℗ 2015 Yarlung Records
| Released | May 26, 2015 |
| Duration | 2h 39m 22s |
| Record Label | Yarlung Records |
| Catalogue No. | YAR42482 |
| Genre | Classical (Chamber) |
Yarlung Records: 10th Anniversary
Various Artists
Available in 176.4 kHz / 24-bit, 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Recercada secunda (arr. A. Gilbert for chamber ensemble)
Ciaramella |
2:25 | |||
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1.2
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Juego de Relojes (Game of Clocks)
Smoke and Mirrors Percussion Ensemble |
6:59 | |||
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You Were Never Lovelier
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1.3
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I'm old fashioned
Sophisticated Lady Jazz Quartet |
7:47 | |||
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String Trio in C Minor, Op. 9, No. 3
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1.4
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III. Scherzo
Janaki String Trio |
3:06 | |||
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Violin Concerto in D Major, Op. 35
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1.5
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II. Romanze. Andante
Nigel Armstrong; Colburn Orchestra; Neville Marriner |
7:22 | |||
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1.6
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Ropes of Sand
Sophisticated Lady Jazz Quartet |
7:10 | |||
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Violin Partita No. 2 in D Minor, BWV 1004
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1.7
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V. Ciaccona
Petteri Iivonen |
14:21 | |||
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1.8
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J'ay pris amours
Ciaramella |
1:23 | |||
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Brandenburg Concerto No. 4 in G Major, BWV 1049
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1.9
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I. Allegro
Margaret Batjer; David Shostac; Brook Ellen Schoenwald; Los Angeles Chamber Orchestra |
6:25 | |||
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1.10
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For Sebastian
Sophisticated Lady Jazz Quartet |
2:56 | |||
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1.11
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Cello Sonata
Frédéric Rosselet |
7:29 | |||
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Symphony No. 5 in C-Sharp Minor
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1.12
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IV. Adagietto
Colburn Orchestra; Gerard Schwarz |
8:30 | |||
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Mein Herze schwimmt im Blut, BWV 199
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1.13
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Recitative. Mein Herze schwimmt im Blut
Lorraine Hunt Lieberson; Los Angeles Chamber Orchestra; Jeffrey Kahane |
2:48 | |||
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Serse, HWV 40
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2.1
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Act I: Frondi tenere e belle … Ombra mai fu (Largo)
Sasha Cooke; Colburn Orchestra; Yehuda Gilad |
4:10 | |||
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Happenstance
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2.2
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IV. On the Road
Smoke and Mirrors Percussion Ensemble |
2:46 | |||
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2.3
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Graciela y Buenos Aires
Antonio Lysy; Pablo Motta; Capitol Ensemble |
7:21 | |||
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2.4
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Chiaccona in partite variate
Jason Yoshida |
2:49 | |||
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2.5
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Strange Fruit
Sophisticated Lady Jazz Quartet |
4:52 | |||
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2.6
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Chinbep puja (Blessing of the Environment)
Monks of Nechung Monastery |
9:09 | |||
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2.7
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Ballade No. 1 in G Minor, Op. 23
Joanne Pearce Martin |
9:55 | |||
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2.8
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Simpler Times
Sophisticated Lady Jazz Quartet |
5:19 | |||
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2.9
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Sonata fantasia, "L'eroica"
Ciaramella |
4:00 | |||
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Violin Sonata No. 3 in D Minor, Op. 108
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2.10
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III. Un poco presto e con sentimento - IV. Presto agitato
Petteri Iivonen; Kevin Fitz-Gerald |
8:05 | |||
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Through Psychosis
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2.11
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V. Watch me vanish, watch me?
Smoke and Mirrors Percussion Ensemble |
7:12 | |||
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String Trio
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2.12
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II. Obstinate Spaces
Janaki String Trio |
3:42 | |||
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2.13
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Nocturne No. 20 in C-Sharp Minor, Op. posth.
David Fung |
4:07 | |||
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8 Memories in Watercolor, Op. 1
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2.14
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No. 1. Missing Moon
David Fung |
2:08 | |||
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5 Canciones populares argentinas, Op. 10 (arr. P. Fournier)
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2.15
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No. 3. Zamba (arr. P. Fournier for cello and piano)
Antonio Lysy; Bryan Pezzone |
2:33 | |||
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2.16
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Gone
Sophisticated Lady Jazz Quartet |
2:33 | |||
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Digital Booklet
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This double disc compilation is a celebration of the 10th anniversary of Grammy-winning Yarlung Records, which continues to bring fresh musicians to the classical music world using minimalist audiophile recording techniques to deliver sound as close to living performance as possible. Rather than using recording studios, these albums are recorded in concert halls famous for their acoustics, including Walt Disney Concert Hall and Ambassador Hall in Los Angeles and mastered by Steve Hoffman and Bernie Grundman. The label’s philosophy is to present the music like a clean window which does not distract from the beautiful view on the other side. Among its greatest successes featured on this compilation is Antonio Lysy at The Broad: Music from Argentina, which won the label’s first Grammy and was ranked in The Absolute Sound as one of the 40 best recordings of all time.
176.4 kHz / 24-bit, 88.2 kHz / 24-bit PCM – Yarlung Records Studio Masters
*Disc 1: tracks 4, 8; Disc 2: tracks 9, 11, 12 – 44.1 kHz / 24-bit PCM Producer: Bob Attiyeh Assistant Producer: Jacob Horowitz Executive Producer: Ann Mulally Mastering Engineers: Steve Hoffman & Bob Attiyeh Microphones: Gearworks Pro Audio
*Disc 1: tracks 4, 8; Disc 2: tracks 9, 11, 12 – 44.1 kHz / 24-bit PCM Producer: Bob Attiyeh Assistant Producer: Jacob Horowitz Executive Producer: Ann Mulally Mastering Engineers: Steve Hoffman & Bob Attiyeh Microphones: Gearworks Pro Audio
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.83 -7.55 to -0.07 | -23.33 -29.83 to -18.34 | -19.39 -24.90 to -14.90 | 13 9 to 16 | |
| 1.1 | Recercada secunda (arr. A. Gilbert for chamber ensemble) | -5.20 | -22.88 | -20.2 | 11 |
| 1.2 | Juego de Relojes (Game of Clocks) | -0.40 | -25.49 | -21.7 | 15 |
| 1.3 | I'm old fashioned | -0.17 | -23.29 | -20.3 | 16 |
| 1.4 | III. Scherzo | -2.31 | -24.46 | -20.8 | 14 |
| 1.5 | II. Romanze. Andante | -0.25 | -25.17 | -21.2 | 15 |
| 1.6 | Ropes of Sand | -0.07 | -21.69 | -18.3 | 15 |
| 1.7 | V. Ciaccona | -1.09 | -23.76 | -19.1 | 14 |
| 1.8 | J'ay pris amours | -6.65 | -21.19 | -18.3 | 9 |
| 1.9 | I. Allegro | -1.46 | -22.57 | -19.8 | 13 |
| 1.10 | For Sebastian | -0.11 | -22.06 | -17.5 | 14 |
| 1.11 | Cello Sonata | -1.33 | -20.07 | -15.9 | 11 |
| 1.12 | IV. Adagietto | -0.22 | -22.51 | -18.1 | 13 |
| 1.13 | Recitative. Mein Herze schwimmt im Blut | -0.80 | -25.29 | -20.2 | 14 |
| 2.1 | Act I: Frondi tenere e belle … Ombra mai fu (Largo) | -3.73 | -27.43 | -22.8 | 14 |
| 2.2 | IV. On the Road | -0.16 | -20.58 | -17.1 | 14 |
| 2.3 | Graciela y Buenos Aires | -0.62 | -20.83 | -17.7 | 13 |
| 2.4 | Chiaccona in partite variate | -2.04 | -22.43 | -19.6 | 13 |
| 2.5 | Strange Fruit | -0.08 | -22.57 | -17.7 | 13 |
| 2.6 | Chinbep puja (Blessing of the Environment) | -3.97 | -24.06 | -18.8 | 12 |
| 2.7 | Ballade No. 1 in G Minor, Op. 23 | -0.21 | -21.81 | -17.8 | 13 |
| 2.8 | Simpler Times | -0.09 | -24.66 | -21.3 | 15 |
| 2.9 | Sonata fantasia, "L'eroica" | -2.56 | -18.34 | -14.9 | 11 |
| 2.10 | III. Un poco presto e con sentimento - IV. Presto agitato | -0.22 | -21.94 | -18.0 | 14 |
| 2.11 | V. Watch me vanish, watch me? | -7.44 | -29.83 | -24.9 | 15 |
| 2.12 | II. Obstinate Spaces | -0.89 | -21.86 | -18.1 | 14 |
| 2.13 | Nocturne No. 20 in C-Sharp Minor, Op. posth. | -0.19 | -23.11 | -18.7 | 14 |
| 2.14 | No. 1. Missing Moon | -0.28 | -23.54 | -19.2 | 12 |
| 2.15 | No. 3. Zamba (arr. P. Fournier for cello and piano) | -7.55 | -27.25 | -22.7 | 11 |
| 2.16 | Gone | -3.05 | -25.92 | -21.7 | 14 |