℗ 2019 VIVAT
Released September 27, 2019
Duration 1h 17m 22s
Record Label VIVAT
Catalogue No. VIVAT118
Genre Classical (Chamber)
 

Elegy

Iestyn Davies, James Hall, The King's Consort, Robert King

Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
Add to cart
discounted price

 
Timon of Athens, Z. 632  
1.1
Hark! How the Songsters
Henry Purcell; Iestyn Davies; James Hall; The King's Consort; Robert King
3:00
Hail, Bright Cecilia, Z. 328  
1.2
No. 10, In Vain the Am'rous Flute
Henry Purcell; Iestyn Davies; James Hall; The King's Consort; Robert King
6:20
1.3
O Solitude, Z. 406
Henry Purcell; Iestyn Davies; The King's Consort; Robert King
5:40
Dioclesian, Z. 627 (Excerpts)  
1.4
Chaconne (Two in One Upon a Ground)
Henry Purcell; The King's Consort; Robert King
2:44
Ah heav'n, what is't I hear?  
1.5
Ah, Heav'n! What Is't I Hear?
John Blow; Iestyn Davies; James Hall; The King's Consort; Robert King
3:31
Come Ye Sons of Art, Z. 323  
1.6
III. Sound the Trumpet
Henry Purcell; Iestyn Davies; James Hall; The King's Consort; Robert King
2:23
Dioclesian, Z. 627 (Excerpts)  
1.7
Since the Toils and the Hazards of War
Henry Purcell; Iestyn Davies; The King's Consort; Robert King
4:09
Bonduca, Z. 574  
1.8
No. 11, Sing, Sing, Ye Druids
Henry Purcell; Iestyn Davies; James Hall; The King's Consort; Robert King
2:36
1.9
Paratum cor meum Deus
John Blow; Iestyn Davies; James Hall; The King's Consort; Robert King
2:22
The Queen’s Epicedium  
1.10
Incassum Lesbia, incassum rogas, Z. 383
Henry Purcell; Iestyn Davies; The King's Consort; Robert King
7:37
1.11
No, Lesbia, No, You Ask in Vain
John Blow; Iestyn Davies; The King's Consort; Robert King
7:07
1.12
O dive custos Auriacae domus, Z. 504
Henry Purcell; Iestyn Davies; James Hall; The King's Consort; Robert King
6:26
An Ode on the Death of Mr. Henry Purcell  
1.13
No. 1, Mark How the Lark and Linnet Sing
John Blow; Iestyn Davies; James Hall; The King's Consort; Robert King
3:52
1.14
No. 2, But in the Close of Night
John Blow; Iestyn Davies; James Hall; The King's Consort; Robert King
4:57
1.15
No. 3, So Ceas'd the Rival Crew When Purcell Came
John Blow; Iestyn Davies; The King's Consort; Robert King
2:55
1.16
No. 4, We Beg Not Hell, Our Orpheus to Restore
John Blow; Iestyn Davies; The King's Consort; Robert King
1:51
1.17
No. 5, The Pow'r of Harmony Too Well They Knew
John Blow; Iestyn Davies; The King's Consort; Robert King
2:35
1.18
No. 6, The Heav'nly Quire, Who Heard His Notes from High
John Blow; Iestyn Davies; James Hall; The King's Consort; Robert King
4:28
1.19
No. 7, Ye Brethren of the Lyre, and Tuneful Voice
John Blow; Iestyn Davies; James Hall; The King's Consort; Robert King
2:49
Digital Booklet
World-renowned countertenor Iestyn Davies, partnered by outstanding young countertenor James Hall and The King’s Consort, turns his attention to the music of Henry Purcell and his colleague John Blow. This beautifully themed programme of solos and duets centres on elegies, and concludes with Blow’s magnificent ‘Ode on the death of Purcell’. Rarely heard together on one recording are a set of three substantial elegies composed by Purcell and Blow to commemorate the untimely death of the much-loved Queen Mary. Two of these ingeniously take the same text, one in English (by Blow – a particularly fine work), the other in Latin (Purcell). Another highlight is Iestyn’s seraphic rendition of the melancholy masterpiece, ‘O solitude’. Around these come duets both famous and less familiar, including ‘Hark how the songsters’, Blow’s ravishing ‘Ah, heav’n, what is’t I hear?’, the deliciously languid ‘In vain the am’rous flute’ and, of course, ‘Sound the trumpet’. The death of Queen Mary, which spurred London’s two leading composers into doleful elegiac action, was soon to be followed by a greater musical calamity: the loss of Henry Purcell. John Blow’s outstanding ‘Ode on the death of Mr Henry Purcell’ is not only a heartfelt tribute to his colleague, but one of the most outstanding English works of the era. Iestyn Davies shows himself to be a true master of this repertoire, beautifully partnered by James Hall and by an ensemble which has dominated the world of Purcell recordings for more than thirty years. The recording was made in the world-class recording hall, Alpheton New Maltings, demonstrating its exceptional acoustic of striking clarity and warmth.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – VIVAT Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-6.06
-13.34 to -0.19
-26.42
-30.14 to -22.74
-23.59
-27.50 to -19.50
13
10 to 15
1
Hark! How the Songsters
-0.19-22.74-19.515
2
No. 10, In Vain the Am'rous Flute
-8.39-27.73-25.012
3
O Solitude, Z. 406
-5.45-27.08-24.614
4
Chaconne (Two in One Upon a Ground)
-13.34-30.14-27.510
5
Ah, Heav'n! What Is't I Hear?
-6.66-27.41-24.513
6
III. Sound the Trumpet
-3.61-24.10-20.813
7
Since the Toils and the Hazards of War
-8.30-27.68-25.012
8
No. 11, Sing, Sing, Ye Druids
-6.71-27.47-24.413
9
Paratum cor meum Deus
-5.53-24.92-21.812
10
Incassum Lesbia, incassum rogas, Z. 383
-3.09-25.75-23.015
11
No, Lesbia, No, You Ask in Vain
-4.43-27.22-24.514
12
O dive custos Auriacae domus, Z. 504
-4.46-26.28-23.514
13
No. 1, Mark How the Lark and Linnet Sing
-5.13-25.02-22.313
14
No. 2, But in the Close of Night
-6.20-25.30-22.612
15
No. 3, So Ceas'd the Rival Crew When Purcell Came
-10.24-29.65-26.912
16
No. 4, We Beg Not Hell, Our Orpheus to Restore
-9.48-27.49-24.911
17
No. 5, The Pow'r of Harmony Too Well They Knew
-2.55-25.08-22.413
18
No. 6, The Heav'nly Quire, Who Heard His Notes from High
-6.95-26.82-24.113
19
No. 7, Ye Brethren of the Lyre, and Tuneful Voice
-4.49-24.11-21.012

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions