℗ 1966 Rhino Entertainment, a Warner Music Group Company.
Released | December 17, 2013 |
Duration | 29m 11s |
Record Label | Rhino |
Genre | Pop |
The Monkees
The Monkees
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
(Theme From) The Monkees
The Monkees |
2:19 | |||
1.2
|
Saturday's Child
The Monkees |
2:42 | |||
1.3
|
I Wanna Be Free
The Monkees |
2:25 | |||
1.4
|
Tomorrow's Gonna Be Another Day
The Monkees |
2:33 | |||
1.5
|
Papa Gene's Blues
The Monkees |
1:59 | |||
1.6
|
Take a Giant Step
The Monkees |
2:32 | |||
1.7
|
Last Train to Clarksville
The Monkees |
2:45 | |||
1.8
|
This Just Doesn't Seem to Be My Day
The Monkees |
2:06 | |||
1.9
|
Let's Dance On
The Monkees |
2:30 | |||
1.10
|
I'll Be True to You
The Monkees |
2:48 | |||
1.11
|
Sweet Young Thing
The Monkees |
1:54 | |||
1.12
|
Gonna Buy Me a Dog
The Monkees |
2:38 |
- Billboard 200 - #1 (1966-67)
The Monkees is the first album by the band the Monkees. It was released in October 1966 by Colgems Records in the United States and RCA Victor in the rest of the world. It was the first of four consecutive U.S. number one albums for the group, taking the top spot on the Billboard 200 for 13 weeks, after which it was displaced by the band's second album.
The album was recorded in several separate sessions around Los Angeles from July 5–25, 1966. Early sessions were produced by the trio of Tommy Boyce, Bobby Hart and Jack Keller; later sessions were produced by Boyce and Hart. Michael Nesmith produced two sessions scheduled around the work done by Boyce, Hart, and Keller.
Famously, the Monkees were not permitted by their management to function as a working band for this album. Although the album cover credits the band as playing instruments (drums for Dolenz; guitar for the other three members), the group's actual contributions were limited almost entirely to vocal tracks.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino Studio Masters
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.69 -5.83 to -0.01 | -19.18 -22.94 to -17.11 | -15.38 -20.10 to -13.10 | 11 10 to 12 | |
1 | (Theme From) The Monkees | -2.52 | -20.03 | -16.1 | 12 |
2 | Saturday's Child | -1.41 | -17.81 | -13.8 | 10 |
3 | I Wanna Be Free | -5.83 | -22.94 | -20.1 | 11 |
4 | Tomorrow's Gonna Be Another Day | -1.49 | -19.10 | -15.0 | 12 |
5 | Papa Gene's Blues | -1.76 | -18.11 | -14.5 | 11 |
6 | Take a Giant Step | -0.58 | -21.12 | -17.1 | 12 |
7 | Last Train to Clarksville | -0.18 | -17.46 | -13.5 | 11 |
8 | This Just Doesn't Seem to Be My Day | -1.29 | -17.11 | -13.8 | 10 |
9 | Let's Dance On | -0.01 | -18.97 | -14.9 | 12 |
10 | I'll Be True to You | -1.45 | -18.33 | -15.3 | 12 |
11 | Sweet Young Thing | -1.42 | -17.78 | -13.1 | 11 |
12 | Gonna Buy Me a Dog | -2.29 | -21.47 | -17.3 | 12 |