℗ 2019 arcantus Musikproduktion
| Released | September 11, 2019 |
| Duration | 2h 22m 24s |
| Record Label | arcantus Musikproduktion |
| Catalogue No. | arc19014 |
| Genre | Classical (Baroque) |
Bach - The Cello Suites
Mime Yamahiro Brinkmann
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Suite No. 1 in G Major, BWV 1007
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1.1
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I. Prélude
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:09 | |||
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1.2
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II. Allemande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
5:29 | |||
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1.3
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III. Courante
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
2:36 | |||
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1.4
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IV. Sarabande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:11 | |||
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1.5
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V. Menuet I & II
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:24 | |||
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1.6
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VI. Gigue
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
1:53 | |||
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Cello Suite No. 2 in D Minor, BWV 1008
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1.7
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I. Prélude
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:21 | |||
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1.8
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II. Allemande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:45 | |||
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1.9
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III. Courante
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
1:54 | |||
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1.10
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IV. Sarabande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
5:07 | |||
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1.11
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V. Menuet I & II
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:05 | |||
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1.12
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VI. Gigue
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
2:47 | |||
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Cello Suite No. 3 in C Major, BWV 1009
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1.13
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I. Prélude
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
2:42 | |||
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1.14
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II. Allemande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:52 | |||
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1.15
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III. Courante
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:26 | |||
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1.16
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IV. Sarabande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:46 | |||
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1.17
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V. Bourée I & II
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:44 | |||
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1.18
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VI. Gigue
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:32 | |||
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Cello Suite No. 4 in E-Flat Major, BWV 1010
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1.19
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I. Prélude
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:25 | |||
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1.20
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II. Allemande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:59 | |||
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1.21
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III. Courante
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:24 | |||
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1.22
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IV. Sarabande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:12 | |||
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1.23
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V. Bourée I & II
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:35 | |||
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1.24
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VI. Gigue
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:15 | |||
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Cello Suite No. 5 in C Minor, BWV 1011
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1.25
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I. Prélude
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
6:18 | |||
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1.26
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II. Allemande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
5:11 | |||
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1.27
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III. Courante
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
1:54 | |||
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1.28
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IV. Sarabande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:47 | |||
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1.29
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V. Gavotte I & II
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:49 | |||
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1.30
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VI. Gigue
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
2:27 | |||
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Cello Suite No. 6 in D Major, BWV 1012
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1.31
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I. Prélude
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
5:13 | |||
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1.32
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II. Allemande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
8:19 | |||
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1.33
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III. Courante
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:43 | |||
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1.34
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IV. Sarabande
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:03 | |||
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1.35
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V. Gavotte I & II
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
3:43 | |||
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1.36
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VI. Gigue
Johann Sebastian Bach; Mime Yamahiro Brinkmann |
4:24 | |||
"They are the quintessence of Bach’s work as a composer – and Bach is the quintessence of all music. “
Pablo Casals said about the Cello Suites by Johann Sebastian Bach. When these Suites are played in historically informed performace by someone about whom The Strad said: "Her phrasing sounds as natural as breathing…“, you may be more than curious.
Through her playing Mime Yamahiro Brinkmann succeeds in touching the listeners hearts in a very unique way. Her interpretation of the Bach Suites has been shaped by her own musical life journey. A specialist in historical performance for over 25 years and a soloist prize winner (Brugge and Brescia) she has been working in over 40 countries with both iconic pioneers and some of the most prestigious ensembles. As soloist and ensemble-partner she is in high demand by the international Early Music scene.
96 kHz / 24-bit PCM – arcantus Musikproduktion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.82 -10.05 to -0.40 | -23.85 -31.00 to -20.65 | -21.19 -27.80 to -18.00 | 13 11 to 15 | |
| 1 | I. Prélude | -4.52 | -22.23 | -19.6 | 12 |
| 2 | II. Allemande | -2.81 | -23.81 | -21.2 | 13 |
| 3 | III. Courante | -3.91 | -22.91 | -20.5 | 13 |
| 4 | IV. Sarabande | -4.16 | -24.64 | -21.6 | 13 |
| 5 | V. Menuet I & II | -4.28 | -23.83 | -21.2 | 13 |
| 6 | VI. Gigue | -2.59 | -22.65 | -19.7 | 13 |
| 7 | I. Prélude | -2.02 | -22.48 | -19.8 | 12 |
| 8 | II. Allemande | -2.69 | -22.23 | -19.8 | 13 |
| 9 | III. Courante | -3.12 | -22.28 | -19.7 | 13 |
| 10 | IV. Sarabande | -4.19 | -26.11 | -23.0 | 15 |
| 11 | V. Menuet I & II | -3.77 | -22.51 | -19.9 | 12 |
| 12 | VI. Gigue | -0.99 | -20.65 | -18.0 | 12 |
| 13 | I. Prélude | -3.34 | -21.67 | -19.3 | 12 |
| 14 | II. Allemande | -6.73 | -25.45 | -23.1 | 12 |
| 15 | III. Courante | -3.53 | -22.97 | -20.7 | 13 |
| 16 | IV. Sarabande | -2.97 | -25.65 | -22.2 | 14 |
| 17 | V. Bourée I & II | -5.09 | -24.70 | -22.1 | 13 |
| 18 | VI. Gigue | -2.86 | -22.29 | -19.6 | 12 |
| 19 | I. Prélude | -2.45 | -22.31 | -19.9 | 12 |
| 20 | II. Allemande | -3.75 | -23.97 | -21.6 | 14 |
| 21 | III. Courante | -2.91 | -21.76 | -19.4 | 12 |
| 22 | IV. Sarabande | -3.77 | -25.97 | -23.1 | 14 |
| 23 | V. Bourée I & II | -2.06 | -24.35 | -22.0 | 15 |
| 24 | VI. Gigue | -4.04 | -23.29 | -20.8 | 13 |
| 25 | I. Prélude | -3.03 | -22.54 | -20.1 | 13 |
| 26 | II. Allemande | -5.35 | -24.46 | -22.1 | 12 |
| 27 | III. Courante | -6.38 | -23.17 | -20.6 | 11 |
| 28 | IV. Sarabande | -10.05 | -31.00 | -27.8 | 12 |
| 29 | V. Gavotte I & II | -4.64 | -23.88 | -21.5 | 13 |
| 30 | VI. Gigue | -7.09 | -24.90 | -21.9 | 11 |
| 31 | I. Prélude | -2.64 | -24.05 | -21.3 | 14 |
| 32 | II. Allemande | -5.61 | -26.92 | -23.9 | 14 |
| 33 | III. Courante | -4.37 | -25.49 | -22.9 | 14 |
| 34 | IV. Sarabande | -3.10 | -24.44 | -21.5 | 13 |
| 35 | V. Gavotte I & II | -2.46 | -23.21 | -20.4 | 13 |
| 36 | VI. Gigue | -0.40 | -23.71 | -20.9 | 15 |