèle Dubeau; La Pietà |
2:28 | |||
1.8
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Dogjam
John Adams; Angèle Dubeau; La Pietà |
2:35 | |||
1.9
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Rag the Bone
John Adams; Angèle Dubeau; La Pietà |
3:10 | |||
Shaker Loops, for String Septet
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1.10
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I. Shaking and Trembling
John Adams; Angèle Dubeau; La Pietà |
8:18 | |||
1.11
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II. Hymning Slews
John Adams; Angèle Dubeau; La Pietà |
5:16 | |||
1.12
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III. Loops and Verses
John Adams; Angèle Dubeau; La Pietà |
7:15 | |||
1.13
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IV. A Final Shaking
John Adams; Angèle Dubeau; La Pietà |
4:01 |
After dedicating two notable Portraits recordings to Philip Glass and Arvo Pärt, Angèle Dubeau now turns her attention to the world of John Adams, perhaps the most fundamentally American of contemporary composers. Possessing a unique voice, this self-described melancholy clown, is nevertheless a master when it comes to uniting serious and popular music, or an infectious beat with long static passages. “A compositional idea may come from any source. The composer’s mind is like flypaper, ready at any moment to attract and trap an idea, a single sound or complex of sounds,” he explains in his autobiography Hallelujah Junction. “The creative act is a balance of positive and negative forces, the yin and yang of a subconscious artistic invention that goes hand in hand with a keenly attuned, conscious power of discrimination.”
88.2 kHz / 24-bit PCM – Analekta Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.00 -8.90 to -0.01 | -22.98 -30.46 to -19.25 | -19.49 -32.40 to -15.70 | 14 13 to 16 | |
1 | I. Relaxed Groove | -1.04 | -20.20 | -17.0 | 13 |
2 | II. Meditative | -6.74 | -29.17 | -24.6 | 14 |
3 | III. 40% Swing | 0.00 | -20.31 | -17.0 | 14 |
4 | Hammer & Chisel | -0.86 | -19.25 | -15.9 | 13 |
5 | Habanera | 0.00 | -23.05 | -18.7 | 15 |
6 | The Little Serenade | -0.69 | -23.36 | -19.8 | 15 |
7 | Judah to Ocean | -0.76 | -21.66 | -17.6 | 14 |
8 | Dogjam | -0.76 | -23.07 | -20.1 | 16 |
9 | Rag the Bone | -0.01 | -20.97 | -17.3 | 14 |
10 | I. Shaking and Trembling | -0.10 | -22.23 | -18.3 | 13 |
11 | II. Hymning Slews | -8.90 | -30.46 | -32.4 | 14 |
12 | III. Loops and Verses | 0.00 | -20.44 | -15.7 | 13 |
13 | IV. A Final Shaking | -0.10 | -24.57 | -19.0 | 14 |