℗ 1992 Sire Records
Released | November 15, 2011 |
Duration | 47m 06s |
Record Label | Rhino/Warner Bros. |
Genre | Jazz |
All The Way
Jimmy Scott
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
All the Way
Jimmy Scott |
4:59 | |||
1.2
|
Embraceable You
Jimmy Scott |
5:08 | |||
1.3
|
Angel Eyes
Jimmy Scott |
5:15 | |||
1.4
|
At Last
Jimmy Scott |
4:53 | |||
1.5
|
Someone to Watch over Me
Jimmy Scott |
5:30 | |||
1.6
|
Every Time We Say Goodbye
Jimmy Scott |
5:14 | |||
1.7
|
I'll Be Around
Jimmy Scott |
4:38 | |||
1.8
|
My Foolish Heart
Jimmy Scott |
5:23 | |||
1.9
|
I'm Getting Sentimental over You
Jimmy Scott |
6:06 |
"Jimmy Scott is beyond category, an interpreter of ballads at tempos so languorous they seem practically motionless, hovering atmospherically in the air like the smoke in a barroom. All but forgotten when he recorded this album in 1992 at the age of 66, it stands as his finest achievement, the capstone of a career marked by extraordinary promise and devastating disappointment--including a legendary Ray Charles-produced album in 1962 that had to be withdrawn because of a contractual dispute.
Scott's voice is uniquely androgynous and capable of marvelous subtlety; the closer you listen, the more it seems to blur (and transcend) characteristics of sex and age. That quality has made him a favorite of folks like director David Lynch, but his musicianship makes all other concerns superfluous. Here he's accompanied by first-class jazz musicians: Kenny Barron (piano), Ron Carter (bass), Grady Tate (drums), John Pisano (guitar), and David 'Fathead' Newman (sax). And the songs are world-class as well: 'Embraceable You,' 'Angel Eyes,' 'Every Time We Say Goodbye,' and of course the title tune. But perhaps the greatest of all is 'My Foolish Heart.' Never was there a voice more suited sing these words: 'There's a fine line between love and infatuation/That's hard to see on a night such as this.'
Like I said: beyond category."
- Jim Emerson
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino/Warner Bros. Studio Masters
Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.34 -3.46 to -0.01 | -22.32 -23.72 to -21.26 | -19.36 -20.70 to -18.40 | 13 12 to 14 | |
1 | All the Way | -0.67 | -21.44 | -18.4 | 13 |
2 | Embraceable You | -1.24 | -21.27 | -18.4 | 13 |
3 | Angel Eyes | -3.46 | -23.72 | -20.5 | 12 |
4 | At Last | -0.01 | -21.26 | -18.5 | 14 |
5 | Someone to Watch over Me | -0.26 | -22.21 | -19.1 | 13 |
6 | Every Time We Say Goodbye | -2.31 | -23.46 | -20.7 | 14 |
7 | I'll Be Around | -1.87 | -22.94 | -19.9 | 12 |
8 | My Foolish Heart | -1.19 | -22.56 | -19.5 | 14 |
9 | I'm Getting Sentimental over You | -1.08 | -22.03 | -19.2 | 13 |