℗ 2019 Signum Records
Released | October 11, 2019 |
Duration | 2h 32m 52s |
Record Label | Signum Records |
Catalogue No. | SIGCD573 |
Genre | Classical (Chamber) |
CPE Bach: Complete Works for Violin & Keyboard
Tamsin Waley-Cohen, James Baillieu
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonata in D Major, Wq. 71
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1.1
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I. Adagio man non tanto
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
3:18 | |||
1.2
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II. Allegro
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
2:13 | |||
1.3
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III. Adagio
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
3:54 | |||
1.4
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IV. Menuets 1 & 2
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
2:46 | |||
Violin Sonata in D Minor, Wq. 72
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1.5
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I. Adagio ma non troppo
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
3:06 | |||
1.6
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II. Allegro
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
2:02 | |||
1.7
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III. Allegro
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
3:34 | |||
Violin Sonata in C Major, Wq. 73
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1.8
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I. Allegro di molto
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
3:07 | |||
1.9
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II. Andante
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
5:03 | |||
1.10
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III. Allegretto
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
6:58 | |||
Violin Sonata in D Major, Wq. 74
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1.11
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I. Allegro
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
4:11 | |||
1.12
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II. Andante
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
2:51 | |||
1.13
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III. Tempo di Minuetto
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
2:51 | |||
Violin Sonata in F Major, Wq. 75
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2.1
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I. Allegro
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
10:10 | |||
2.2
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II. Larghetto
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
6:21 | |||
2.3
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III. Allegro
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
7:31 | |||
Violin Sonata in B Minor, Wq. 76
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2.4
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I. Allegro Moderato
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
7:30 | |||
2.5
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II. Poco Andante
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
5:41 | |||
2.6
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III. Allegretto Siciliano
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
5:33 | |||
Violin Sonata in B flat Major, Wq. 77
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2.7
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I. Allegro di molto
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
6:09 | |||
2.8
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II. Largo
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
6:35 | |||
2.9
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III. Presto
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
4:51 | |||
Violin Sonata in C Minor, Wq. 78
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3.1
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I. Allegro moderato
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
8:00 | |||
3.2
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II. Adagio ma no troppo
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
7:16 | |||
3.3
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III. Presto
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
5:32 | |||
3.4
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Arioso con variazioni in A Major, Wq. 79
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
11:13 | |||
3.5
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Fantasia in F sharp Minor, Wq. 80
Carl Philip Emmanuel Bach; Tamsin Waley-Cohen; James Baillieu |
14:36 |
Born in Weimar, Carl Philipp Emanuel (1714-88) was the fifth child and second surviving son of JS Bach and his first wife Maria Barbara. By his own account he had no other teacher for composition and keyboard except his father. Nevertheless, the majority of Emanuel’s earliest works owe more to the influence of Telemann and other exponents of the new galant style, while already suggesting his own progressive instinct. At the age of twenty-four, after seven years studying law, Emanuel decided to devote himself to music. In 1738 he accepted the position of keyboard player at the court of the Prussian crown prince – the future Frederick the Great. After nearly thirty years of royal service he left Berlin and moved to Hamburg, where he occupied the positions of Music Director and Cantor until his death.
Described by the Guardian as a performer of “fearless intensity”, former ECHO Rising Star Tamsin Waley-Cohen has established herself as one of the most insightful and versatile young British violinists.
Described by The Daily Telegraph as ‘in a class of his own’ James Baillieu has been the prize-winner of the Wigmore Hall Song Competition, Das Lied International Song Competition, Kathleen Ferrier and Richard Tauber Competitions. He plays these C.P.E. Bach compositions on a modern piano.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.26 -11.24 to -1.05 | -26.61 -32.09 to -20.22 | -23.37 -29.20 to -17.00 | 13 11 to 16 | |
1.1 | I. Adagio man non tanto | -9.41 | -29.71 | -25.9 | 12 |
1.2 | II. Allegro | -4.26 | -22.87 | -19.4 | 12 |
1.3 | III. Adagio | -5.96 | -28.41 | -24.4 | 12 |
1.4 | IV. Menuets 1 & 2 | -8.63 | -26.62 | -23.6 | 11 |
1.5 | I. Adagio ma non troppo | -5.01 | -24.96 | -21.3 | 12 |
1.6 | II. Allegro | -2.50 | -21.54 | -18.4 | 13 |
1.7 | III. Allegro | -1.79 | -20.22 | -17.0 | 12 |
1.8 | I. Allegro di molto | -3.56 | -23.45 | -20.3 | 13 |
1.9 | II. Andante | -6.72 | -26.66 | -23.1 | 13 |
1.10 | III. Allegretto | -2.83 | -22.47 | -19.3 | 13 |
1.11 | I. Allegro | -1.05 | -22.11 | -19.1 | 14 |
1.12 | II. Andante | -8.68 | -28.19 | -25.2 | 12 |
1.13 | III. Tempo di Minuetto | -9.43 | -29.15 | -26.0 | 12 |
2.1 | I. Allegro | -4.63 | -26.67 | -23.6 | 14 |
2.2 | II. Larghetto | -7.69 | -30.54 | -27.3 | 14 |
2.3 | III. Allegro | -6.28 | -24.79 | -21.9 | 12 |
2.4 | I. Allegro Moderato | -5.50 | -25.95 | -22.8 | 13 |
2.5 | II. Poco Andante | -9.65 | -29.54 | -26.0 | 13 |
2.6 | III. Allegretto Siciliano | -9.36 | -29.03 | -25.8 | 13 |
2.7 | I. Allegro di molto | -5.20 | -26.52 | -23.6 | 13 |
2.8 | II. Largo | -9.25 | -31.32 | -28.0 | 13 |
2.9 | III. Presto | -7.98 | -26.25 | -23.4 | 12 |
3.1 | I. Allegro moderato | -8.07 | -26.91 | -24.1 | 12 |
3.2 | II. Adagio ma no troppo | -11.24 | -32.09 | -29.2 | 13 |
3.3 | III. Presto | -6.27 | -26.74 | -23.7 | 13 |
3.4 | Arioso con variazioni in A Major, Wq. 79 | -6.40 | -28.66 | -25.2 | 13 |
3.5 | Fantasia in F sharp Minor, Wq. 80 | -1.56 | -26.97 | -23.4 | 16 |