℗ 2015 ACT Music and Vision
| Released | April 24, 2015 |
| Duration | 46m 55s |
| Record Label | ACT Music and Vision |
| Catalogue No. | ACT9583-2 |
| Genre | Jazz (Contemporary Jazz) |
|
1.1
|
99
Megan Rose; Romain Collin; Laura Metcalf; Luques Curtis; Kendrick Scott |
2:40 | |||
|
1.2
|
Clockwork
Romain Collin; Laura Metcalf; Luques Curtis; Kendrick Scott |
4:41 | |||
|
1.3
|
Raw, Scorched and Untethered
Romain Collin; Laura Metcalf; Luques Curtis; Kendrick Scott |
6:00 | |||
|
1.4
|
Holocene
Romain Collin; Grey McMurray; Laura Metcalf; Luques Curtis; Kendrick Scott |
4:47 | |||
|
1.5
|
The Kids
Romain Collin; Jean-Michel Pilc; Laura Metcalf; Luques Curtis; Kendrick Scott |
4:26 | |||
|
1.6
|
Webs
Romain Collin; Laura Metcalf; Luques Curtis; Kendrick Scott |
6:03 | |||
|
1.7
|
San Luis Obispo
Romain Collin; Laura Metcalf; Luques Curtis; Kendrick Scott |
3:27 | |||
|
1.8
|
Event Horizon
Megan Rose; Romain Collin; Laura Metcalf; Luques Curtis; Kendrick Scott |
3:40 | |||
|
1.9
|
The Line (Dividing Good and Evil Cuts Through the Heart of Every Human Being)
Romain Collin; Laura Metcalf; Luques Curtis; Kendrick Scott; Mino Cinelu |
5:23 | |||
|
1.10
|
'Round Midnight
Romain Collin; Laura Metcalf; Luques Curtis; Kendrick Scott |
5:48 | |||
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Digital Booklet
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"... a visionary composer, an extraordinary jazz pianist and a very bright young rising star in the jazz world ..."
- NPR
New York based, French-born pianist and composer Romain Collin creates evocative moving pictures on his third album, Press Enter. Vivid musical storytelling is at the core of the album which merges Collin's influences into one cohesive and unique artistic vision, blending contemporary and traditional American jazz with European classical music and film scoring, framed within a modern production sensibility. The album title is indicative of Collin's singularity of vision and uncompromised dedication to his path.
"While I was in India with Wayne (Shorter), we had a discussion about having big plans, in life or in music, but oftentimes not really acting upon them. Wayne then paused, and said to me 'PRESS ENTER!' Then he left, but that stayed with me."
- Romain Collin
88.2 kHz / 24-bit PCM – ACT Music and Vision Studio Masters
Tracks 3, 5, 9 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit. Produced by Romain Collin and Matt Pierson Recorded October 7 - 9, 2013 at the Clubhouse, Rhinebeck (NY) Tracking, mixing and additional programming by Jeremy Lucas Mastered by Mark Wilder at Battery Studios (NY) Cover art by Philip Taaffe, Big Iris, 1986, Linoprint collage on canvas by courtesy of the artist and Luhring Augustine, New York.
Tracks 3, 5, 9 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit. Produced by Romain Collin and Matt Pierson Recorded October 7 - 9, 2013 at the Clubhouse, Rhinebeck (NY) Tracking, mixing and additional programming by Jeremy Lucas Mastered by Mark Wilder at Battery Studios (NY) Cover art by Philip Taaffe, Big Iris, 1986, Linoprint collage on canvas by courtesy of the artist and Luhring Augustine, New York.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.30 -4.45 to -0.34 | -16.45 -26.16 to -11.62 | -14.21 -22.40 to -9.50 | 9 6 to 15 | |
| 1 | 99 | -0.34 | -11.62 | -9.5 | 7 |
| 2 | Clockwork | -0.42 | -12.91 | -11.4 | 7 |
| 3 | Raw, Scorched and Untethered | -0.42 | -12.74 | -11.1 | 7 |
| 4 | Holocene | -1.78 | -23.32 | -21.0 | 15 |
| 5 | The Kids | -0.42 | -15.61 | -13.6 | 10 |
| 6 | Webs | -0.41 | -12.83 | -10.1 | 6 |
| 7 | San Luis Obispo | -4.45 | -21.66 | -19.2 | 12 |
| 8 | Event Horizon | -0.43 | -14.74 | -12.7 | 8 |
| 9 | The Line (Dividing Good and Evil Cuts Through the Heart of Every Human Being) | -0.42 | -12.88 | -11.1 | 7 |
| 10 | 'Round Midnight | -3.85 | -26.16 | -22.4 | 14 |