℗ 2019 Ivana Gavric
 

Origins

Ivana Gavric, Southbank Sinfonia, Karin Hendrikson

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Piano Concerto in D Major, Hob.XVIII, 11  
1.1
I. Vivace
Joseph Haydn; Ivana Gavric; Southbank Sinfonia; Karin Hendrikson
7:43
1.2
II. Un poco adagio
Franz Joseph Haydn; Ivana Gavric; Karin Hendrikson; Southbank Sinfonia
5:18
1.3
III. Rondo all'Ungarese, Allegro assai
Joseph Haydn; Ivana Gavric
4:35
1.4
Hommage à Haydn, L. 115
Claude Debussy; Ivana Gavric
2:21
1.5
Prelude Elegiaque
Paul Dukas; Ivana Gavric
3:52
1.6
Menuet sur le nom d'Haydn, M. 58
Maurice Ravel; Ivana Gavric
1:54
1.7
Stolen Rhythm
Cheryl Frances Hoad; Ivana Gavric
2:00
1.8
Menuet sur le nom d'Haydn, Op. 65
Vincent d'Indy; Ivana Gavric
3:01
1.9
Thème varié sur le nom d'Haydn
Reynaldo Hahn; Ivana Gavric
2:31
1.10
Fugue sur le nom d'Haydn
Charles Marie Widor; Ivana Gavric; Karin Hendrikson; Southbank Sinfonia
1:53
Between the Skies, the River and the Hills  
1.11
I. Andante cantabile
Cheryl Frances Hoad; Ivana Gavric; Southbank Sinfonia; Karin Hendrikson
9:09
1.12
II. Scherzando
Cheryl Frances Hoad; Ivana Gavric; Karin Hendrikson; Southbank Sinfonia
4:43
1.13
III. Lento lamentoso
Cheryl Frances Hoad; Ivana Gavric
12:19
1.14
Kad ja podoh na Bembasu
Traditional; Ivana Gavric
2:53
Digital Booklet
Total Playing Time    64:12
Haydn’s famous ‘Hungarian rondo’ finale to his piano concerto in D may not be Hungarian but from another part of the Habsburg empire – might its origins be Bosnian or Croatian? This concerto, together with solo piano works in homage to Haydn by leading French composers, frame the world premier recording of Cheryl Francis Hoad’s piano concerto, which takes the traditional Bosnian folk song Kad ja pođjoh na Bentbaša, Bosnian folk tales and the Haydn as its inspiration. This album bridges the folk songs of Ivana’s childhood to the music of her professional life and reflects her varied heritage. “The idea for this album came about some years ago when I attended a performance of Haydn’s Piano Concerto No.11 in D. While reading the programme notes, I was struck by the suggestion that the concerto’s finale, Rondo all’ungarese, despite its title, was thought to be based on a Croatian or Bosnian folk melody. This got me very excited, due to my heritage: I was born in Sarajevo, a small city that is a melting-pot of cultures, nationalities, architecture, arts, history and humour. The region’s culture is incredibly rich and diverse, and I am always keen to celebrate this.” – Ivana Gavric
96 kHz / 24-bit PCM – Rubicon Classics Studio Masters

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