℗ 1967 Parlophone Records Limited, a Warner Music Group Company
| Released | August 30, 2019 |
| Duration | 39m 02s |
| Record Label | Warner Classics |
| Genre | Classical |
Favourite Scenes and Arias
Elisabeth Schwarzkopf, Nicola Rescigno, Philharmonia Orchestra, Walter Legge, Margreta Elkins, Heinrich Schmidt, Alceo Galliera, London Symphony Orchestra
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Gianni Schicchi
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1.1
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"O mio babbino caro" (feat. Nicola Rescigno)
Giacomo Puccini; Elisabeth Schwarzkopf; Nicola Rescigno; Philharmonia Orchestra |
2:28 | |||
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La bohème, Act I
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1.2
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"Sí, mi chiamano Mimí" (feat. Nicola Rescigno)
Giacomo Puccini; Elisabeth Schwarzkopf; Nicola Rescigno; Philharmonia Orchestra |
4:54 | |||
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Otello, Act IV
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1.3
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"Emilia, te ne prego" (feat. Nicola Rescigno)
Giuseppe Verdi; Elisabeth Schwarzkopf; Nicola Rescigno; Philharmonia Orchestra |
2:10 | |||
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1.4
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Willow Song. "Piangea cantando" (feat. Nicola Rescigno)
Giuseppe Verdi; Elisabeth Schwarzkopf; Nicola Rescigno; Philharmonia Orchestra |
6:49 | |||
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1.5
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"Ave Maria, piena di grazia" (feat. Nicola Rescigno)
Giuseppe Verdi; Elisabeth Schwarzkopf; Nicola Rescigno; Philharmonia Orchestra |
4:20 | |||
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The Bartered Bride, Act III
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1.6
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Recitative. "Endlich allein" - Aria. "Wie fremd und tot ist alles um mich" (feat. Margreta Elkins, Heinrich Schmidt)
Bedřich Smetana; Elisabeth Schwarzkopf; Margreta Elkins; Heinrich Schmidt; Philharmonia Orchestra |
5:45 | |||
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Eugene Onegin, Op. 24, Act I
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1.7
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Tatiana's Letter Scene. "Müsst' ich zugrunde gehen, erfahren will ich zuvor" (feat. Alceo Galliera)
Pyotr Ilyich Tchaikovsky; Elisabeth Schwarzkopf; Alceo Galliera; London Symphony Orchestra |
12:36 | |||
This edition of Elisabeth Schwarzkopf comes from Warner Classic's The Complete Recitals 1952-1974.
A reigning soprano of her era, Elisabeth Schwarzkopf (1915-2006) remains renowned for her vocal beauty and elegance and for her acute interpretative insight – above all in the music of Mozart, Wolf and Strauss. Gathering all her recorded recitals of songs and arias, this collection respects the original format of each programme conceived by Schwarzkopf and her husband, the legendary producer Walter Legge. In newly remastered sound, the soprano’s art emerges in all its exquisite refinement and detail.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.69 -8.57 to -1.54 | -28.97 -33.74 to -23.01 | -24.13 -28.60 to -18.60 | 13 11 to 15 | |
| 1 | "O mio babbino caro" (feat. Nicola Rescigno) | -7.64 | -27.41 | -23.2 | 11 |
| 2 | "Sí, mi chiamano Mimí" (feat. Nicola Rescigno) | -3.96 | -27.84 | -22.0 | 14 |
| 3 | "Emilia, te ne prego" (feat. Nicola Rescigno) | -8.57 | -32.46 | -28.2 | 13 |
| 4 | Willow Song. "Piangea cantando" (feat. Nicola Rescigno) | -3.73 | -30.21 | -25.3 | 15 |
| 5 | "Ave Maria, piena di grazia" (feat. Nicola Rescigno) | -8.49 | -33.74 | -28.6 | 15 |
| 6 | Recitative. "Endlich allein" - Aria. "Wie fremd und tot ist alles um mich" (feat. Margreta Elkins, Heinrich Schmidt) | -5.92 | -28.14 | -23.0 | 13 |
| 7 | Tatiana's Letter Scene. "Müsst' ich zugrunde gehen, erfahren will ich zuvor" (feat. Alceo Galliera) | -1.54 | -23.01 | -18.6 | 12 |