℗ 2019 UMG Recordings; A Decca Gold release
| Released | August 30, 2019 |
| Duration | 1h 13m 42s |
| Record Label | UMC - Decca Gold |
| Genre | Classical |
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1.1
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La Valse
Maurice Ravel; Wei Luo |
11:49 | |||
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24 Preludes and Fugues, Op. 87
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1.2
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Prelude and Fugue No. 5 in D Major
Dmitri Shostakovich; Wei Luo |
3:54 | |||
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1.3
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Prelude and Fugue No. 24 in D Minor
Dmitri Shostakovich; Wei Luo |
11:29 | |||
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Piano Sonata in E-Flat Major, Hob.XVI: 52
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1.4
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I. Allegro
Franz Joseph Haydn; Wei Luo |
8:04 | |||
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1.5
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II. Adagio
Franz Joseph Haydn; Wei Luo |
7:04 | |||
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1.6
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III. Finale: Presto
Franz Joseph Haydn; Wei Luo |
5:25 | |||
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Piano Sonata No. 7 in B-Flat Major, Op. 83
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1.7
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I. Allegro inquieto
Sergei Prokofiev; Wei Luo |
8:39 | |||
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1.8
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II. Andante caloroso
Sergei Prokofiev; Wei Luo |
7:12 | |||
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1.9
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III. Precipitato
Sergei Prokofiev; Wei Luo |
3:37 | |||
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Two Polyphonic Pieces
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1.10
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No. 1: Two-part Invention
Rodion Shchedrin; Wei Luo |
2:14 | |||
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1.11
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No. 2: Basso Ostinato
Rodion Shchedrin; Wei Luo |
4:15 | |||
“Equally intriguing were those moments when she took you so far inside the music that your ears left behind previous points of reference, partly because she immerses herself in the music with an intensity that borders on madness."
- Philadelphia Inquirer
“The young artist is carving out her own space among her Curtis predecessors with deep sonorities, fiery intensity and unfiltered rawness. Luo’s strong connection to the Russian compositions was plain throughout the concert.”
- REVUE magazine
Exploring a depth of core repertoire, Wei has already performed major concertos of Rachmaninoff, Beethoven and Prokofiev, and she has a real interest to learn and perform solo works ranging from the classical concert repertoire, such as Beethoven and Liszt, to the underplayed and unexplored music of Faure, Shchedrin and Schnittke. She has performed with world-class musicians, such as violinist Daniel Hope and cellist Gary Hoffman.
Her self-titled UMG release is her studio debut.
96 kHz / 24-bit PCM – UMC - Decca Gold Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.66 -5.36 to -0.71 | -22.53 -27.94 to -17.95 | -18.40 -22.70 to -14.80 | 13 10 to 15 | |
| 1 | La Valse | -0.71 | -19.78 | -16.4 | 12 |
| 2 | Prelude and Fugue No. 5 in D Major | -5.36 | -26.46 | -22.7 | 12 |
| 3 | Prelude and Fugue No. 24 in D Minor | -0.91 | -21.12 | -16.4 | 12 |
| 4 | I. Allegro | -0.71 | -23.79 | -19.7 | 14 |
| 5 | II. Adagio | -2.98 | -27.94 | -22.1 | 15 |
| 6 | III. Finale: Presto | -0.71 | -22.48 | -18.8 | 15 |
| 7 | I. Allegro inquieto | -0.71 | -20.54 | -15.9 | 11 |
| 8 | II. Andante caloroso | -0.71 | -21.25 | -16.3 | 12 |
| 9 | III. Precipitato | -0.71 | -17.95 | -14.8 | 10 |
| 10 | No. 1: Two-part Invention | -4.03 | -26.21 | -22.6 | 13 |
| 11 | No. 2: Basso Ostinato | -0.71 | -20.28 | -16.7 | 12 |