℗ 2019 Naxos
Released | September 13, 2019 |
Duration | 1h 08m 48s |
Record Label | Naxos |
Catalogue No. | 8.574072 |
Genre | Classical (Art Song) |
Albéniz: Complete Works for Voice & Piano
Magdalena Llamas, Guillermo González
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Chanson de Barberine
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:20 | |||
2 Morceaux de prose
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1.2
|
No. 1, Crépuscule
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:44 | |||
1.3
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No. 2, Tristesse
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:28 | |||
1.4
|
Il en est de l'amour
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:33 | |||
To Nellie
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1.5
|
No. 1, Home
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:52 | |||
1.6
|
No. 2, Counsel
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:59 | |||
1.7
|
No. 3, May Day Song
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:55 | |||
1.8
|
No. 4, To Nellie
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:38 | |||
1.9
|
No. 5, A Song of Consolation
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:10 | |||
1.10
|
No. 6, A Song
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:16 | |||
6 Songs
|
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1.11
|
No. 1, Art Thou Gone Forever, Elaine?
Isaac Albéniz; Magdalena Llamas; Guillermo González |
3:23 | |||
1.12
|
No. 2, Laugh at Loving
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:03 | |||
1.13
|
No. 3, Will You Be Mine?
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:26 | |||
1.14
|
No. 4, Separated!
Isaac Albéniz; Magdalena Llamas; Guillermo González |
3:03 | |||
1.15
|
No. 5, The Caterpillar
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:51 | |||
1.16
|
No. 6, The Gifts of the Gods
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:51 | |||
4 Mélodies
|
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1.17
|
No. 1, In Sickness and Health
Isaac Albéniz; Magdalena Llamas; Guillermo González |
4:17 | |||
1.18
|
No. 2, Paradise Regained
Isaac Albéniz; Magdalena Llamas; Guillermo González |
3:49 | |||
1.19
|
No. 3, The Retreat
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:49 | |||
1.20
|
No. 4, Amor, summa injuria
Isaac Albéniz; Magdalena Llamas; Guillermo González |
3:00 | |||
6 Baladas
|
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1.21
|
No. 1, Barcarola
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:25 | |||
1.22
|
No. 2, La lontananza
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:09 | |||
1.23
|
No. 3, Una rosa in dono
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:33 | |||
1.24
|
No. 4, Il tuo squardo
Isaac Albéniz; Magdalena Llamas; Guillermo González |
3:03 | |||
1.25
|
No. 5, Morirò!!
Isaac Albéniz; Magdalena Llamas; Guillermo González |
2:15 | |||
1.26
|
No. 6, T'ho riveduta in sogno
Isaac Albéniz; Magdalena Llamas; Guillermo González |
3:14 | |||
Rimas de Bécquer
|
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1.27
|
No. 1, Besa el aura que gime blandamente
Isaac Albéniz; Magdalena Llamas; Guillermo González |
0:58 | |||
1.28
|
No. 2, Del salón en el ángulo oscuro
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:05 | |||
1.29
|
No. 3, Me ha herido recatándose en la sombra
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:02 | |||
1.30
|
No. 4, Cuando sobre el pecho inclinas
Isaac Albéniz; Magdalena Llamas; Guillermo González |
0:53 | |||
1.31
|
No. 5, ¿De dónde vengo?
Isaac Albéniz; Magdalena Llamas; Guillermo González |
1:44 | |||
Digital Booklet
|
Isaac Albéniz is best known for his influential piano works and a style that draws on Spanish folk music idioms. But his remarkable catalogue of songs successfully combines tradition and modernity, adapting a myriad of compositional techniques to create a uniquely personal and innovative style. These evocative and at times introspective songs look forward to the composer’s masterpiece Iberia. Renowned mezzo-soprano Magdalena Llamas has been admired for her "expression and sensuality" by The New York Times.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.22 -7.30 to -0.24 | -25.19 -27.52 to -21.92 | -21.50 -23.70 to -18.60 | 13 10 to 16 | |
1 | Chanson de Barberine | -4.90 | -24.14 | -21.1 | 12 |
2 | No. 1, Crépuscule | -7.30 | -27.52 | -23.5 | 11 |
3 | No. 2, Tristesse | -5.20 | -25.34 | -22.0 | 13 |
4 | Il en est de l'amour | -4.74 | -27.47 | -23.7 | 13 |
5 | No. 1, Home | -2.34 | -23.36 | -19.0 | 12 |
6 | No. 2, Counsel | -1.52 | -25.07 | -21.1 | 13 |
7 | No. 3, May Day Song | -2.14 | -21.93 | -18.6 | 12 |
8 | No. 4, To Nellie | -1.44 | -22.83 | -18.8 | 13 |
9 | No. 5, A Song of Consolation | -2.64 | -24.81 | -21.4 | 14 |
10 | No. 6, A Song | -2.11 | -23.92 | -20.3 | 13 |
11 | No. 1, Art Thou Gone Forever, Elaine? | -4.81 | -26.00 | -22.5 | 13 |
12 | No. 2, Laugh at Loving | -5.37 | -25.15 | -21.1 | 11 |
13 | No. 3, Will You Be Mine? | -3.43 | -24.82 | -21.1 | 13 |
14 | No. 4, Separated! | -2.71 | -23.95 | -20.6 | 13 |
15 | No. 5, The Caterpillar | -3.81 | -25.77 | -22.0 | 12 |
16 | No. 6, The Gifts of the Gods | -3.91 | -24.28 | -20.7 | 13 |
17 | No. 1, In Sickness and Health | -3.01 | -26.70 | -23.5 | 16 |
18 | No. 2, Paradise Regained | -1.76 | -27.16 | -23.4 | 13 |
19 | No. 3, The Retreat | -3.26 | -27.17 | -23.6 | 15 |
20 | No. 4, Amor, summa injuria | -3.55 | -26.70 | -23.4 | 15 |
21 | No. 1, Barcarola | -2.16 | -24.81 | -21.0 | 15 |
22 | No. 2, La lontananza | -2.17 | -25.74 | -21.9 | 14 |
23 | No. 3, Una rosa in dono | -3.54 | -25.10 | -21.4 | 12 |
24 | No. 4, Il tuo squardo | -1.74 | -26.05 | -22.7 | 14 |
25 | No. 5, Morirò!! | -2.22 | -26.62 | -22.6 | 11 |
26 | No. 6, T'ho riveduta in sogno | -0.99 | -22.83 | -18.8 | 13 |
27 | No. 1, Besa el aura que gime blandamente | -5.79 | -27.33 | -23.4 | 10 |
28 | No. 2, Del salón en el ángulo oscuro | -3.97 | -27.37 | -23.3 | 14 |
29 | No. 3, Me ha herido recatándose en la sombra | -0.24 | -23.13 | -18.9 | 10 |
30 | No. 4, Cuando sobre el pecho inclinas | -6.01 | -26.00 | -22.0 | 12 |
31 | No. 5, ¿De dónde vengo? | -0.92 | -21.92 | -19.0 | 14 |