℗ 2015 Carpark Records
 

Foil Deer

Speedy Ortiz

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1.1
Good Neck
Speedy Ortiz
1:36
1.2
Raising the Skate
Speedy Ortiz
4:14
1.3
The Graduates
Speedy Ortiz
3:57
1.4
Dot X
Speedy Ortiz
3:38
1.5
Homonovus
Speedy Ortiz
3:18
1.6
Puffer
Speedy Ortiz
2:46
1.7
Swell Content
Speedy Ortiz
1:48
1.8
Zig
Speedy Ortiz
4:32
1.9
My Dead Girl
Speedy Ortiz
4:22
1.10
Ginger
Speedy Ortiz
2:38
1.11
Mister Difficult
Speedy Ortiz
3:36
1.12
Dvrk Wvrld
Speedy Ortiz
4:41
Total Playing Time    41:06
Speedy Ortiz, including Mike Falcone on drums, Darl Ferm on bass, and new addition Devin McKnight of Grass is Green on guitar, have spent the last year on an almost endless cross-continental touring jag, tagging along with the likes of The Breeders, Stephen Malkmus & the Jicks, and Thurston Moore. That shift into full-time musicianship brought with it an attendant reordering of priorities when it came to songwriting, and the band members’ lives in general. They would get the damn flowers themselves.

Dupuis wrote much of Foil Deer at her mother’s home in the Connecticut woods, where the songwriter imposed a self-regulated exile and physical cleansing of sorts, finding that many of the songs came to her while running or swimming alone. “I gave up wasting mental energy on people who didn't have my back,” she says. “Listening to our old records, I get the sense I was putting myself in horrible situations just to write sad songs. This music isn't coming from a dark place, and without slipping into self-empowerment jargon, it feels stronger.” Many of the songs deal with a similar sense of starting over, editing out the unnecessary drama. “Boys be sensitive and girls be, be aggressive,” she sings on “Mister Difficult.”

And while their debut album was recorded on the fly, Speedy Ortiz spent almost a month in the studio on Foil Deer. Falcone’s drums are taut, mechanistic; Ferm’s bass ranges from the aggressive rattle of an AmRep classic to smoother, hip-hop inspired lines. McKnight, meanwhile, lends spacier, textural riffs to complement Dupuis’ wiry, melody-driven guitar style.

The album was recorded and mixed at Brooklyn’s Rare Book Room with Nicolas Vernhes (Silver Jews, Enon, Deerhunter), with the record mastered by Emily Lazar (Sia, Haim, Beauty Pill), lending a more polished sound and a pop sensibility that will stand out to existing fans and new converts alike. For all the lyrical complexity and guitar-based excursions Speedy Ortiz have built their reputation on to this point, Foil Deer has a sense of light-footed fun. What's the point of doing things yourself if you're not going to enjoy the trip?
96 kHz / 24-bit PCM – Carpark Records Studio Masters

Tracks 1-12 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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