℗ 2019 Edition Records
 

Never Stop II

The Bad Plus

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
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1.1
Hurricane Birds
The Bad Plus
5:29
1.2
Trace
The Bad Plus
5:00
1.3
Boffadem
The Bad Plus
5:16
1.4
Safe Passage
The Bad Plus
3:22
1.5
1983 Regional All-Star
The Bad Plus
6:43
1.6
Salvages
The Bad Plus
5:34
1.7
Commitment
The Bad Plus
4:06
1.8
Lean in the Archway
The Bad Plus
4:41
1.9
Kerosene II
The Bad Plus
4:44
1.10
Seams
The Bad Plus
7:14
Total Playing Time    52:09
The Bad Plus came together at the end of the 20th century and has avoided easy categorization ever since, winning critical hosannas and a legion of fans worldwide with their creativity, unique sound and flair for live performance. The intensely collaborative trio has constantly searched for rules to break and boundaries to cross, bridging genres and techniques while exploring the infinite possibilities of three exceptional musicians working in perfect sync. The band consists of founding members Reid Anderson (bass) and Dave King (drums) and new member Orrin Evans (piano) — a group of passionate collaborators with no single “leader.” Never Stop II is the first full-length release from this lineup, comprised entirely of original music with each member contributing fresh compositions. The New York Times calls it "an exhilarating document" that sparks an exciting new chapter for the iconic group.
96 kHz / 24-bit PCM – Edition Records Studio Masters

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What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

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