℗ 2019 Alba
| Released | August 23, 2019 |
| Duration | 1h 10m 58s |
| Record Label | Alba |
| Catalogue No. | ABCD443 |
| Genre | Classical (Chamber) |
Paavo Heininen: Boston Sonatas, Op. 134
Kaija Saarikettu, Juhani Lagerspetz
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Boston Sonatas, Violin Sonata, Op. 134 No. 1
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
26:40 | |||
|
Boston Sonatas, Violin Sonata, Op. 134 No. 2
|
|||||
|
1.2
|
I. Capriccio notturno
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
3:29 | |||
|
1.3
|
II. Elegiaco
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
3:58 | |||
|
1.4
|
III. Symmel
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
2:45 | |||
|
1.5
|
VI. Scherzo
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
4:27 | |||
|
1.6
|
V. Agitato e pesante
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
2:24 | |||
|
Boston Sonatas, Violin Sonata, Op. 134 No. 3
|
|||||
|
1.7
|
I. Guirlande
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
3:33 | |||
|
1.8
|
II. Duetto
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
3:18 | |||
|
1.9
|
III. Pizzica, fuzzica
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
2:22 | |||
|
1.10
|
IV. Capriccio et pentanomos
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
3:19 | |||
|
1.11
|
V. Pezzo tematico
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
6:08 | |||
|
1.12
|
VI. Aubade
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
4:14 | |||
|
1.13
|
VII. Finale
Paavo Heininen; Kaija Saarikettu; Juhani Lagerspetz |
4:21 | |||
|
Digital Booklet
|
|||||
On this album violinist Kaija Saarikettu and pianist Juhani Lagerspetz perform Paavo Heininen's Boston Sonatas. The project began with a commission from Boston for a violin Sonata, prompted by Kaija Saarikettu's recording of Heininen's Sonata op. 25. A short while earlier Heininen had visited Boston. Even though he is a proponent of Absolute music, the things that he saw and experienced in the city became an inspiration for his thought processes. Once the Sonata that was commissioned was finished, Heininen discovered that there was material left over. So he wrote a second Sonata, and since the first came to be casually referred to as the 'Boston Sonata', the second one became the 'Boston Variations'. This was followed by the 'Boston Ballad'. These are all interlinked in that ideas presented in one Sonata may be developed and come to a culmination in another Sonata.
96 kHz / 24-bit PCM – Alba Studio Masters
Tracks 1-13 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-13 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.51 -7.05 to -0.67 | -25.05 -28.93 to -18.95 | -21.41 -25.30 to -16.00 | 15 12 to 17 | |
| 1 | Boston Sonatas, Violin Sonata, Op. 134 No. 1 | -0.67 | -23.38 | -19.1 | 15 |
| 2 | I. Capriccio notturno | -1.59 | -23.64 | -19.9 | 14 |
| 3 | II. Elegiaco | -7.05 | -28.68 | -25.3 | 14 |
| 4 | III. Symmel | -4.30 | -28.87 | -24.9 | 15 |
| 5 | VI. Scherzo | -0.67 | -21.47 | -18.2 | 14 |
| 6 | V. Agitato e pesante | -0.67 | -20.81 | -16.9 | 13 |
| 7 | I. Guirlande | -0.67 | -26.29 | -22.1 | 16 |
| 8 | II. Duetto | -0.69 | -24.56 | -21.1 | 16 |
| 9 | III. Pizzica, fuzzica | -2.33 | -26.36 | -23.3 | 17 |
| 10 | IV. Capriccio et pentanomos | -6.84 | -28.93 | -25.1 | 14 |
| 11 | V. Pezzo tematico | -2.38 | -26.35 | -22.7 | 15 |
| 12 | VI. Aubade | -4.14 | -27.36 | -23.7 | 14 |
| 13 | VII. Finale | -0.67 | -18.95 | -16.0 | 12 |