℗ 2019 Cie Frotter - Frapper partout
| Released | October 11, 2019 |
| Duration | 1h 12m 47s |
| Record Label | NoMadMusic |
| Catalogue No. | NMM066D |
| Genre | Classical (Quintet, sextet and more) |
D'Adamo: Sur Vestiges - Schubert: Quintet en Ut Majeur, D. 956
Quatuor Béla, Noémi Boutin
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Sur Vestiges
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1.1
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I
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
5:43 | |||
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1.2
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II
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
5:31 | |||
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1.3
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III
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
2:13 | |||
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1.4
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IV
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
4:59 | |||
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1.5
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V
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
3:07 | |||
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1.6
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VI
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
3:32 | |||
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Quintette à cordes en Ut Majeur, D. 956
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1.7
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I. Allegro ma non troppo
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
14:14 | |||
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1.8
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II. Adagio
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
14:25 | |||
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1.9
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III. Scherzo. Presto -Trio. Andante sostenuto
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
9:09 | |||
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1.10
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IV. Allegretto
Daniel D'Adamo; Noémi Boutin; Quatuor Béla |
9:54 | |||
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Digital Booklet
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Champions of contemporary music, the Quatuor Béla and Noémi Boutin have teamed up with the French-Argentinian composer Daniel D'Adamo to create Sur vestiges.
The quintet for two cellos was conceived as a sort of preamble to Schubert's dusky Quintet in C major and its powerful lyricism.
Around the tragic themes of a young woman and water, Daniel D'Adamo has sought 'to compose as someone gathering up the vestiges of a forgotten work, observing and recycling them with the constraints of his own time period.'
The Quatuor Béla depicts the motionless water, a mirror for the beauty of a young woman intoxicated by her own reflection, portrayed by Noémi Boutin's cello.
48 kHz / 24-bit PCM – NoMadMusic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.90 -8.25 to 0.00 | -25.67 -32.46 to -20.81 | -21.69 -28.20 to -16.80 | 14 13 to 19 | |
| 1 | I | -3.07 | -31.91 | -26.6 | 19 |
| 2 | II | -4.29 | -25.19 | -22.3 | 14 |
| 3 | III | -5.45 | -26.41 | -23.2 | 14 |
| 4 | IV | -5.01 | -27.42 | -23.1 | 14 |
| 5 | V | -3.43 | -23.44 | -18.9 | 13 |
| 6 | VI | -8.25 | -32.46 | -28.2 | 14 |
| 7 | I. Allegro ma non troppo | 0.00 | -22.10 | -18.5 | 14 |
| 8 | II. Adagio | -1.74 | -25.07 | -21.2 | 13 |
| 9 | III. Scherzo. Presto -Trio. Andante sostenuto | 0.00 | -20.81 | -16.8 | 13 |
| 10 | IV. Allegretto | 0.00 | -21.89 | -18.1 | 14 |