℗ 2011 Analekta
| Released | September 27, 2011 |
| Duration | 1h 08m 47s |
| Record Label | ANALEKTA |
| Catalogue No. | AN2 9878 |
| Genre | Classical (Baroque) |
J.S. Bach: Cantatas BWV 70 & 154; Concerto BWV 1060; Orchestral Suite No. 2
Tafelmusik Baroque Orchestra, Jeanne Lamon, Daniel Taylor
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cantata "Vergnugte Ruh, beliebte Seelenlust" BWV 170
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1.1
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I. Aria: Vergnugte Ruh, beliebte Seelenlust
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Daniel Taylor; Jeanne Lamon |
6:46 | |||
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1.2
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II. Recitative: Die Welt, das Sündenhaus
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Daniel Taylor; Jeanne Lamon |
1:19 | |||
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1.3
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III. Aria: Wie jammern mich doch die verkehrten Herzen
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Daniel Taylor; Jeanne Lamon |
7:33 | |||
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1.4
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IV. Recitative: Wer sollte sich demnach
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Daniel Taylor; Jeanne Lamon |
1:18 | |||
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1.5
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V. Aria: Mir ekelt mehr zu leben
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Daniel Taylor; Jeanne Lamon |
5:52 | |||
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Orchestral Suite No. 2 (Overture) in A Minor, After BWV 1067 in B Minor
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1.6
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I. Ouverture
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon |
6:36 | |||
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1.7
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II. Rondeau
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon |
1:52 | |||
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1.8
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III. Sarabande
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon |
3:18 | |||
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1.9
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IV. Bourrée I & II
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon |
1:48 | |||
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1.10
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V. Polonaise
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon |
3:07 | |||
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1.11
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VI. Menuet
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon |
1:11 | |||
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1.12
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VII. Badinerie
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon |
1:32 | |||
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Cantata "Widerstehe doch der Sünde", BWV 54
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1.13
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I. Aria: Widerstehe doch der Sunde
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Daniel Taylor; Jeanne Lamon |
8:50 | |||
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1.14
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II. Recitative: Die Art verruchter Sünden
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Daniel Taylor; Jeanne Lamon |
1:14 | |||
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1.15
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III. Aria: Wer Sünde tut, der ist vom Teufel
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Daniel Taylor; Jeanne Lamon |
3:07 | |||
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Concerto in C Minor for Violin and Oboe After BWV 1060
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1.16
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I. Allegro
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon; John Abberger |
5:08 | |||
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1.17
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II. Adagio
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon; John Abberger |
4:44 | |||
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1.18
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III. Allegro
Johann Sebastian Bach; Tafelmusik Baroque Orchestra; Jeanne Lamon; John Abberger |
3:32 | |||
88.2 kHz / 24-bit PCM – ANALEKTA Studio Masters
Tracks 16-18 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 16-18 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.92 -7.20 to 0.00 | -22.04 -24.80 to -19.31 | -19.16 -22.10 to -16.30 | 13 11 to 16 | |
| 1 | I. Aria: Vergnugte Ruh, beliebte Seelenlust | 0.00 | -20.46 | -18.0 | 14 |
| 2 | II. Recitative: Die Welt, das Sündenhaus | 0.00 | -21.16 | -17.6 | 14 |
| 3 | III. Aria: Wie jammern mich doch die verkehrten Herzen | -0.40 | -23.59 | -20.7 | 16 |
| 4 | IV. Recitative: Wer sollte sich demnach | -0.37 | -20.96 | -17.9 | 13 |
| 5 | V. Aria: Mir ekelt mehr zu leben | 0.00 | -20.17 | -17.3 | 14 |
| 6 | I. Ouverture | -3.66 | -22.37 | -19.8 | 13 |
| 7 | II. Rondeau | -3.26 | -23.96 | -21.1 | 12 |
| 8 | III. Sarabande | -7.20 | -24.80 | -21.9 | 12 |
| 9 | IV. Bourrée I & II | -4.76 | -22.74 | -19.8 | 12 |
| 10 | V. Polonaise | -6.02 | -24.78 | -22.1 | 12 |
| 11 | VI. Menuet | -4.67 | -23.51 | -21.1 | 13 |
| 12 | VII. Badinerie | -6.68 | -23.55 | -20.4 | 11 |
| 13 | I. Aria: Widerstehe doch der Sunde | -0.60 | -19.31 | -17.1 | 13 |
| 14 | II. Recitative: Die Art verruchter Sünden | -1.26 | -22.87 | -19.6 | 13 |
| 15 | III. Aria: Wer Sünde tut, der ist vom Teufel | -1.65 | -20.14 | -17.4 | 13 |
| 16 | I. Allegro | -1.73 | -20.11 | -17.1 | 12 |
| 17 | II. Adagio | -4.41 | -22.74 | -19.7 | 12 |
| 18 | III. Allegro | 0.00 | -19.41 | -16.3 | 12 |