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Bach: Complete Cello Suites

Emmanuelle Bertrand

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Cello Suite No. 1 in G Major, BWV 1007  
1.1
I. Prelude
Johann Sebastian Bach; Emmanuelle Bertrand
2:28
1.2
II. Allemande
Johann Sebastian Bach; Emmanuelle Bertrand
4:18
1.3
III. Courante
Johann Sebastian Bach; Emmanuelle Bertrand
2:35
1.4
IV. Sarabande
Johann Sebastian Bach; Emmanuelle Bertrand
3:04
1.5
V. Menuets 1 & 2
Johann Sebastian Bach; Emmanuelle Bertrand
2:59
1.6
VI. Gigue
Johann Sebastian Bach; Emmanuelle Bertrand
1:46
Cello Suite No. 2 in D Minor, BWV 1008  
1.7
I. Prélude
Johann Sebastian Bach; Emmanuelle Bertrand
3:27
1.8
II. Allemande
Johann Sebastian Bach; Emmanuelle Bertrand
3:14
1.9
III. Courante
Johann Sebastian Bach; Emmanuelle Bertrand
1:53
1.10
IV. Sarabande
Johann Sebastian Bach; Emmanuelle Bertrand
5:02
1.11
V. Menuets 1 & 2
Johann Sebastian Bach; Emmanuelle Bertrand
2:58
1.12
VI. Gigue
Johann Sebastian Bach; Emmanuelle Bertrand
2:28
Cello Suite No. 3 in C Major, BWV 1009  
1.13
I. Prelude
Johann Sebastian Bach; Emmanuelle Bertrand
3:29
1.14
II. Allemande
Johann Sebastian Bach; Emmanuelle Bertrand
3:45
1.15
III. Courante
Johann Sebastian Bach; Emmanuelle Bertrand
3:06
1.16
IV. Sarabande
Johann Sebastian Bach; Emmanuelle Bertrand
4:05
1.17
V. Bourrées 1 & 2
Johann Sebastian Bach; Emmanuelle Bertrand
3:19
1.18
VI. Gigue
Johann Sebastian Bach; Emmanuelle Bertrand
3:13
Cello Suite No. 4 in E-Flat Major, BWV 1010  
2.1
I. Prelude
Johann Sebastian Bach; Emmanuelle Bertrand
4:14
2.2
II. Allemande
Johann Sebastian Bach; Emmanuelle Bertrand
3:49
2.3
III. Courante
Johann Sebastian Bach; Emmanuelle Bertrand
3:26
2.4
IV. Sarabande
Johann Sebastian Bach; Emmanuelle Bertrand
4:03
2.5
V. Bourrées 1 & 2
Johann Sebastian Bach; Emmanuelle Bertrand
5:01
2.6
VI. Gigue
Johann Sebastian Bach; Emmanuelle Bertrand
2:43
Cello Suite No. 5 in C Minor, BWV 1011  
2.7
I. Prelude
Johann Sebastian Bach; Emmanuelle Bertrand
5:30
2.8
II. Allemande
Johann Sebastian Bach; Emmanuelle Bertrand
5:14
2.9
III. Courante
Johann Sebastian Bach; Emmanuelle Bertrand
2:03
2.10
IV. Sarabande
Johann Sebastian Bach; Emmanuelle Bertrand
3:53
2.11
V. Gavottes 1 & 2
Johann Sebastian Bach; Emmanuelle Bertrand
4:46
2.12
VI. Gigue
Johann Sebastian Bach; Emmanuelle Bertrand
2:26
Cello Suite No. 6 in D Major, BWV 1012  
2.13
I. Prélude
Johann Sebastian Bach; Emmanuelle Bertrand
4:24
2.14
II. Allemande
Johann Sebastian Bach; Emmanuelle Bertrand
7:31
2.15
III. Courante
Johann Sebastian Bach; Emmanuelle Bertrand
3:39
2.16
IV. Sarabande
Johann Sebastian Bach; Emmanuelle Bertrand
5:40
2.17
V. Gavottes 1 & 2
Johann Sebastian Bach; Emmanuelle Bertrand
4:16
2.18
VI. Gigue
Johann Sebastian Bach; Emmanuelle Bertrand
4:22
Digital Booklet
Total Playing Time    2:14:09
To record Bach's Six Suites was Emmanuelle Bertrand's most cherished dream; it has now become reality thanks to her encounter with an exceptional instrument. Built by Carlo Tononi in Venice in 1730, this cello with its deep and generous sound, set up in 'Baroque' style (with gut strings and bow to match), has proved to be the most faithful of partners for tackling one of the most impressive monuments in all western music Enregistrer les Six Suites de Bach représentait pour Emmanuelle Bertrand un rêve absolu ; il a pu se réaliser grâce à la rencontre de l'interprète avec un instrument d'exception. Conçu par Carlo Tononi à Venise, ce violoncelle de 1730 à la sonorité profonde et généreuse, monté "baroque" (avec cordes en boyau et archet à l'avenant), s'est révélé le plus fidèle des partenaires pour aborder – au propre comme au figuré – l'un des monuments les plus impressionnants de toute la musique occidentale Mit der Aufnahme der Sechs Suiten von J. S. Bach ging für Emmanuelle Bertrand ein Traum in Erfüllung. Zu verdanken hat sie dies der Begegnung mit einem Ausnahmeinstrument: einem Violoncello, das 1730 in Venedig von Carlo Tononi gebaut wurde, über einen tiefen, vollen Klang verfügt und mit einer „barocken" (Darmsaiten-)Bespannung sowie dem entsprechenden Bogen ausgestattet ist. Es gibt kaum einen besseren Partner, um sich an eines der eindrucksvollsten Denkmäler der ganzen westlichen Musik heranzuwagen.
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