The Great Otis Redding Sings Soul Ballads
Otis Redding
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
That's How Strong My Love Is
Otis Redding |
2:26 | ||
1.2
|
Chained and Bound
Otis Redding |
2:39 | ||
1.3
|
A Woman, a Lover, a Friend
Otis Redding |
3:19 | ||
1.4
|
Your One and Only Man
Otis Redding |
3:09 | ||
1.5
|
Nothing Can Change This Love
Otis Redding |
2:59 | ||
1.6
|
It's Too Late
Otis Redding |
3:00 | ||
1.7
|
For Your Precious Love
Otis Redding |
2:51 | ||
1.8
|
I Want to Thank You
Otis Redding |
2:35 | ||
1.9
|
Come to Me
Otis Redding |
2:45 | ||
1.10
|
Home in Your Heart
Otis Redding |
2:03 | ||
1.11
|
Keep Your Arms Around Me
Otis Redding |
2:43 | ||
1.12
|
Mr. Pitiful
Otis Redding |
2:38 | ||
Total Playing Time 33:07
|
The Great Otis Redding Sings Soul Ballads is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label.
Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
The album features the Booker T. & the M.G.'s, the horn section Memphis Horns and the pianist Isaac Hayes, who possibly first appeared on this album, although this is disputed, as he was not credited on the liner notes.
Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
The album features the Booker T. & the M.G.'s, the horn section Memphis Horns and the pianist Isaac Hayes, who possibly first appeared on this album, although this is disputed, as he was not credited on the liner notes.
96 kHz / 24-bit PCM – Rhino Atlantic Studio Masters
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source