℗ 1968 Rhino Entertainment Company, a Warner Music Group Company.
| Released | June 18, 2013 |
| Duration | 36m 54s |
| Record Label | Rhino |
| Genre | Pop |
The Birds, The Bees & The Monkees
The Monkees
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Dream World
The Monkees |
3:16 | |||
|
1.2
|
Auntie's Municipal Court
The Monkees |
3:55 | |||
|
1.3
|
We Were Made for Each Other
The Monkees |
2:24 | |||
|
1.4
|
Tapioca Tundra
The Monkees |
3:03 | |||
|
1.5
|
Daydream Believer
The Monkees |
2:58 | |||
|
1.6
|
Writing Wrongs
The Monkees |
5:06 | |||
|
1.7
|
I'll Be Back up on My Feet
The Monkees |
2:32 | |||
|
1.8
|
The Poster
The Monkees |
2:16 | |||
|
1.9
|
P.O. Box 9847
The Monkees |
3:18 | |||
|
1.10
|
Magnolia Simms
The Monkees |
3:42 | |||
|
1.11
|
Valleri
The Monkees |
2:16 | |||
|
1.12
|
Zor and Zam
The Monkees |
2:08 |
The Birds, The Bees & The Monkees is the fifth studio album by the Monkees. Released in April 1968.
After gaining complete artistic control over their musical direction and being allowed to play instruments on their own records in early 1967, the success of Headquarters and Pisces, Aquarius, Capricorn & Jones Ltd. began to somewhat rebuff the critics who viewed The Monkees as a band of talentless individuals who were simply lucky enough to gain recognition through their "manufactured" origins.
The Birds, The Bees & The Monkees reverted to the recording process of the first two albums (fewer group dynamics), except now each band member was fully in charge of the sessions. Chip Douglas, producer of the Monkees' previous two albums, fully expected to continue as the band's representative in the studio, but found the individual Monkees more interested in exploring their diverse musical backgrounds with their own friends and associates rather than relying on Douglas as the central figure.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino Studio Masters
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.21 -7.48 to -0.14 | -20.73 -24.27 to -18.37 | -16.98 -20.40 to -15.10 | 12 11 to 14 | |
| 1 | Dream World | -1.76 | -19.35 | -16.1 | 12 |
| 2 | Auntie's Municipal Court | -1.02 | -19.21 | -15.4 | 12 |
| 3 | We Were Made for Each Other | -2.43 | -19.60 | -16.7 | 11 |
| 4 | Tapioca Tundra | -1.50 | -21.17 | -17.1 | 12 |
| 5 | Daydream Believer | -1.72 | -19.89 | -15.7 | 11 |
| 6 | Writing Wrongs | -3.05 | -23.35 | -20.0 | 13 |
| 7 | I'll Be Back up on My Feet | -0.14 | -18.37 | -15.1 | 13 |
| 8 | The Poster | -2.77 | -20.80 | -16.9 | 12 |
| 9 | P.O. Box 9847 | -1.06 | -21.38 | -17.9 | 14 |
| 10 | Magnolia Simms | -7.48 | -24.27 | -20.4 | 11 |
| 11 | Valleri | -2.05 | -20.29 | -16.0 | 12 |
| 12 | Zor and Zam | -1.56 | -21.12 | -16.4 | 11 |