℗ 2019 CapriccioNR
 

Weber: Peter Schmoll, Op. 8, J. 8 (Live)

ORF Vienna Radio Symphony Orchestra, Roberto Paternostro, Paul Armin Edelmann, Ilona Revolskaya, Christoph Seidl, Johannes Bamberger, Sebastian Kohlhepp, Thorsten Grümbel

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Peter Schmoll, Op. 8, J. 8, Act I  
1.1
Overture (Live)
Carl Maria von Weber; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
8:56
1.2
Man sollt' es gar nicht glauben (Live)
Carl Maria von Weber; Paul Armin Edelmann; Ilona Revolskaya; Christoph Seidl; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
2:38
1.3
Ich bin der Herr im Haus (Live)
Carl Maria von Weber; Paul Armin Edelmann; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
3:13
1.4
Ein Mädchenherz, das wahrhaft liebt (Live)
Carl Maria von Weber; Ilona Revolskaya; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
2:14
1.5
Ihr seid fürwahr mein bester Freund (Live)
Carl Maria von Weber; Ilona Revolskaya; Christoph Seidl; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
3:19
1.6
Ich bin ein armer Hund (Live)
Carl Maria von Weber; Johannes Bamberger; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
5:07
1.7
Zeigt her, was Ihr im Korbe habt (Live)
Carl Maria von Weber; Ilona Revolskaya; Christoph Seidl; Johannes Bamberger; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
2:44
1.8
Oh Liebe, beschütz mich in dieser Gefahr (Live)
Carl Maria von Weber; Sebastian Kohlhepp; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
3:08
1.9
Hans Bast, sei klug (Live)
Carl Maria von Weber; Christoph Seidl; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
3:28
1.10
Ihr schwört mir jetzt Verschwiegenheit (Live)
Carl Maria von Weber; Ilona Revolskaya; Christoph Seidl; Johannes Bamberger; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
1:32
1.11
Wie glücklich schlagt heut' mein liebendes Herz (Live)
Carl Maria von Weber; Ilona Revolskaya; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
2:31
1.12
Spiele, alter Esel (Live)
Carl Maria von Weber; Paul Armin Edelmann; Ilona Revolskaya; Christoph Seidl; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
4:56
1.13
Die Menschen lügen gar zu gern (Live)
Carl Maria von Weber; Christoph Seidl; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
3:43
1.14
Es ist ein herrliches Gefühl (Live)
Carl Maria von Weber; Paul Armin Edelmann; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
2:16
1.15
Geliebter Mann, ich ruhe in Deinen liebevollen Armen (Live)
Carl Maria von Weber; Ilona Revolskaya; Sebastian Kohlhepp; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
5:38
1.16
Hier soll ich sie wiederfinden (Live)
Carl Maria von Weber; Thorsten Grümbel; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
4:06
1.17
So nehmet meinen Vatersegen (Live)
Carl Maria von Weber; Thorsten Grümbel; Ilona Revolskaya; Sebastian Kohlhepp; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
4:12
1.18
Ich bin am meiner Wünsche Ziel (Live)
Carl Maria von Weber; Sebastian Kohlhepp; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
6:15
1.19
Welch himmlisches Entzücken ist deiner Lippen Kuss (Live)
Carl Maria von Weber; Ilona Revolskaya; Sebastian Kohlhepp; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
2:32
1.20
Schert Euch zum Satan (Live)
Carl Maria von Weber; Paul Armin Edelmann; Ilona Revolskaya; Sebastian Kohlhepp; Christoph Seidl; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
2:39
1.21
20 Ich bin ja so glücklich (Live)
Carl Maria von Weber; Paul Armin Edelmann; Thorsten Grümbel; Ilona Revolskaya; Sebastian Kohlhepp; Christoph Seidl; Johannes Bamberger; ORF Vienna Radio Symphony Orchestra; Roberto Paternostro
8:52
Total Playing Time    1:23:59
“Yesterday, with genuine pleasure I attended a kind rehearsal of the opera ‘Peter Schmoll und seine Nachbarn’ by my pupil Mr. Carl Maria von Weber, and I cannot help attesting with truth, [...] that I consider it only right and proper that I recommend this, my favourite pupil, be welcomed by the entire musical and sensitive world.” - Johann Michael Haydn, 1802 After the artful overture, which may make an absolute claim to autonomy, Peter Schmoll shows a colourful succession of a total of 20 numbers, as was customary in the musical comedies composed in this manner for about three decades. In Peter Schmoll, we see glimpses of the ‘typical’ Weber, based primarily on the melodic idea, such as we know him today from Der Freischütz, written in 1817.
48 kHz / 24-bit PCM – CapriccioNR Studio Masters

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