℗ 2018 New York City Center under exclusive license to Ghostlight Records
 

Lerner & Loewe's Brigadoon (New York City Center 2017 Cast Recording)

Alan Jay Lerner, Frederick Loewe

Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
Prologue
'Brigadoon' 2017 New York City Center Orchestra
1:00
1.2
Brigadoon / Vendors' Calls / MacConnachy Square
'Brigadoon' 2017 New York City Center Ensemble
5:30
1.3
Waitin' for My Dearie
Kelli O'Hara; 'Brigadoon' 2017 New York City Center Female Ensemble
4:06
1.4
I'll Go Home with Bonnie Jean
Ross Lekites
2:19
1.5
I'll Go Home with Bonnie Jean - Dance
'Brigadoon' 2017 New York City Center Orchestra
3:27
1.6
The Heather on the Hill
Patrick Wilson; Kelli O'Hara
3:25
1.7
The Love of My Life
Stephanie J. Block
3:32
1.8
Come to Me, Bend to Me
Ross Lekites
2:14
1.9
Come to Me, Bend to Me - Dance
'Brigadoon' 2017 New York City Center Orchestra
5:21
1.10
Almost Like Being in Love
Patrick Wilson; Kelli O'Hara
2:29
1.11
Sword Dance and Reel
'Brigadoon' 2017 New York City Center Ensemble
3:12
1.12
The Chase
'Brigadoon' 2017 New York City Center Male Ensemble
4:49
1.13
There But For You Go I
Patrick Wilson
3:17
1.14
My Mother's Weddin' Day
Stephanie J. Block; 'Brigadoon' 2017 New York City Center Ensemble
2:31
1.15
From This Day On / Farewell Music
Patrick Wilson; Kelli O'Hara
3:48
1.16
Reprises
Kelli O'Hara; Patrick Wilson
4:28
1.17
Finale
Patrick Wilson; Kelli O'Hara; 'Brigadoon' 2017 New York City Center Ensemble
2:42
Total Playing Time    58:10
Before My Fair Lady and Camelot there was Brigadoon, Lerner & Loewe’s transcendent romantic fantasy about the past, the present, and what it means to (almost) be in love. The classic 1947 musical, celebrating its 70th anniversary, follows Tommy Albright (Patrick Wilson), a jaded New Yorker who gets lost in the Scottish Highlands and stumbles into an idyllic town that only appears for one day every century. He quickly becomes smitten with the headstrong Fiona MacLaren (Kelli O’Hara) and makes an enemy of the rebellious Harry Beaton (Robbie Fairchild), bringing about a chain of events that could spell doom for the entire town. When this production opened at New York City Center last year, it was hailed as “glorious and vehemently alive” by The New York Times, “a tour de force” by Newsday, “exuberant and gorgeously sung” by the New York Daily News and “ravishing and luminous” by Deadline. It was originally presented November 15-19, 2017.
48 kHz / 24-bit PCM – Ghostlight Records Studio Masters

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