℗ 2015 Genuin
| Released | May 5, 2015 |
| Duration | 54m 48s |
| Record Label | Genuin |
| Catalogue No. | GEN15332 |
| Genre | Classical (Chamber Music) |
La serenissima: Venetian Church Sonatas by Albinoni and Vivaldi
Jaime González, Camerata degli amici
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata a 3 in D Minor, Op. 1, No. 1
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1.1
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I. Grave
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:04 | |||
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1.2
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II. Allegro
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:58 | |||
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1.3
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III. Largo (Grave)
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:31 | |||
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1.4
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IV. Allegro
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:37 | |||
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Sonata a 3 in F Major, Op. 1, No. 2
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1.5
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I. Grave
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:03 | |||
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1.6
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II. Allegro
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:51 | |||
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1.7
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III. Largo (Grave)
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:38 | |||
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1.8
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IV. Vivace
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
2:43 | |||
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Sonata a 3 in A Major, Op. 1, No. 3
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1.9
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I. Grave
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:08 | |||
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1.10
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II. Allegro
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:46 | |||
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1.11
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III. Grave
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:46 | |||
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1.12
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IV. Allegro
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:48 | |||
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Sonata a 3 in G Minor, Op. 1, No. 4
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1.13
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I. Grave
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:31 | |||
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1.14
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II. Allegro
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:34 | |||
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1.15
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III. Adagio - Grave
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:24 | |||
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1.16
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IV. Allegro - Presto
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:21 | |||
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Sonata a 3 in C Major, Op. 1, No. 5
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1.17
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I. Grave
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:09 | |||
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1.18
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II. Allegro
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:22 | |||
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1.19
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III. Grave
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:17 | |||
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1.20
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IV. Allegro
Tomaso Giovanni Albinoni; Jaime González; Pietro Corna; Camerata degli amici |
1:25 | |||
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Sonata a 3 in A Minor, Op. 1, No. 6
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1.21
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I. Grave
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:27 | |||
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1.22
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II. Allegro
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
2:14 | |||
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1.23
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III. Grave
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
0:33 | |||
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1.24
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IV. Allegro
Tomaso Giovanni Albinoni; Pietro Corna; Jaime González; Camerata degli amici |
1:57 | |||
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Trio Sonata in in G Minor (Lund) for 2 Oboes and Basso Continuo, RV 81
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1.25
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I. Allegro
Antonio Vivaldi; Jaime González; Pietro Corna; Camerata degli amici |
1:44 | |||
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1.26
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II. Largo
Antonio Vivaldi; Jaime González; Pietro Corna; Camerata degli amici |
3:43 | |||
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1.27
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III. Allegro
Antonio Vivaldi; Jaime González; Pietro Corna; Camerata degli amici |
1:20 | |||
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Oboe Sonata in C Minor for Oboe and Basso Continuo, RV 53
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1.28
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I. Adagio
Antonio Vivaldi; Jaime González; Camerata degli amici |
2:06 | |||
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1.29
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II. Allegro
Antonio Vivaldi; Jaime González; Camerata degli amici |
2:03 | |||
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1.30
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III. Andante
Antonio Vivaldi; Jaime González; Camerata degli amici |
4:22 | |||
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1.31
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IV. Allegro
Antonio Vivaldi; Jaime González; Camerata degli amici |
2:23 | |||
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Digital Booklet
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This album features music from the golden age of a great city: the Camerata degli amici under the direction of oboist Jaime González present these cheerful, playful and profound trio sonatas by Albinoni and Vivaldi. In the 17th and 18th centuries, Venice's legendary status was owed partly to the development of the trio sonata; thse pieces are evocative of the city's palazzi, bridges and churches. González and his companions, all distinguished soloists, prove here just how much they can excel as a chamber music ensemble.
96 kHz / 24-bit PCM – Genuin Studio Masters
Recorded at Ensemblehaus Freiburg, Germany, June 23–27, 2014 Recording Producer / Tonmeister: Michael Silberhorn Editing: Michael Silberhorn, Martin Rust Text: Dr. Henning Bey English Translation: Matthew Harris, Ibiza Japanese Translation: Kohsuke Urushibata Spanish Translation: Jaime González Photography: Klaus Steffes-Holländer (González), Wouter Jansen (Teichmanis), Bettina Boysen (Boysen), Lidia Corna (Corna), Hannes Kramer (Kopf), Marco Borggreve (Johann) Cover: Basilica Cattedrale Patriarcale di San Marco, Venice Booklet Editing: Katrin Haase, Leipzig Graphic Design: Sabine Kahlke-Rosenthal, Leipzig Graphic Concept: Thorsten Stapel, Münster
Recorded at Ensemblehaus Freiburg, Germany, June 23–27, 2014 Recording Producer / Tonmeister: Michael Silberhorn Editing: Michael Silberhorn, Martin Rust Text: Dr. Henning Bey English Translation: Matthew Harris, Ibiza Japanese Translation: Kohsuke Urushibata Spanish Translation: Jaime González Photography: Klaus Steffes-Holländer (González), Wouter Jansen (Teichmanis), Bettina Boysen (Boysen), Lidia Corna (Corna), Hannes Kramer (Kopf), Marco Borggreve (Johann) Cover: Basilica Cattedrale Patriarcale di San Marco, Venice Booklet Editing: Katrin Haase, Leipzig Graphic Design: Sabine Kahlke-Rosenthal, Leipzig Graphic Concept: Thorsten Stapel, Münster
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.40 -7.23 to -0.37 | -22.05 -28.50 to -19.59 | -18.16 -24.00 to -15.90 | 11 10 to 12 | |
| 1 | I. Grave | -2.32 | -19.91 | -16.1 | 11 |
| 2 | II. Allegro | -1.25 | -19.59 | -15.9 | 11 |
| 3 | III. Largo (Grave) | -5.69 | -21.87 | -18.3 | 10 |
| 4 | IV. Allegro | -1.72 | -21.47 | -17.1 | 12 |
| 5 | I. Grave | -4.11 | -20.21 | -16.5 | 10 |
| 6 | II. Allegro | -2.37 | -21.46 | -17.3 | 11 |
| 7 | III. Largo (Grave) | -6.55 | -24.56 | -20.3 | 10 |
| 8 | IV. Vivace | -2.09 | -20.65 | -16.6 | 12 |
| 9 | I. Grave | -3.79 | -22.19 | -18.2 | 12 |
| 10 | II. Allegro | -2.38 | -20.83 | -16.7 | 11 |
| 11 | III. Grave | -4.40 | -23.54 | -19.8 | 11 |
| 12 | IV. Allegro | -1.07 | -22.56 | -18.1 | 12 |
| 13 | I. Grave | -4.99 | -21.80 | -18.7 | 11 |
| 14 | II. Allegro | -3.21 | -21.72 | -17.7 | 11 |
| 15 | III. Adagio - Grave | -7.23 | -23.37 | -20.5 | 10 |
| 16 | IV. Allegro - Presto | -3.93 | -21.76 | -17.6 | 11 |
| 17 | I. Grave | -2.59 | -21.39 | -17.4 | 11 |
| 18 | II. Allegro | -0.37 | -20.31 | -16.3 | 12 |
| 19 | III. Grave | -1.92 | -22.46 | -18.5 | 10 |
| 20 | IV. Allegro | -3.07 | -22.40 | -18.2 | 12 |
| 21 | I. Grave | -3.51 | -21.16 | -17.6 | 11 |
| 22 | II. Allegro | -1.84 | -20.98 | -17.3 | 12 |
| 23 | III. Grave | -3.58 | -20.26 | -16.9 | 10 |
| 24 | IV. Allegro | -2.92 | -22.20 | -18.0 | 12 |
| 25 | I. Allegro | -2.23 | -21.38 | -17.5 | 12 |
| 26 | II. Largo | -3.83 | -23.38 | -20.0 | 11 |
| 27 | III. Allegro | -2.40 | -21.81 | -17.1 | 12 |
| 28 | I. Adagio | -3.63 | -22.68 | -19.2 | 11 |
| 29 | II. Allegro | -3.89 | -23.03 | -19.2 | 12 |
| 30 | III. Andante | -6.42 | -28.50 | -24.0 | 11 |
| 31 | IV. Allegro | -6.24 | -24.26 | -20.4 | 12 |