℗ 2019 Room40
| Released | October 18, 2019 |
| Duration | 37m 32s |
| Record Label | Room 40 |
| Catalogue No. | RM4107 |
| Genre | Electronic (Avant-garde) |
Tomorrow is Too Late
John Chantler
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
|
Tomorrow is Too Late (Part 1)
John Chantler |
6:30 | |||
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1.2
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Tomorrow is Too Late (Part 2)
John Chantler |
2:50 | |||
|
1.3
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Tomorrow is Too Late (Part 3)
John Chantler |
6:50 | |||
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1.4
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Tomorrow is Too Late (Part 4)
John Chantler |
2:17 | |||
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1.5
|
We're Always At The End (Part 1)
John Chantler |
3:26 | |||
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1.6
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We're Always At The End (Part 2)
John Chantler |
12:33 | |||
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1.7
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We're Always At The End (Part 3)
John Chantler |
3:06 |
96 kHz / 24-bit PCM – Room 40 Studio Masters
Tracks 1-7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.61 -1.54 to -0.30 | -19.57 -22.40 to -16.58 | -15.96 -17.40 to -13.80 | 11 9 to 13 | |
| 1 | Tomorrow is Too Late (Part 1) | -0.34 | -21.17 | -17.4 | 13 |
| 2 | Tomorrow is Too Late (Part 2) | -0.39 | -22.40 | -16.4 | 12 |
| 3 | Tomorrow is Too Late (Part 3) | -0.30 | -16.58 | -13.8 | 9 |
| 4 | Tomorrow is Too Late (Part 4) | -1.54 | -18.40 | -15.5 | 10 |
| 5 | We're Always At The End (Part 1) | -1.08 | -21.68 | -17.3 | 12 |
| 6 | We're Always At The End (Part 2) | -0.30 | -16.89 | -14.3 | 9 |
| 7 | We're Always At The End (Part 3) | -0.30 | -19.84 | -17.0 | 12 |