℗ 2018 Koninklijk Concertgebouworkest
| Released | September 6, 2019 |
| Duration | 1h 41m 11s |
| Record Label | Royal Concertgebouw Orchestra |
| Genre | Classical (Opera) |
Richard Strauss: Salome
Royal Concertgebouw Orchestra, Daniele Gatti
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
|
Salome, Op. 54, TrV 215
|
|||||
|
1.1
|
Scene 1: "Wie schön ist die Prinzessin Salome" (Narraboth, Page, Soldiers)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
3:05 | |||
|
1.2
|
Scene 1: "Nach mir wird Einer kommen" (Jochanaan, Soldiers, A Cappadocian, Narraboth, Page)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
2:36 | |||
|
1.3
|
Scene 2: "Ich will nicht bleiben" (Salome, Page)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
1:44 | |||
|
1.4
|
Scene 2: "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Soldiers, Narraboth, A Slave)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
1:35 | |||
|
1.5
|
Scene 2: "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Soldiers, Narraboth, Page)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
3:59 | |||
|
1.6
|
Scene 2: "Lasst den Propheten herauskommen" (Salome, Narraboth)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
2:34 | |||
|
1.7
|
Scene 3: "Wo ist er" (Jochanaan, Salome, Narraboth)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
8:31 | |||
|
1.8
|
Scene 3: "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan, Narraboth)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
6:57 | |||
|
1.9
|
Scene 3: "Niemals, Tochter Babylons, Tochter Sodoms" (Jochanaan, Salome)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
8:47 | |||
|
1.10
|
Scene 4: "Wo ist Salome?" (Herod, Herodias, First Soldier)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
4:09 | |||
|
1.11
|
Scene 4: "Salome, komm, trink Wein mit mir" (Herod, Salome, Herodias)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
2:48 | |||
|
1.12
|
Scene 4: "Siehe, die Zeit ist gekommen" (Jochanaan, Herodias, Herod, Nazarenes, Jews)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
8:44 | |||
|
1.13
|
Scene 4: "Tanz für mich, Salome" (Herod, Herodias, Salome, Jochanaan)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
4:13 | |||
|
1.14
|
Scene 4: Dance of the Seven Veils (Orchestral Interlude)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
9:26 | |||
|
1.15
|
Scene 4: "Ach! Herrlich! Wundervoll" (Herod, Salome, Herodias)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
4:08 | |||
|
1.16
|
Scene 4: "Salome, ich beschwöre dich" (Herod, Salome, Herodias)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
6:34 | |||
|
1.17
|
Scene 4: "Man soll ihr geben, was sie verlangt!" (Herod, Herodias)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
1:26 | |||
|
1.18
|
Scene 4: "Es ist kein Laut zu vernehmen" (Salome)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
2:23 | |||
|
1.19
|
Scene 4: "Ah! Du wolltest mich nicht deinen Mund küssen lassen" (Salome)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
11:29 | |||
|
1.20
|
Scene 4: "Sie ist ein Ungeheuer, deine Tochter" (Herod, Herodias)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
1:15 | |||
|
1.21
|
Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" (Salome, Herod)
Richard Strauss; Royal Concertgebouw Orchestra; Daniele Gatti |
4:48 | |||
|
Digital Booklet
|
|||||
After Riccardo Chailly started the RCO’s celebrated association with the Dutch National Opera with masterpieces by Verdi and Puccini, Mariss Jansons continued with unforgettable Tchaikovsky and Shostakovich productions. With brilliant performances of Verdi’s Falstaff Daniele Gatti (at that moment not yet chief conductor) started a new chapter to this collaboration. Their spectacular 2017 production of Richard Strauss’ Salome is another highlight in the already impressive list.
48 kHz / 24-bit PCM – Royal Concertgebouw Orchestra Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.18 -7.23 to -0.70 | -23.03 -28.89 to -20.70 | -19.63 -25.60 to -16.70 | 12 10 to 14 | |
| 1 | Scene 1: "Wie schön ist die Prinzessin Salome" (Narraboth, Page, Soldiers) | -7.23 | -28.89 | -25.6 | 13 |
| 2 | Scene 1: "Nach mir wird Einer kommen" (Jochanaan, Soldiers, A Cappadocian, Narraboth, Page) | -2.89 | -24.41 | -21.8 | 12 |
| 3 | Scene 2: "Ich will nicht bleiben" (Salome, Page) | -3.59 | -24.02 | -20.8 | 12 |
| 4 | Scene 2: "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Soldiers, Narraboth, A Slave) | -1.66 | -24.27 | -21.4 | 11 |
| 5 | Scene 2: "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Soldiers, Narraboth, Page) | -2.34 | -22.37 | -19.5 | 11 |
| 6 | Scene 2: "Lasst den Propheten herauskommen" (Salome, Narraboth) | -2.05 | -20.99 | -17.4 | 10 |
| 7 | Scene 3: "Wo ist er" (Jochanaan, Salome, Narraboth) | -1.64 | -22.90 | -19.6 | 13 |
| 8 | Scene 3: "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan, Narraboth) | -2.73 | -21.52 | -18.3 | 12 |
| 9 | Scene 3: "Niemals, Tochter Babylons, Tochter Sodoms" (Jochanaan, Salome) | -1.20 | -20.70 | -16.9 | 12 |
| 10 | Scene 4: "Wo ist Salome?" (Herod, Herodias, First Soldier) | -0.72 | -23.07 | -19.7 | 13 |
| 11 | Scene 4: "Salome, komm, trink Wein mit mir" (Herod, Salome, Herodias) | -4.57 | -24.87 | -20.7 | 13 |
| 12 | Scene 4: "Siehe, die Zeit ist gekommen" (Jochanaan, Herodias, Herod, Nazarenes, Jews) | -0.70 | -23.19 | -20.0 | 14 |
| 13 | Scene 4: "Tanz für mich, Salome" (Herod, Herodias, Salome, Jochanaan) | -1.07 | -21.89 | -18.7 | 12 |
| 14 | Scene 4: Dance of the Seven Veils (Orchestral Interlude) | -0.70 | -21.98 | -18.6 | 13 |
| 15 | Scene 4: "Ach! Herrlich! Wundervoll" (Herod, Salome, Herodias) | -0.70 | -23.69 | -20.2 | 13 |
| 16 | Scene 4: "Salome, ich beschwöre dich" (Herod, Salome, Herodias) | -1.96 | -23.36 | -20.0 | 13 |
| 17 | Scene 4: "Man soll ihr geben, was sie verlangt!" (Herod, Herodias) | -3.87 | -24.35 | -20.2 | 11 |
| 18 | Scene 4: "Es ist kein Laut zu vernehmen" (Salome) | -0.70 | -20.87 | -18.5 | 11 |
| 19 | Scene 4: "Ah! Du wolltest mich nicht deinen Mund küssen lassen" (Salome) | -3.13 | -21.91 | -18.4 | 11 |
| 20 | Scene 4: "Sie ist ein Ungeheuer, deine Tochter" (Herod, Herodias) | -1.62 | -22.61 | -19.3 | 12 |
| 21 | Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan" (Salome, Herod) | -0.70 | -21.85 | -16.7 | 12 |