℗ 2015 Iron Maiden Holdings under exclusive license to Sanctuary Records Group, a BMG Company
Released | September 1, 2016 |
Duration | 44m 00s |
Record Label | Sanctuary Records |
Genre | Rock |
No Prayer for the Dying (2015 Remaster)
Iron Maiden
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Tailgunner (2015 Remaster) EXPLICIT
Iron Maiden |
4:14 | |||
1.2
|
Holy Smoke (2015 Remaster)
Iron Maiden |
3:49 | |||
1.3
|
No Prayer for the Dying (2015 Remaster)
Iron Maiden |
4:23 | |||
1.4
|
Public Enema Number One (2015 Remaster)
Iron Maiden |
4:13 | |||
1.5
|
Fates Warning (2015 Remaster)
Iron Maiden |
4:10 | |||
1.6
|
The Assassin (2015 Remaster)
Iron Maiden |
4:17 | |||
1.7
|
Run Silent Run Deep (2015 Remaster)
Iron Maiden |
4:34 | |||
1.8
|
Hooks in You (2015 Remaster)
Iron Maiden |
4:06 | |||
1.9
|
Bring Your Daughter... to the Slaughter (2015 Remaster)
Iron Maiden |
4:43 | |||
1.10
|
Mother Russia (2015 Remaster)
Iron Maiden |
5:31 |
No Prayer for the Dying is the eighth studio album by English heavy metal band Iron Maiden. It marks their first line-up change since 1982; guitarist Adrian Smith left the band during the pre-production phase, unhappy with the musical direction it was taking, and only having contributed to one song, "Hooks in You". Smith was replaced by Janick Gers, who had previously worked with singer Bruce Dickinson on his first solo-album, Tattooed Millionaire, and had also worked with Ian Gillan, former Marillion singer Fish, and new wave of British heavy metal band, White Spirit.
The album departed from the keyboard- and synthesizer-saturated progressive rock direction of the band's two previous studio outings (1986's Somewhere in Time and 1988's Seventh Son of a Seventh Son) in favour of a more "stripped down," straightforward style, reminiscent of the band's earlier material, which ushered in a change of vocal style for Bruce Dickinson from the operatic sound of the 1980s to a raspier way of singing. In addition, Michael Kenney, who had played keyboards on tour for the band, played keyboards on the album, replacing Harris and Adrian Smith from previous albums. The idea to make a more "street level" release also inspired the band to record in a barn on bassist Steve Harris's property in Essex, using the Rolling Stones Mobile Studio.
44.1 kHz / 24-bit PCM – Sanctuary Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.35 -1.35 to -1.35 | -11.94 -13.73 to -10.81 | -8.36 -9.10 to -7.50 | 6 6 to 7 | |
1 | Tailgunner (2015 Remaster) | -1.35 | -10.81 | -7.5 | 6 |
2 | Holy Smoke (2015 Remaster) | -1.35 | -11.74 | -8.0 | 7 |
3 | No Prayer for the Dying (2015 Remaster) | -1.35 | -12.20 | -8.9 | 6 |
4 | Public Enema Number One (2015 Remaster) | -1.35 | -11.49 | -7.9 | 6 |
5 | Fates Warning (2015 Remaster) | -1.35 | -11.51 | -8.1 | 6 |
6 | The Assassin (2015 Remaster) | -1.35 | -11.59 | -8.4 | 6 |
7 | Run Silent Run Deep (2015 Remaster) | -1.35 | -11.99 | -8.2 | 6 |
8 | Hooks in You (2015 Remaster) | -1.35 | -11.87 | -8.5 | 7 |
9 | Bring Your Daughter... to the Slaughter (2015 Remaster) | -1.35 | -12.46 | -9.0 | 6 |
10 | Mother Russia (2015 Remaster) | -1.35 | -13.73 | -9.1 | 7 |