℗ 1996 Vapor Records
Released | September 21, 2018 |
Duration | 1h 02m 16s |
Record Label | Vapor Records |
Genre | Soundtrack |
Dead Man (Music from and Inspired by the Motion Picture)
Neil Young
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Guitar Solo, No. 1
Neil Young |
5:17 | |||
1.2
|
The Round Stones Beneath the Earth
Neil Young |
3:31 | |||
1.3
|
Guitar Solo, No. 2
Neil Young |
2:03 | |||
1.4
|
Why Dost Thou Hide Thyself in Clouds
Neil Young |
2:24 | |||
1.5
|
Organ Solo
Neil Young |
1:31 | |||
1.6
|
Do You Know How to Use This Weapon?
Neil Young |
4:25 | |||
1.7
|
Guitar Solo, No. 3
Neil Young |
4:31 | |||
1.8
|
Nobody's Story
Neil Young |
6:35 | |||
1.9
|
Guitar Solo, No. 4
Neil Young |
4:22 | |||
1.10
|
Stupid White Men... EXPLICIT
Neil Young |
8:44 | |||
1.11
|
Guitar Solo, No. 5
Neil Young |
14:41 | |||
1.12
|
Time for You to Leave, William Blake...
Neil Young |
0:50 | |||
1.13
|
Guitar Solo, No. 6
Neil Young |
3:22 |
"Old Black is featured in its purest form on the soundtrack for Jim Jarmusch’s hallucinatory western Dead Man. Young’s low, ominous notes are inseparable from Robby Müller’s striking black-and-white cinematography, lending an elemental pull to the increasingly strange odyssey of William Blake (Johnny Depp) and Nobody (Gary Farmer), Blake’s sardonic Native American guide."
- Pitchfork (50 Best Movie Scores of All Time)
Dead Man is the soundtrack to the 1995 Jim Jarmusch western-themed film of the same name starring Gary Farmer, and Johnny Depp as William Blake. Neil Young recorded the soundtrack by improvising (mostly on Old Black, his famously customized electric guitar, with some acoustic guitar, piano and organ) as he watched the newly edited film alone in a recording studio. The soundtrack album consists of seven instrumental tracks by Young, with dialog excerpts from the film and Johnny Depp reading the poetry of William Blake interspersed between the music.
44.1 kHz / 24-bit PCM – Vapor Records Studio Masters
Tracks 1-13 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-13 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.67 -9.16 to -0.12 | -20.56 -28.96 to -14.29 | -17.96 -26.30 to -11.40 | 11 8 to 17 | |
1 | Guitar Solo, No. 1 | -1.89 | -22.70 | -18.6 | 11 |
2 | The Round Stones Beneath the Earth | -0.12 | -17.71 | -17.3 | 11 |
3 | Guitar Solo, No. 2 | -0.27 | -16.17 | -13.8 | 9 |
4 | Why Dost Thou Hide Thyself in Clouds | -0.28 | -19.66 | -18.4 | 11 |
5 | Organ Solo | -2.19 | -17.56 | -15.1 | 9 |
6 | Do You Know How to Use This Weapon? | -0.38 | -20.89 | -19.5 | 13 |
7 | Guitar Solo, No. 3 | -0.47 | -18.54 | -15.3 | 11 |
8 | Nobody's Story | -0.36 | -22.58 | -20.5 | 14 |
9 | Guitar Solo, No. 4 | -0.25 | -18.38 | -15.6 | 12 |
10 | Stupid White Men... | -0.22 | -24.53 | -21.5 | 17 |
11 | Guitar Solo, No. 5 | -0.22 | -14.29 | -11.4 | 8 |
12 | Time for You to Leave, William Blake... | -9.16 | -28.96 | -26.3 | 12 |
13 | Guitar Solo, No. 6 | -5.90 | -25.35 | -20.2 | 10 |